William Hall Movies

Cecil B. DeMille's The Greatest Show on Earth is a lavish tribute to circuses, featuring three intertwining plotlines concerning romance and rivalry beneath the big top. DeMille's film includes spectacular action sequences, including a show-stopping train wreck. The Greatest Show on Earth won Academy Awards for Best Picture and Best Story. ~ Stephen Thomas Erlewine, All Movie Guide

A post-WWII romantic comedy that explores the effects of the war on American marriage, this film stars Fred MacMurray and Paulette Goddard as Peter and Mary Morley, a pair of constantly fighting attorneys. They are on the verge of breaking up their marriage when the war breaks out. Mary goes into the Women's Army Corps, and when she returns after the war, she's no longer sure if she wants a divorce. In her absence, however, Peter has hooked up with Gloria Fay (Arleen Whelan), who demands that he sign the divorce papers. In turn, Jack Lindsay (MacDonald Carey, one of Peter's clients, has fallen for Mary, but he doesn't want to move in with her until the divorce is official. ~ Michael Betzold, All Movie Guide

While perhaps not Abbott & Costello's best film, The Time of Their Lives is certainly their most unusual. Lou Costello plays a Revolutionary War-era tinker, whose prized possession is a letter from George Washington, commending Costello as a loyal patriot. Costello's lady love is Anne Gillis, maidservant to aristocratic Jess Barker. Costello's rival in romance is Barker's butler Bud Abbott, who locks the tubby tinker in a trunk to keep him away from Gillis. Meanwhile, Gillis stumbles onto a plot to betray the Colonial Armies, masterminded by Barker. The girl is kidnaped and spirited away, but not before Barker has appropriated Costello's letter from Washington and hidden it in a mantelpiece clock. All this is witnessed by Barker's fiancee Marjorie Reynolds, who disguises herself as a man, the better to make her way through the lines to warn the Colonial troops of Barker's plot. She frees Costello from his trunk and enlists his aid in locating Washington. Mistaken for traitors, Costello and Reynolds are shot dead. Their bodies are thrown in a well as a colonial officer curses their souls to remain on the grounds of Barker's estate "until the crack of doom," unless some evidence should prove them innocent of treason. A few moments later, Costello and Reynolds materialize as ghosts. They try to escape the grounds, but a supernatural force holds them back. Flash-forward nearly two centuries to 1946: Costello and Reynolds, still confined to the estate, resent the intrusion by Barker's descendants, who plan to renovate the mansion and open it to tourists. The two ghosts decide to haunt the estate, resulting in a series of amusing and well-conceived invisibility gags. Much to their surprise, Costello and Reynolds find none other than Costello's old nemesis Bud Abbott as one of the house guests. No, Abbott isn't a ghost: he's a famed psychiatrist, a descendant of the butler who double-crossed Costello back in 1780. Costello has a high old time playing tricks on the nervous Abbott (a fascinating reversal of the usual Abbott-Costello relationship) before the rest of the house's occupants decide to hold a seance to find out what's annoying the two ghosts. In a genuinely spooky sequence, sinister house servant Gale Sondergaard, possessed by the spirit of Jess Barker, reveals that the ghosts have been falsely accused of treason, and that their salvation lies in locating that letter from Washington. Driven by a feeling of remorse over the sins of his ancestor, Abbott does his best to help the ghosts. Before the plot is resolved, there is time for a standard Abbott-and-Costello chase scene, with the invisible Costello driving a car wildly around the estate, with a terrified Abbott cringing in the back seat. More than a little inspired by The Canterville Ghost, The Time of Their Lives was the second of two Universal films that attempted to recast Abbott and Costello as individual characters rather than smart guy-dumb guy team members. While the film is an unmitigated delight when seen today, it failed at the box office in 1946, compelling Bud and Lou to return to their standard formula in their next film, Buck Privates Come Home. ~ Hal Erickson, All Movie Guide

Masterfully directed by Fritz Lang, Scarlet Street is a bleak film in which an ordinary man succumbs first to vice and then to murder. Christopher Cross (Edward G. Robinson) is a lonely man married to a nagging wife. Painting is the only thing that brings him joy. Cross meets Kitty (Joan Bennett) who, believing him to be a famous painter, begins an affair with him. Encouraged by her lover, con man Johnny Prince (Dan Duryea) Kitty persuades Cross to embezzle money from his employer in order to pay for her lavish apartment. In that apartment, happy for the first time in his life, Cross paints Kitty's picture. Johnny then pretends that Kitty painted to portrait, which has won great critical acclaim. Finally realizing he has been manipulated, Cross kills Kitty, loses his job, and because his name has been stolen by Kitty, is unable to paint. He suffers a mental breakdown as the film ends, haunted by guilt. Kitty and Johnny are two of the most amoral and casual villains in the history of film noir, both like predatory animals completely without conscience. Milton Krasner's photography is excellent in its use of stark black-and-white to convey psychological states. Fritz Lang is unparalleled in his ability to convey the desperation of hapless, naïve victims in a cruelly realistic world. ~ Linda Rasmussen, All Movie Guide

In this crime drama, a former card shark finally gets paroled and decides to take his singing niece to Chicago to make a new start. Unfortunately, the musical niece ends up working at a gangster's nightclub and the gambler, unable to resist the lure of easy money, returns to card playing. Later an investigating attorney falls in love with the singer whose boss he has been assigned to ultimately prosecute. Songs include: "In Love with Love," "Mam'selle Is on Her Way" (George Waggner, Milton Rosen), "Tango" (Edgar Fairchild), and "Cuddle Up a Little Closer" (Karl Hoschna, Otto Harbach). ~ Sandra Brennan, All Movie Guide

