Phil Adams Movies

Kim Basinger stars in this film based on the life and work of Kuki Gallmann. As a child, Kuki visited Africa with her family and became fascinated with the beauty of its land and wildlife. Years later, at the age of 25, Kuki returned to Africa with her husband, Paolo (Vincent Perez), and their young son, Emanuele (Liam Aiken). Kuki and Paolo built a ranch and developed a passionate interest in protecting the endangered wildlife of the region, such as elephants and rhinos. However, while Africa was a place of beauty and wonder for Kuki, it was also full of danger and tragedy, and when Paolo is unexpectedly killed, Kuki is left alone to fend for Emanuele and her unborn child in this spectacular but unforgiving landscape. I Dreamed of Africa was directed by Academy Award-winner Hugh Hudson and also features Robert Loggia and Eva Marie Saint. ~ Mark Deming, All Movie Guide

Stephen King wrote his first original screenplay for this horror gore fest that features cameos by directors Clive Barker, Joe Dante, Tobe Hooper, John Landis, and King himself (playing a cemetery attendant). The story concerns a twilight people named "sleepwalkers" --creatures similar to vampires and werewolves whose faces turn animalistic whenever they are frightened or angry and who require the lifeforce of a virgin to survive. A single-parent sleepwalker family, consisting of Mary Brady (Alice Krige) and her son Charles (Brian Krause), have taken up residence in a small Indiana town. Charles has expressed a romantic interest in the attractive Tanya Robertson (Madchen Amick), a girl in his high school literature class. Mary wants Charles to lure Tanya home so that she can suck out her life force, but it appears that Charles has fallen in love with her --that is, until their first date, at a picnic at the cemetery. There Charles changes from a shy romantic suitor into a brutal and violent force, slapping Tanya around and attempting to rape her. But Tanya wards off his advances by plunging a corkscrew into his torso. Charles staggers back home to mother, where she nurses him back to health. Then Charles and his mother seek vengeance upon the Robertson family. ~ Paul Brenner, All Movie Guide

Director and former stunt coordinator Chuck Bail takes the help for this fast-paced action thriller about a Harvard-graduate physicist whose efforts to create a safe source of energy are thwarted by nuclear waste-dumping baddies. David Lowell (Stephen Collins) has discovered the secret to clean energy, and he's ready to share his gift with the world. In just a few days, Hayley's Comet will pass over the Grand Canyon, and David will capture the energy from the high-frequency sound waves emitted from the enormous space rock. Unfortunately, there are those who would rather continue to profit from conventional forms of energy, and they're not afraid to use force to get their way. ~ Jason Buchanan, All Movie Guide

A former FBI agent is recruited to root out the gangsters who killed a fellow agent's son in this Arnold Schwarzenegger action film. After being booted out of the bureau for excessive violence, Kaminski (Schwarzenegger) lives in small-town exile with his bitter wife, Amy (Blanche Baker). He gets the chance to return to the big city, however, when Chicago mobsters murder the son of his old colleague Shannon (Darren McGavin), as well as scads of prosecution witnesses against them in an impending court case. Shannon promises to reinstate Kaminski if he'll help engineer the downfall of gang leader Max (Robert Davi). Working undercover and without government sanction, Kaminski infiltrates the mob by posing as a bodyguard/assassin. Along the way, he tussles with beautiful gambling addict Monique (Kathryn Harrold), who starts off as an enemy but ends up more. The action comes to a head when Kaminski's mob bosses send him to kill none other than Shannon. Released post-Terminator and pre-Predator, Raw Deal is one of several non-science fictional action flicks that cemented Schwarzenegger's '80s box-office appeal. Director John Irvin would return the following year with the gritty Vietnam drama Hamburger Hill. ~ Brian J. Dillard, All Movie Guide

