Patrick Chesnais Movies

Meet the Celliers: despite their appearances as an ordinary and seemingly unremarkable French family, a host of severe dysfunctions linger just beneath the surface that continue to upset their lives and threaten to tear everyone apart. Patriarch Henry (Patrick Chesnais), an ex-corporate manager, evinces signs of extreme, multi-leveled regression; his wife Mady (Charlotte Rampling), a sexagenarian housewife, spreads wicked gossip about their two girls; daughter Alice (Mathilde Seigner, still rebounding from two abortions, obsessively paints drug-addled Madonnas; and that's only the beginning. The family's future takes an unusual turn when a mysterious stranger, the jaded, loner policeman Jacques (Olivier Marchal) turns up and wields dramatic influence over everyone. This newcomer succeeds in drawing out long buried neuroses and hang-ups and exacerbating virtually every conflict in the household. ~ Nathan Southern, Rovi

Laetitia Casta stars in director Gilles Legrand's drama concerning an Edwardian-era girl whose fate becomes permanently intertwined with that of the last wolf pack on Mont Blanc. Angele (Casta) is a child who lives in a French Alpine town with her taxidermist father Leon (Patrick Chesnais). Shortly after Leon receives a pile of wolf corpses that he plans to stuff, Angele notices an orphaned black cub descending from the mountains in search of his family. Angele realizes that trappers will kill the cub if they find him, so she quietly releases him back into the wild. Years later, following World War I, a local family named The Garcins have struck it rich from business at their foundry; Leon named the Garcin patriarch, Albert, Angele's godfather. A benevolent and generous soul, Albert has given a local gypsy and her developmentally disabled son Guiseppe (Stefano Accorsi) a lifetime lease on a nearby mountain shack. Giuseppe guards several surviving wolves with his life, taking a special shine to the black pack leader he names Carbone. Meanwhile, Angele - who is now a young woman - longs to become a veterinarian specializing in undomesticated animals. Though the local men scoff at the idea of a female veterinarian, Angele ignores these naysayers. In order to gain some professional veterinary experience, she recruits circus owner Zhormov (Miglen Mirtchev) to fly her into the mountains that tower above her hometown, where she hopes to find wild animals. During the course of their journey, however, the plane crashes and Angele must wait as Zhormov searches for help. But sometimes help arrives in the most unexpected of forms, such as the black wolf that recognizes Angele's scent from the days when he was just a frightened pup. ~ Jason Buchanan, Rovi

Turkish directors The Taylan Brothers (Yagmar and Durul) co-helm The Little Apocalypse, a psychological thriller with a distinctly supernatural twinge. The Taylans weave the narrative around the August 17, 1999 earthquake that rocked Istanbul and massacred thousands. The story opens with an extended family - husband and wife Zeki (Cansel Elcin) and Bilge (Koklukaya), their infant son, their school-age daughter Eda (Serra Gurgunlu) and their nanny Filiz (Binnur Kaya) piling into the family car en route to a holiday in Fethive, southwestern Turkey, where they plan to connect with Bilge's niece and nephew. On the way, however, tragedy strikes in the form of the earthquake. Everyone seemingly emerges unscathed and uninjured, but upon arrival at the resort, a number of seemingly inexplicable catastrophes transpire: the "resort" is built on a mosquito infested swamp, next to a graveyard with the names of the family members on the gravestones; bloodthirsty wolves turn up at night to plague the area; and the locals act decidedly odd. Meanwhile, Bilge begins to suffer from recurrent, terror-stricken nightmares about her dead mother. ~ Nathan Southern, Rovi

The astonishing true-life story of Jean-Dominic Bauby -- a man who held the world in his palm, lost everything to sudden paralysis at 43 years old, and somehow found the strength to rebound -- first touched the world in Bauby's best-selling autobiography The Diving Bell and the Butterfly (aka La Scaphandre et la Papillon), then in Jean-Jacques Beineix's half-hour 1997 documentary of Bauby at work, released under the same title, and, ten years after that, in this Cannes-selected docudrama, helmed by Julian Schnabel (Basquiat) and adapted from the memoir by Ronald Harwood (Cromwell). The Schnabel/Harwood picture follows Bauby's story to the letter -- his instantaneous descent from a wealthy and congenial playboy and the editor of French Elle, to a bed-bound, hospitalized stroke victim with an inactive brain stem that made it impossible for him to speak or move a muscle of his body. This prison, as it were, became a kind of "diving bell" for Bauby -- one with no means of escape. With the editor's mind unaffected, his only solace lay in the "butterfly" of his seemingly depthless fantasies and memories. Because of Bauby's physical restriction, he only possessed one channel for communication with the outside world: ocular activity. By moving his eyes and blinking, he not only began to interact again with the world around him, but -- astonishingly -- authored the said memoir via a code used to signify specific letters of the alphabet. In Schnabel's picture, Mathieu Amalric tackles the difficult role of Bauby; the film co-stars Emmanuelle Seigner, Marie-Josée Croze, Anne Consigny, and Patrick Chesnais. ~ Nathan Southern, Rovi

