Michael Chieffo Movies

A gay man takes an experimental medication designed to make him heterosexual in this provocative independent drama. Plain-looking, unlucky in love, and approaching middle age, Tim (Jonathan Slavin) isn't very happy with the shallow hedonism of the gay world. He pines for his straight best friend Don (Mike Begovich), whose occasional willingness to accept drunken oral sex marks the closest thing to a date Tim's enjoyed in years. When news breaks of a drug trial for a miracle pill that will turn homosexual men straight, Tim jumps at the chance to enroll. His decision alienates him from Joey (Scotch Ellis Loring), his good-time-guy pal, and from Don, whose company he must shun in order to bolster the drug's effectiveness. As the treatment progresses, Tim tries out hetero sex with Sally (Susan Slome), a co-worker who's been in love with him for years. But when he spurns Sally for a better-looking new girlfriend who knows nothing of his gay past, Tim's final link to his previous life is severed. Ultimately, though, a crisis among his old friends drags Tim back into their orbit, putting his entire course of treatment in jeopardy. The debut feature from writer/director John Baumgartner, Hard Pill played the festival circuit before airing on Logo, the nascent, Viacom-owned gay cable network. ~ Brian J. Dillard, All Movie Guide

Everybody Loves Raymond co-star Brad Garrett brings "The Great One" to life in this made-for-TV biography of video icon Jackie Gleason. The product of a fractious Brooklyn childhood, capped by the abrupt desertion of his ne'er-do-well father, Gleason launches his show business career with the motto "Never depend on anyone." Yet because of his multitude of insecurities, he demands total loyalty and 100-percent devotion from everyone around him. Trouble is, he has no loyalty or devotion to give in return: Dedicated to his career, his drinking, and his womanizing (not always in that order), Jackie neglects his wife Gen (Gretchen Egolf) and his children, tyrannizes his associates in general and his faithful agent George "Bullets" Durgom (Saul Rubinek) in particular, and shamelessly steals other people's ideas and comedy material, claiming it exclusively as his own. For all his bluster and bullying, Gleason remains likable and arguably even lovable -- just like his most famous TV character, Brooklyn bus driver Ralph Kramden (indeed, the script suggests that Gleason was Kramden and Kramden was Gleason -- and that Jackie was envious of Ralph's ability to "make things up" to his long-suffering wife Alice at the end of each Honeymooners sketch). The film is at its best in its re-creations of Gleason's stage and TV triumphs, though one could nitpick about the hazy and often downright inaccurate chronology of events. As the title character, Brad Garrett offers an uncannily on-target portrayal, despite the fact that the 6'8" actor was nearly a foot taller than the real Gleason (this discrepancy was amply compensated for by the clever camera angles of cinematographer Neil Roach, not to mention the elevator shoes worn by practically every other member of the cast). Of the supporting players, Gretchen Egolf and Terry Farrell are superb as Jackie's first and second wives respectively, while Michael Chieffo's portrayal of Art Carney is eerily perfect. Co-written by Michael Preminger and Rick Podell, the same team responsible for Jackie Gleason's final theatrical feature Nothing in Common, Gleason made its CBS network debut on October 13, 2002. ~ Hal Erickson, All Movie Guide

Like many other made-for-TV biopics inspired by popular television series of yore, Come on Get Happy: The Partridge Family Story offers the spectacle of actors playing other actors playing different characters--and as such, those "characters" come off as more interesting than the "real" actors. Focusing exclusively on the five years (1970-1974) that The Partridge Family was in production, the story is told from the viewpoint of Danny Bonaduce (played by a pre-Desperate Housewives) Shawn Pyfrom), and accordingly is colored by the sentiments so often expressed by the real, irrepressibly outspoken Bonaduce. Upon landing the coveted role of Danny Partridge, young Bonaduce must contend with the jealousy of his abusive father Joseph (William Russ); all the while, Danny is a sidelines observer of the effect that overnight stardom has on his coworker David Cassidy (Keith Partridge), who (it says here) despises all the idolatry and yearns for a normal life. Rather touchingly, the film recounts the surrogate son-surrogate father relationship between Danny and actor Dave Madden (Michael Chieffo), who was genuinely fond of his younger costars despite the kid-hating irascibility of his "Reuben Kincaid" character. The film's highlight, which would be impossible to belief if it wasn't corroborated by witnesses, is the episode wherein Cassidy impulsively "kidnaps" Danny, whereupon both boys head off on a short journey of self-discovery; less easy to swallow is the scene which contrives a feud between the "Partridge" cast and the actors on the rival series The Brady Bunch (who are, interestingly enough, identified only by their character names and not their real names). Come on Get Happy: The Partridge Family Story made its ABC network bow on November 13, 1999. ~ Hal Erickson, All Movie Guide