Sean Penn graduated to full stardom with the 1984 drama Racing with the Moon, even though the film itself hardly set new box office records. Set in the early years of World War II, the film stars Penn as a small-town teen-aged hotshot, six weeks away from being shipped out to fight overseas. In the meantime, Penn begins to date Elizabeth McGovern, whom he assumes is from a wealthy family. Penn's pal Nicolas Cage, who's gotten his girlfriend Suzanne Adkinson pregnant, imposes upon Penn to hit up McGovern for the abortion money. That's when Penn discovers that the girl barely has a penny to her name. Convinced that Penn cared for her only when he thought she was rich, McGovern walks out on him, but later teams up with Penn to help the unfortunate Adkinson. The plot is pure James Dean, a fact not lost on fans who regarded Sean Penn as the second coming of Dean. A very slight piece, Racing With the Moon is buoyed by the engaging performances of the stars, and by director Richard Benjamin's meticulous attention to period detail-especially in those peerless bowling-alley and skating-rink sequences. ~ Hal Erickson, All Movie Guide

Richard Benjamin's directorial debut is an engaging slice of nostalgia, purportedly based on an incident in life of Mel Brooks. Mark Linn-Baker stars as Benjy Stone, junior writer on the popular 1950s TV comedy/variety series The King Kaiser Show. Kaiser (Joseph Bologna)'s guest star this week is Hollywood matinee idol Alan Swann (Peter O'Toole), a swashbuckling Errol Flynn type, right down to his indiscriminate womanizing and fondness for mass quantities of booze. Stone is assigned to keep the actor out of trouble during rehearsals and deliver him sober to the performance. Becoming fast friends, Stone and Swann alternate baby-sitting responsibilities: Swann takes the young writer to the Stork Club and on an early-morning jaunt through Central Park with a "borrowed" police horse, while Stone takes Swann to his home in the Bronx, where the star is fawned over by Benji's mom (Lainie Kazan) and asked embarrassing questions about his love life by Uncle Morty (Lou Jacobi). Despite a few anxious moments, all goes well until Swann, panicking at the discovery that King Kaiser's show will be telecast live and not on film, walks out just before airtime. Shamed by Benjy into honoring his committment, Swann makes a spectacular, timber-smashing entrance, saving the show and rescuing Kaiser from being rubbed out by a gangster (Cameron Mitchell) whom the comedian has offended. Though it fluctuates between wistful realism and the manic exaggeration of a TV comedy sketch, My Favorite Year holds together quite well, delivering a plentitude of solid laughs. Jessica Harper, usually the star of bizarro films like Inserts and Suspiria, is quite appealing as Benjy Stone's girlfriend; that lady dancing with O'Toole at the Stork Club is 1930s film star Gloria Stuart, later an Oscar nominee for Titanic; the King Kaiser Show wardrobe mistress is played by Selma Diamond, a real-life comedy writer for Sid Caesar. My Favorite Year was converted into an unsuccessful Broadway musical in the early 1990s. ~ Hal Erickson, All Movie Guide

The Zoo is the hottest disco in town, and on the night of the big dance contest, a wild assortment of disparate characters find themselves out on the floor together. DJ Bobby Speed (Ray Vitte) is convinced that broadcasting the show live on the radio waves and having the Commodores as musical entertainment will boost his career, but when their equipment gets lost on the highway, he starts to lose his cool. Nicole (Donna Summer) is a bumbling but beautiful neophyte singer who schemes to earn her big break on the disco's stage. Frannie and Jeannie (Valerie Landsberg and Terri Nunn) are underage high school girls who need the contest prize money to buy Kiss concert tickets. A bored married couple (Mark Lonow and Andrea Howard) stumble into the Zoo on their anniversary; their relationship is tested by a wacky pill-popping vixen (Marya Small) and the disco's womanizing owner (Jeff Goldblum). A host of mismatched singles make the scene hoping for a chance at love (or at least a one night stand), though the exuberant Marv "Leather Man" Gomez (Chick Vennera) lives only to dance, and expounds on his philosophy at length. There's plenty of thumping disco action and nothing but happy endings in this colorful period comedy. ~ Fred Beldin, All Movie Guide