In this entry in the "Dead End Kids" series (later they would reappear as "The Bowery Boys") the lads encounter a terribly ill young boy while they stay in a rural boarding house. The lad tries hard to keep up with the lads as they sneak into a train yard and begin playing amongst the box cars. Unfortuantely, when a railroad detective shows up, the sick boy is killed while trying to get away. The guilt-stricken kids attempt to tell the dead boy's mother, but she is too kind to hear them. Instead she takes the kids into her home. Tommy, the lead boy, manages to get a job as a gas jockey, but things go wrong when he entangles himself with racketeers. Eventually he is caught and taken to court where the mother of the dead child speaks movingly on Tommy's behalf. Just after he is acquitted, word of Pearl Harbor reaches them and the Dead End Kids decide to join the army. ~ Sandra Brennan, All Movie Guide

Timber is a typical Universal Pictures amalgam of he-man virility and endless spools of stock footage from earlier films. Newly recruited from MGM, Dan Dailey Jr. stars as Kansas, a two-fisted troubleshooter from the U.S. Forestry Service. Kansas, his pal Arizona (Andy Devine) and mill owner Quebec (Leo Carrillo) try to find out who's been plaguing Quebec's lumber camp with a series of highly suspicious accidents. It all builds up to a literally cliff-hanging climax involving a runaway timber truck. The late "B"-film historian Don Miller has noted a booking error made by Universal Pictures when the studio shipped out Timber on a double bill with Chapter One of the Universal serial The Great Alaskan Mystery -- which was comprised almost exclusively of highlight footage from Timber! ~ Hal Erickson, All Movie Guide

This 12-chapter Universal serial is one of several that Universal made featuring the Dead End Kids (also known as The East Side Kids and The Bowery Boys). In this entry, the Dead End Kids go after a Nazi gang that operates a ship called the "Sea Raider" that has been sinking Allied shipping. ~ Brian Gusse, All Movie Guide

A sequel to The Green Hornet, The Green Hornet Strikes Again is a 15-chapter serial that was based upon characters from the popular radio and pulp series. The Green Hornet (Warren Hull) is actually Britt Reid, fearless newspaper publisher, who dons the Hornet's guise to battle criminals that have managed to escape the long arm of the law -- aided, of course, by his invaluable sidekick, Kato (Keye Luke). As Strikes Again opens, Reid and Kato are enjoying a well-earned vacation in Hawaii. Their respite is short-lived, however, as they discover that master criminal Crogan (Pierre Watkin) has ratcheted up his operations and is starting a whole new series of rackets that require the Hornet's attention. After a rough crossing, they begin closing down Crogan's rackets -- including selling bombs to foreign agents -- one by one. Along the way, the duo encounter a number of close calls involving a plane crash, an explosion in a laboratory, a roof cave-in, electrocution, and driving a car into a warehouse loaded with explosives. In the end, of course, the Hornet brings down Crogan and all is once again well. For Strikes Again, Warren Hull, who had already played super-heroes The Spider and Mandrake the Magician, replaced Gordon Jones, the Hornet from the original serial. ~ Craig Butler, All Movie Guide

The 1940 Warner Bros. quickie A Fugitive From Justice is based on Leonard Neubauer's short story "Million Dollar Fugitive." Roger Pryor plays insurance investigator Don Miller, who endeavors to hide Lee Leslie (Donald Douglas), holder of a million-dollar policy, from both the police and the underworld. Miller's efforts are frequently stymied by Mark Rogers (John Gallaudet), a Winchellesque radio reporter in cahoots with the G-Men. Our hero's allies include his wisecracking assistant Ziggy (Eddie Foy Jr., brother of Bryan Foy, the film's producer) and all-purpose heroine Janet Leslie (Lucille Fairbanks, niece of Douglas Fairbanks Sr.) A Fugitive from Justice sure looks like a remake, but a remake of what remains a mystery. ~ Hal Erickson, All Movie Guide

The United States Air Force dropping bombs on decent, taxpaying ranchers is perhaps not your standard B-Western theme but that is exactly what happens in In Old Monterey. It's 1939 and war is breaking out in Europe. Fearing a possible invasion, the air force feels the urgent need to test its weaponry but the locals, lead by Gabby Whittaker (George "Gabby" Hayes), refuse to relocate and the government dispatches army attaché Gene Autry to contribute his special blend of musical persuasion. The patriotic populace is one thing, however, but Gene and sidekick Frog Millhouse (Smiley Burnette) must also contend with greedy borax mining magnate Stevenson (Jonathan Hale) and his foreman Gilman (William Hall, who have a vested interest in keeping things exactly as they are. In the end, the villains are willing to commit murder to keep the military from taking over. Gene, Smiley and a hayseed congregation calling itself The Hoosier Hot Shots perform "It Happened in Monterey", "Born to the Saddle", "Little Pardner", "My Buddy", "The Vacant Chair", "It Looks Like Rain" and "Tumbling Tumbleweeds" in this uneven music Western/propaganda film restored by Gene Autry Entertainment in 2001. ~ Hans J. Wollstein, All Movie Guide

In this black comedy, a twitchy hypochondriac ends up conned into giving up his $500,000 inheritance in exchange for $50,000 cash. He does this because he is sure that he will die before he can get the money. The fellow's nurse loves her healthy charge and inspires him to live again. Together they conspire to regain their money by having him threaten suicide. If he does so, he would nullify their contract. ~ Sandra Brennan, All Movie Guide

In this pastoral drama, a ruthless gang of fugitives, hide from the law on a remote farm. There they find themselves profoundly affected by the old blind man and his loyal dog that lives there. They also gradually begin to respect the honest toil and simple rewards of country life. When the gang leader finally asks them to come out of hiding, the former criminals turn him in. ~ Sandra Brennan, All Movie Guide