A weary "hussier de justice" whose job it is to deliver the paperwork preceding eviction and seizure of property forges a warm but tenuous relationship with a doubtful bride-to-be in director Stephane Brize's melancholy slice of life drama. Jean-Claude is a dreary soul who inherited the thankless family business from his prickly, widowed father. Every Sunday the devoted son dutifully visits his elderly father in the nearby rest home, where the old man passes his time by heckling his put upon caretakers, and one day Jean-Claude notices a dance studio directly across from his drab office. Hoping that a tango lesson will provide the required jolt needed to shake him free of his midlife funk, the depressive Jean-Claude enrolls in a class only to find that one of his fellow students is a young woman for whom his mother once babysat. The bride-to-be of a teacher who has taken time out of the classroom to finish his ambitious first novel, the young woman is taking tango lessons in order to be properly prepared for her impending wedding. As a friendly bond develops between the pair over the course of the lessons, it soon becomes obvious that both are missing a crucial element of happiness in their lives. ~ Jason Buchanan, Rovi

Directed by Rémi Waterhouse, Mille Millièmes is centered around an eccentric ensemble of apartment residents. Kindness is noticeably absent among their quarters, as demonstrated by a dating pair of neighbors (Jean-Pierre Darroussin and Valérie Stroh) whose request to have their apartments connected was flatly denied. To make matters worse, beggars gathering at a charity event are cruelly tormented by various tenants during the Christmas season. Last but not least is the Portuguese concierge (Luis Rego) whose services are in danger of being replaced by a more cost-effective alternative, and a widow whose recent loss earns her no sympathy from the rent-demanding landlords. ~ Tracie Cooper, Rovi

Lies, betrayal, lust, and ennui are just a few of the themes at work in this knowing and urbane dissection of modern love and relationships, which follows the romantic pursuits of four disparate couples. Gabrielle is a shy but attractive librarian who falls for Remy, a seductive rake. Vanessa is a beautician who decides to shack up with Gerard, a significantly older professor of literature who compounds his loftiness by smoking a pipe. Then there's Brigitte, a rather bodacious woman who charms the pants off the younger Claude at a gallery opening. Finally, there is Cyril, an average Joe who falls in love with the stunningly beautiful Anick, and can't quite believe his luck. Director Eric Assous uses the ins and outs of all four couples to examine the never-ending battle of the sexes with humor, drama, and a keen eye for the nuances of gender politics. Very Opposite Sexes had its North American premiere at the 2002 Philadelphia Festival of World Cinema. ~ Rebecca Flint Marx, Rovi

In Oscar-winning director Sam Karmann's feature debut, full-time novelist Simon (Jean-Pierre Bacri) slowly slides off the deep end. Bored and thoroughly self-absorbed, he spends more of his time playing with a revolver and performing oral surgery on himself than on his writing. In a series of morosely defiant voice-overs, Simon ridicules everything from his grown children who he thinks he never should have bothered with fathering to his wife who is having an affair with an ears, nose, and throat specialist. In his tedium, he becomes obsessed with his psychologist's watch, supposedly the very watch that John F. Kennedy had on his wrist the day he was assassinated. ~ Jonathan Crow, Rovi

Helene (Anemone) is looking for her love of 25 years ago. She is 43 now, was 18 then. She has returned to the last place she saw him, a large house in the country. Once there, she finds Ariane making love to Matthieu. Matthieu is Sabine's husband; Sabine is younger than he is, she wants a child, Matthieu doesn't. Also at the time Helene arrives, she finds Lena leaning on a door, in tears. she has a lover 23 years younger than her, named Marc. Lena also has a child, Michel, a bright lad. The household also includes Cecile, who thought she was invited to babysit someone, and instead sits at the piano playing light classical tunes by the composer Gottschalk. When Helene is able to get the attention of these busy people, she confides her purpose to them, and in this bedroom farce they all agree to do whatever they can to help her. ~ Clarke Fountain, Rovi

After years of increasing boredom in her marriage, architect Emily (Cecilia Peck) gets her husband (Patrick Chesnais) to play at being a superspy to spice things up. This gives him a perfect excuse to put on a bright yellow hat and coat and make like Dick Tracy. It also gives some real-life spies the excuse they need to embroil the couple in some pretty hair-raising adventures. ~ Clarke Fountain, Rovi

It is a commonplace that past actions affect our present circumstances. This ambitious movie attempts to show how truly distant actions from former lives affect the subsequent lives of the protagonists. In the story, beginning in Roman times, a wanderer (Gerard Lanvin) miraculously tames some wild bees for a group of lepers, who are killed shortly after that by Roman soldiers. In modern times, a group of gypsies enjoy their communal life, full of dancing and merriment, and have a strong affinity for horses. At the same time, a genial female con-artist (Beatrice Dalle) is putting her boyfriend on a plane. When a handsome gypsy (the wanderer in his former life) meets the con-artist (one of the lepers in her former life), it is love at first sight. ~ Clarke Fountain, Rovi

Nathalie is a lawyer, and a good one. She defends poor creeps like Nicolas (Patrick Chesnais) against the well-paid lawyers of big corporations. Curiously, she has no problem being the girlfriend of one of those well-paid lawyers. However, Nicolas is a special case: he lost everything he had either personally or professionally as a result of corporate callousness, and when he became suicidal, she invited him into her life and her bed. Once Nicolas overcomes the urge to commit suicide, he becomes consumed with the possibility of getting, if not justice, at least revenge on those who ruined him. In this comedy, he comes very near to getting his wish. ~ Clarke Fountain, Rovi