Sean Young stars as a spoiled Hollywood star who finds herself marooned in the Wild West after a car wreck. When a handsome cowboy in the midst of a cattle drive suddenly appears, the pampered princess has little choice but to accompany him to the nearest town. This romantic adventure was made especially for the Family Channel. ~ Sandra Brennan, All Movie Guide

A nubile young babysitter (Alicia Silverstone) has no idea that she is the center of a maelstrom of male sexual fantasies. Based on a disturbing short story by Robert Coover, the drama presents a non-linear account of a perfectly mundane event. Having a social engagement, a couple calls for their babysitter. She arrives, they go out, her boyfriend comes over, and the weirdness begins -- for director Guy Ferland makes little distinction between the character fantasies and what is really occurring. Something will happen, and then it will happen again; only the outcome is different. What makes this dark film so disturbingly creepy is that none of the males involved, neither the frustrated boyfriend, the horny husband who hired her, or even her little charge has nice fantasies about her. The film contains several sexual scenes and some scenes of violence. ~ Sandra Brennan, All Movie Guide

Michael Douglas runs afoul of a treacherous supervisor in this film version of Michael Crichton's novel. Douglas plays Tom Sanders, an executive at DigiCom, a leading computer software firm. DigiCom is about to launch a new virtual reality-based data storage system that is expected to revolutionize the industry, and Bob Garvin (Donald Sutherland), the owner of the company, is in the midst of negotiating a merger that could bring $100 million into the firm. However, while Tom is expecting a promotion, he discovers the position has been given instead to a new hire, Meredith Johnson (Demi Moore), with whom Tom had an affair years ago, before he was married. After her first day of work, Meredith invites Tom up to her office and makes a concerted attempt to seduce him; while Tom doesn't fight off her advances with very much gusto at first, eventually he decides things have gone too far and leaves in a huff. The next morning, Meredith accuses Tom of sexual harassment, and he realizes this was merely a power ploy to get him out of DigiCom for good; Tom, determined to fight, files a counter-suit, which makes him no friends at the company, since rocking the boat too hard could very well scotch the merger. Dennis Miller also appears as one of Tom's wise-cracking co-workers. ~ Mark Deming, All Movie Guide

What does a biographer do when the truth about his subject is far less pleasant than the legend? That is the moral dilemma at the heart of Cobb, which explores the lives of both baseball's premier hitter, Ty Cobb (Tommy Lee Jones), and the sportswriter assigned to set his story down, Al Stump (Robert Wuhl). Stump arrives at the Tahoe home of the dying Cobb to write the official life story of the first man inducted into the Baseball Hall Of Fame. He finds a drunken, misanthropic, bitter racist who abuses his biographer as well as everyone else. Stump must either candycoat his subject's life or present an accurate picture of a disgusting man who happened to become an American sports hero. The movie's biting focus on Cobb, ferociously performed by Jones, is not matched by its weaker representation of Stump, an imbalance which ultimately weakens the film's overall effect. ~ Don Kaye, All Movie Guide

