Walter Chiari Movies

Courtroom tomfoolery provides the basis for this four-episode Italian anthology comedy. In the first segment "Adultery in 16mm," an angry wife attempts to sue her neglectful husband by charging him with abandonment. Meanwhile, he charges her with adultery and claims to have a few reels of home-movie footage to prove it. The films are shown and the courtroom gasps when they learn the identity of the woman's lover. The second "The Priest and the Prostitute," centers on a self-righteous clergyman who pursues the streetwalker who picked his pocket. The hunted and hunter end up in a pool hall. When she attempts to give her ill-gotten loot to her pimp, the priest pounces and a melee erupts. The police end up taking all of them to jail where more fun follows. In the third episode, "Indecent Exposure," an overly health-conscious fellow religiously swims naked in a Roman ditch every day. The trouble begins on the day in which his clothes are stolen. In the final episode, "The Lustful Lieutenant," an old hooker is charged with soliciting. The attending judge is struck by her resemblance to his old wartime love, but he isn't sure whether it is really her or not. ~ Sandra Brennan, All Movie Guide

This early Luchno Visconti drama stars Anna Magnani as an overbearing stage mother. Magnani's daughter (Tina Apicella) has zero talent, but Magnani raises such a ruckus at the studio after the girl's abortive screen test that the producers eventually find work for the girl. By this point, Magnani has renounced show business and, with daughter in tow, returns to her patient husband, who has been waiting for his wife to get her dreams of vicarious stardom out of her system. Based on a story by famed Italian scenarist (and frequent Fellini collaborator) Cesar Zavattini, Bellissima seems too trivial a story to be given the tender loving care provided by Visconti. Originally released at 130 minutes, the film was honed down to 90 minutes for American consumption. ~ Hal Erickson, All Movie Guide

The legendary Shakespearean character Sir John Falstaff, the notoriously drunken, obese, and yet charming companion of the young Henry V, steps up from supporting character in several plays to the central focus of Orson Welles' Chimes at Midnight, considered by many critics the best of the director's acclaimed Shakespeare films. The script borrows scenes from several plays, but draws most heavily on the two parts of Henry IV, focusing on the shifting relationship between Falstaff and Prince Hal. Beginning as the prince's companion in debauchery and idleness, the corpulent jokester finds himself falling out of favor as the prince comes to terms with the importance of his destiny as England's future leader. While Falstaff's ample wit is still much in evidence, the film places greater emphasis on the tragic character beneath all the joviality, with Welles perfectly embodying this mixture of spiritually youthful prankster and sad adult. While his towering performance naturally takes center stage, the other cast members are also superb. The film's visual elements are also strong, with Welles' attention to composition matching his sensitivity to character. There are technical imperfections due to the film's extremely limited budget, including an inconsistent soundtrack, but they are unable to overshadow the film's many achievements. ~ Judd Blaise, All Movie Guide

A stellar international cast compensates somewhat for the rambling plotlessness of The Girl Game. The film takes place during Carnival Time in Rio De Janeiro. As unconfined joy wafts its way through the streets, the lives of several fabulously wealthy visitors and a group of voluptuous stewardesses intersect, sometimes with startling results. Sylvia Koscina and Mylene Demongeot are among the visual delights of this garish romp. Originally released at 125 minutes, The Girl Game (also known as Copacabana Palace and The Saga of the Flying Hostesses) was pared down to 90 minutes for its play-off dates. ~ Hal Erickson, All Movie Guide

In this romantic comedy, a ship load of the rich and horny embark on a cruise aboard a millionaire's yacht. Included in the guest roster are a French businessman, his singing wife, his mistress, his wife's lover, a count whom the businessman hired to sleep with his wife so he can get a divorce, the boat owner's lover and his son, a lovely model hired by the owner to seduce his son who seems alarmingly disinterested in women, and a photographer to record it all. Lusty confusion ensues until everyone finds their proper mate. ~ Sandra Brennan, All Movie Guide

In a theme which seems to have been popular at this time in Italian cinema (as in La Parmigiana, for instance), country-born-and-bred woman Daniela (Daniela Rocca) comes to the big city to look for a wealthy man. Her dream is to one day live in a penthouse, that ultimate urban symbol of having "arrived" financially. Putting her ideal before all else, even her moral standards, she goes from bad to worse as she tries to realize her dream. This otherwise routine drama is interspersed with a few comic moments and sharp observations. ~ Eleanor Mannikka, All Movie Guide

In this French comedy, a clever fellow proves himself smarter than the gangsters who would exploit him. The trouble begins in Paris when the vacationing hero accidentally gets into an auto accident with a smuggler. The crook is most apologetic for the mishap and kindly offers to let him drive his Cadillac to Bordeaux and continue with his holiday. The poor traveler doesn't know that the vehicle is a black market on wheels carrying everything from jewels to heroine. He is pursued by the smuggler and by a rival gang. He is so busy enjoying himself that he doesn't bother to look back at the gun battles raging behind him. He ends up picking up two hitchhiking women and continuing his leisurely journey. When he finally realizes that they are using him, he drives the crooks right to the police station. Later he discovers that the steering wheel of the car contains the largest diamond in the world. ~ Sandra Brennan, All Movie Guide