Robert Forster delivers a well-turned performance as a professional stuntman in this Hawksian murder mystery. Forster is Glen Wilson, an ace stuntman who travels from movie set to movie set, performing dangerous professional work. Fiona Lewis is B.J. Parswell, a journalist whose presence creates dissension within the ranks of this all-male group. She turns into an admirer of Glen's skill and then, later, his lover. Pressure increases when Glen's brother, also a stuntman, is killed on an oceanfront movie set in San Luis Obispo. The producer, Blake (James Luisi) thinks it is an accident, but Glen suspects foul play. Glen wants to take the place of his brother, telling the producer that he wants to finish his deceased brother's stuntwork. Actually, he wants to more fully investigate his brother's death by snooping around the movie set. The producer is reluctant, but Glen's old stuntmen pals -- Paul (Ray Sharkey), Chuck (Bruce Glover), and Patti (Joanna Cassidy) -- insist on Glen being hired. Glen proves his mettle, performing a series of dangerous stunts. Along the way he discovers that his brother had been sleeping with Judy (Candice Rialson), Blake's nymphomaniac wife. Glen then suspects Blake might be responsible for his brother's death. After more unexplained "accidents" on the set, Glen is sure that the killer is after him and determines to find him and stop him before he kills again. ~ Paul Brenner, All Movie Guide

Sidney Poitier makes his directorial debut with the 1972 Western Buck and the Preacher, set during the end of the Civil War. Poitier stars as Buck, an ex-Army soldier who is scouting sites for the former slaves that want to settle out West. The villainous Deshay (Cameron Mitchell) rounds up his gang to try to stop Buck because he wants to keep the slaves working down in Louisiana. Buck meets up with the Preacher (Poitier's real-life good friend Harry Belafonte), who is really a con man in disguise. Although they don't get along at first, they eventually team up against Deshay and his murderous gang of outlaws. Also starring Ruby Dee. Jazz bandleader Benny Carter composed the soundtrack. ~ Andrea LeVasseur, All Movie Guide

The winner of the 1967 Oscar for Best Picture (as well as four other Oscars), In the Heat of the Night is set in a small Mississippi town where an unusual murder has been committed. Rod Steiger plays sheriff Bill Gillespie, a good lawman despite his racial prejudices. When Virgil Tibbs (Sidney Poitier), a well-dressed northern African-American, comes to town, Gillespie instinctively puts him under arrest as a murder suspect. Tibbs reveals himself to be a Philadelphia police detective; after he and Gillespie come to a grudging understanding of one another, Tibbs offers to help in Gillespie's investigation. As the case progresses, both Gillespie and Tibbs betray a tendency to jump to culture-dictated conclusions. Still, the case is solved thanks to the informal teamwork of the two law officers. Based on the novel by John Ball, In the Heat of the Night inspired two sequels, both starring Poiter as Virgil Tibbs. In 1987, a TV series version of In the Heat of the Night appeared, with Carroll O'Connor as Gillespie and Howard Rollins as Tibbs. ~ Hal Erickson, All Movie Guide

Once one of the biggest names in Hollywood, horror-movie star Ernest Von Kroft is now regarded as a pathetic has-been by everyone -- except, apparently, low-budget producer Hal Ballew (Sam Jaffe). With Ballew's sponsorship, Von Croft stages a comeback in a new vampire movie, only to discover on the night of the premiere that he has been set up to be cruelly humiliated by the film's director Morty Lenton (Robert H. Harris). Before the episode is over, however, a few unfortunate characters learn the hard way that Von Kroft is still "the greatest monster of them all." Listen for the unbilled voice of Mel Blanc during the movie-premiere sequence. ~ Hal Erickson, All Movie Guide