Jim Bearden Movies

The time: June 1998. The place: The sleepy town of Jasper, TX. Three young, self-styled white supremists overpower a 49-year-old black man named James Byrd Jr., chain him to the back of their pickup, and literally drag him to death. What follows is a media firestorm, exacerbated by scores of network and cable-TV news services, the grim pronouncements of so-called pundits, and the intrusion upon Jasper of several extremist activists, ranging from members of the Ku Klux Klan to the newly formed Black Panthers. As the frenzy continues, the heretofore peaceful, if somewhat tenuous, relationship between the white and black residents of Jasper is severely strained, with echoes of past racism resounding throughout the area. In the center of the controversy are two decent, hard-working public servants: R.C. Horn, the first black mayor of Jasper, and Billy Rowles, the town's white sheriff. Also profoundly affected by the appalling murder of Byrd are the respective parents of the victim and the killers. Happily, when the dust clears, justice is done (two of the murderers are condemned to death, the third sentenced to life imprisonment), and, instead of being wrenched apart, the black and white communities of Jasper draw closer together than they have ever been. Made for cable TV, this feature-length reenactment stars Louis Gossett Jr. as Horn and Jon Voight as Rowles. Although certain liberties are taken (the actor playing Byrd is clearly much younger than his real-life counterpart and the Black Panthers and KKK are incorrectly shown descending upon Jasper the same day), the film is, by and large, accurate. Better still, there is a minimum of preaching and proselytizing. Previewed at the Philadelphia Film Festival, Jasper, Texas was given its official Showtime network cable premiere on June 8, 2003 -- almost five years to the day after Byrd's death. ~ Hal Erickson, Rovi

Nathaniel Hawthorne's classic novel of hypocrisy among America's pilgrims was brought to the screen by director Roland Joffe in this 1995 feature. Demi Moore stars as Hester Prynne, a new arrival to the Massachusetts Bay Colony in 1666. Prynne, who interacts freely with slaves and Quakers and wears revealing garb, is something of a free thinker and off-putting to the uptight locals. She awaits the arrival of her husband, Roger (Robert Duvall), but he is reported killed. One person who does not find Prynne unsettling is the new preacher, Arthur Dimmesdale (Gary Oldman). A torrid encounter between them produces a child, Pearl, and Hester is condemned by the colony, forced to wear a scarlet letter "A" (for "adultery"). Roger reappears; he had been living with a native tribe -- an experience that has driven him mad. He masquerades as "Roger Chillingsworth," trying to discover the identity of Pearl's father. When Hester is about to be executed, Dimmesdale confesses, but a timely Indian raid intervenes, saving him and Hester. The Scarlet Letter was widely derided by critics for sexualizing and changing Hawthorne's novel to an absurd degree. ~ Karl Williams, Rovi

This screwball urban comedy is about two dippy roommates, struggling musicians Lolly (Melanie Mayron) and Hattie (Helen Slater), who are asked by an equally spacey, drug-dealing friend-of-a-friend Diane (Loretta Devine) to baby-sit a bag containing nearly a million dollars while she scoots out of town in order to avoid trouble. Once the money is in their possession, however, temptation proves too much for Lolly and Hattie, who use the ill-gotten cash to pay the rent, buy new instruments, and embark on a shopping spree for earrings, clothes, and shoes. While the girls dig themselves deeper into trouble with every dollar spent, they also encounter a variety of eccentric characters, including a fellow musician (Danitra Vance), their ailing landlady (Eileen Brennan), Lolly's boyfriend (Christopher Guest), and a parking lot attendant (Stephen McHattie). The latter, however, is actually a cop who's keeping surveillance on them from across the street. Mayron co-wrote the script for Sticky Fingers (1988) with actress and first-time director Catlin Adams. ~ Karl Williams, Rovi

Produced for the HBO Cable service, Act of Vengeance reenacts the 1969 murder of United Mine Workers leader Jock Yablonski. Yablonski (Charles Bronson) virtually writes his own death warrant when, after a "safe" mine collapses and 80 miners are killed, he rebels against the incumbent UMW boss Tony Boyle (Wilford Brimley) to campaign for presidency of the union. Boyle gets the word out that one less Yablonski in the world would be preferable. Yablonski is depicted as being fully aware of the danger he faces in challenging Boyle--and is supported in his decision by his courageous wife (Ellen Burstyn). Based on the book by Trevor Armbrister, Act of Vengeance premiered on April 20, 1986. ~ Hal Erickson, Rovi

Public safety takes a turn for the worse in this hit comedy, which spawned a long-running franchise. As a crime wave sweeps through a major city, the mayor decides that part of the problem may stem from overly restrictive qualifications for police officers, so she opens the door of the city's Police Academy to anyone who wants to join. Soon, the new class is overrun with misfits and losers, including Carey Mahoney (Steve Guttenberg), who is given the choice of joining the force or going to jail; Karen Thompson (Kim Cattrall), a pretty cadet whom Mahoney has his eye on; Moses Hightower (Bubba Smith), a mountain of a man who likes to tend flowers; and Larvell Jones (Michael Winslow), who has an uncanny ability to imitate the sound of practically anything. Constantly befuddled Commandant Lassard (George Gaynes) and his lackey, Lt. Harris (G.W. Bailey), are none too thrilled with their new charges, but as they try to wash their hands of the cadets, Mahoney and his classmates become all the more determined to make good. The surprising success of Police Academy spawned six sequels and two TV series. ~ Mark Deming, Rovi

Christopher Walken plays a schoolteacher, Johnny Smith, who awakens from a five-year coma. He discovers that he has acquired the ability to foretell a person's future simply by touching his or her hand. After seeing several examples, Smith's doctor (Herbert Lom) becomes convinced that Smith can not only predict the future, but also has the power to change it. This ability is given its severest test when Smith shakes the hand of ruthless political candidate Greg Stillson (Martin Sheen) -- and suddenly has a flash-forward to a nuclear holocaust. The Dead Zone is not only one of the best-ever Stephen King adaptations, but also one of the most consistently successful (and least gory) efforts of director David Cronenberg. ~ Hal Erickson, Rovi