Arnold Schwarzenegger appears as a pumped-up Shakespearian hero while an announcer bellows, "Something is rotten in Denmark -- and Hamlet is taking out the trash!" This gag sets the stage for the post-modernist action epic The Last Action Hero. The film concerns Danny Madigan (Austin O'Brien), a lonely eleven-year-old boy who escapes from his bleak New York City reality by glorying in the action adventure movies of his favorite film character, Jack Slater (Arnold Schwarzenegger). Danny's friend is an elderly movie projectionist, Nick (Robert Prosky), who lets Danny into the shabby Times Square movie theater where he works so Danny can see Slater's new movie. He hands Danny a magic ticket given to him years ago by Houdini, and when Nick rips the ticket and gives Danny the stub, Danny finds himself catapulted from the theater into the back seat of Slater's speeding sports car in "Jack Slater IV." Danny becomes Slater's helper as Jack battles a trio of nefarious bad guys --Benedict (Charles Dance), Vivaldi (Anthony Quinn) and The Ripper (Tom Noonan). But things get out of hand when Benedict steals Danny's magic ticket stub and transports himself into Danny's reality. Benedict and The Ripper proceed to wreak havoc along Broadway, forcing Slater to cross into reality to get the villains and, in the process, learn about blood and pain. ~ Paul Brenner, All Movie Guide

This highly rated independent production was written years before Bull Durham, and though it covers much of the same territory, it is considered worth seeing in its own right. In the story, Roy Dean Bream (William Russ) is too old to be part of his minor-league baseball team's cultural mainstream. In short, he's often ignored, derided, or treated to the worst or last of everything, like any other outcast. Tyrone (Glenn Plummer) is so young that it gives the same teammates who shun Roy the willies and reminds them that they too are getting older -- so he's an outcaste, too. What could be more natural than for these two men to seek one another out. It doesn't matter that the older man is white, the younger is black. They both love the game, and Roy has been around the block a few times and has plenty to teach Tyrone. When the time comes for Roy to be sent to retirement, everyone holds their breaths to see how he will react. It's a pity they didn't get to know him better, or they would know that this kind, generous man wishes them all well. ~ Clarke Fountain, All Movie Guide

Lawrence Kasdan's black comedy about a wife's ultimate revenge against her womanizing husband is based on a true story about the wife of a pizzeria owner who decided to kill her cheating husband. When her attempt to murder him failed, the husband refused to press charges against her because he felt she had done the right thing. Kevin Kline is the pizzeria owner Joey Boca in I Love You to Death. Joey is a smooth Italian lothario, modeled after Marcello Mastroianni, who cheerfully dons his plumbers overalls to repair his female tenants' plumbing in the rental apartments the family owns. Joey feels he is justified in bedding down countless numbers of women because of all the hours he puts in day after day at the pizzeria. Plus, as he tells one of his women friends, "I'm a man. I got a lotta hormones in my body." His wife Rosalie (Tracey Ullman) sweetly ignores her husband's philandering -- that is until she visits the public library and sees Joey fondling one of tenants in the book stacks. At first Rosalie considers suicide, but finally, egged on by her mother Nadja (Joan Plowright), she determines that Joey must be the one to face the music. But the people Rosalie hires to do Joey in are of the cut-rate variety and are unsuccessful. They then try to knock Joey off by feeding him barbiturate-laced spaghetti, but also to no avail. Rosalie then enlists pizzeria employee Deco Nod (River Phoenix), who has a crush on Rosalie, to do the job. But even then, they have no luck. As a last resort, they try to hire professionals. What they get instead are two drugged-out junkies -- Harlan (William Hurt) and Marlin (Keanu Reeves) -- who arrive at the home and blast at a slumbering figure in the bedroom. Then, while they report on their progress downstairs, Joey ambles into the living room, very much alive. ~ Paul Brenner, All Movie Guide

Set in a grim future world, a special U.S. task force is sent to Central America to rescue a downed spy plane. ~ Jason Ankeny, All Movie Guide

Based on a true story, the two-part TV movie I Know My First Name Is Steven tells the tragic story of Steven Stayner. At age seven, Steven was kidnapped by two men who held him captive in a tiny shed for seven years. One of the men, a habitual child abuser named Kenneth Parnell, sexually assaulted Steven on an almost daily basis during the boy's ordeal. At age 14, Steven finally was able to escape and return to his family. But we are shown that Steven's safe return was far from the happy ending it appeared to be. He's forced to adjust to a family he'd never really known, to convince himself that his parents had never forgotten him, and to put his seven-year hell behind him. While I Know My First Name Is Steven ends on an upbeat note, the real Stayner died in a motorcycle accident only a few months after this film was first telecast in May 1989. ~ Hal Erickson, All Movie Guide