John Bayliss

The time: June 1998. The place: The sleepy town of Jasper, TX. Three young, self-styled white supremists overpower a 49-year-old black man named James Byrd Jr., chain him to the back of their pickup, and literally drag him to death. What follows is a media firestorm, exacerbated by scores of network and cable-TV news services, the grim pronouncements of so-called pundits, and the intrusion upon Jasper of several extremist activists, ranging from members of the Ku Klux Klan to the newly formed Black Panthers. As the frenzy continues, the heretofore peaceful, if somewhat tenuous, relationship between the white and black residents of Jasper is severely strained, with echoes of past racism resounding throughout the area. In the center of the controversy are two decent, hard-working public servants: R.C. Horn, the first black mayor of Jasper, and Billy Rowles, the town's white sheriff. Also profoundly affected by the appalling murder of Byrd are the respective parents of the victim and the killers. Happily, when the dust clears, justice is done (two of the murderers are condemned to death, the third sentenced to life imprisonment), and, instead of being wrenched apart, the black and white communities of Jasper draw closer together than they have ever been. Made for cable TV, this feature-length reenactment stars Louis Gossett Jr. as Horn and Jon Voight as Rowles. Although certain liberties are taken (the actor playing Byrd is clearly much younger than his real-life counterpart and the Black Panthers and KKK are incorrectly shown descending upon Jasper the same day), the film is, by and large, accurate. Better still, there is a minimum of preaching and proselytizing. Previewed at the Philadelphia Film Festival, Jasper, Texas was given its official Showtime network cable premiere on June 8, 2003 -- almost five years to the day after Byrd's death. ~ Hal Erickson, All Movie Guide

A case of mistaken identity goes too far in this made-for-television romantic comedy. Tea Leoni stars as Gina Nardino, a young store clerk who pretends to be an Italian countess in order to impress a rich man of society. Her charade starts to fall apart though when his brother gets wise to her schemes. ~ Bernadette McCallion, All Movie Guide

Two twin brothers, both renowned gynecologists, descend into madness after becoming romantically involved with the same woman in this disturbing, horrific drama. Jeremy Irons delivers a bravura performance as both Beverly and Elliot Mantle, Toronto-based surgeons who operate an exclusive gynecological clinic and share a reputation as brilliant innovators. They also share lovers, as the more aggressive, confident Elliott seduces women and later secretly allows the shier, more intellectual Beverly to reap the benefits. This arrangement is disturbed when Beverly falls in love with their newest conquest, Claire Niveau (Genevieve Bujold), a famous actress with an unusual gynecological deformity. Beverly's relationship with the hard-living Claire leads to him to turn away from Elliot and begin a dangerous involvement with drugs and alcohol. Elliot senses his brother's rapid decline into addiction and paranoia and attempts to save him, only to start falling victim to the same urges. Director David Cronenberg adapted the loosely fact-based tale to his own creepy purposes, tapping into primal fears regarding the uncanniness of twins and male sexual panic. His notorious gore was used sparingly here, however, with the film's most disturbing moments coming through suggestion, as in the display of a group of terrifying surgical instruments created by Beverly in his madness. Cronenberg's expertise with special effects proves crucial, however, as he and his regular cinematographer Peter Suschitzsky seamlessly combine Irons' two performances in a manner unrivalled by any previous depiction of twins. This visual achievement is more than matched by Irons, who delivers what may be his career performance, delineating the twins' differences and similarities and embodying their collapse in frighteningly believable fashion. The subject matter and chilly tone may be too intense for some viewers, but the brilliant central performance and intellectually provocative approach will prove thoroughly absorbing for others. ~ Judd Blaise, All Movie Guide

William Fruet directed this odd Canadian horror film based on a novel by Michael Maryk and Brent Monahan. Wealthy Jason Kincaid (Oliver Reed) has a telepathic link to a mysterious snake god called N'Gana Sunbu. A strange cult sets the snake free after it grows to monstrous size, whereupon it terrorizes a college town. Kincaid joins its list of victims before a parapsychologist (Peter Fonda) puts the creature out of its misery with a machine-gun. Al Waxman, Kerrie Keane, and Marilyn Lightstone co-star in this occasionally entertaining shocker featuring gruesome special effects by Dick Smith. ~ Robert Firsching, All Movie Guide

In Hungary, 12-year-old Andras Vadya supported himself during World War II by serving as a pimp for prostitutes. Once the war is over, he tries his hand at a number of different jobs, but has a sexual fixation on "older" women. Andras (Tom Berenger) tells the story of seven of his affairs. One affair, when he was still a quite young man, was with Bobbie (Susan Strasberg), a woman whose anti-communist views put her in danger in postwar Hungary. In Praise of Older Women features many sexual scenes and situations. ~ Clarke Fountain, All Movie Guide