Mark Anger Movies

History tells us that would-be automobile mogul Preston Tucker was a silver-tongued con man, who misappropriated his investors' money and played fast and loose with ethics and legalities in the pursuit of his dream. Filmmaker Francis Ford Coppola isn't buying this: to hear Coppola tell it, Tucker was "Mr. Smith Goes to Detroit," a sincere visionary who tried and failed to buck the Big Three auto manufacturers. Moreover, he was a staunch defender of family values, as witness his inseparable relationship with his loyal wife (Joan Allen) and adoring children. It was for his family's sake, rather than any dreams of financial gain, that Tucker created the oddball three-headlight vehicle which he envisioned as the "car of the future". Naturally, the corporate fat cats of 1947 can't abide competition from a rugged individualist; thus, with several politicos in their pockets, they crush the Tucker and the man who built it. We'd have been more inclined to believe the story had Coppola adopted a straightforward Capraesque approach and not utilized all sorts of complicated camera trickery. Somehow, by presenting Tucker in so showoffy a directorial manner, the character comes off more as a sleight-of-hand artist than a bastion of sincerity. Even so, Jeff Bridges does a nice job as Tucker, as does Martin Landau as Tucker's incongruous business partner. Jeff's dad, Lloyd Bridges, appears in an uncredited role as a "bought" senator. ~ Hal Erickson, All Movie Guide

Director Wim Wenders made his American film bow with the ultra-stylish Hammett. Based on the speculative novel by Joe Gores, the story concerns real-life detective novelist Dashiell Hammett (Frederic Forest), who early in his career is involved in a complex mystery that will profoundly influence his later works. While hacking away for pulp magazines, Hammett is asked by Jimmy Ryan (Peter Boyle), his old boss at the Pinkerton agency (and the model for the writer's "Continental Op" character), to help out on a particularly difficult case. Before long, Hammett is prowling the nooks and crannies of San Francisco in search of a missing Chinese prostitute-blackmailer (Lydia Lei). Among the several delectable "inside jokes" in Hammett is the presence of Elisha Cook, who'd appeared in the 1941 film adaptation of Hammett's Maltese Falcon, as Eli the Cab Driver. Cinematographers Philip H. Lathrop and Joseph Biroc work overtime to invest Hammett with the "feel" of a classic 1940s detective yarn. ~ Hal Erickson, All Movie Guide