Joan Chen Movies
Joan Chen has been one of a very few actors to have a viable career both in Hollywood and in Hong Kong. Whether playing a wizened Vietnamese peasant woman or the doomed Empress of China, she lends her characters a natural elegance and a beguiling vulnerability.Chen was born tp a family of doctors on April 26, 1961, in Shanghai, China. She tasted fame early in her life when she made her film debut in Xie Jin's Youth (1976) at age 14. She soon enrolled in the prestigious Shanghai Foreign Language Institute while making a couple more feature films, including Zhang Zheng's Little Flower (1979), which eventually won her a Best Actress Prize at the Hundred Flowers Awards (the Mainland Chinese equivalent of the Oscars). Having reached the pinnacle of fame in her own country, Chen made the unusual step to leave China -- not for Hong Kong as many later Chinese stars such as Gong Li and Jet Li did -- but for the United States. While studying at California State University in Northridge, she landed a small role in Wayne Wang's Dim Sum: A Little Bit of Heart (1985), a gentle portrait of Chinese-American family life.
In true Hollywood style, she was summarily cast as May-May in the adventure-epic Tai-Pan (1986) after being spotted in the Lorimar parking lot. Though it was savaged by critics (Leonard Maltin called it "silly") and bombed at the box-office, Tai-Pan did allow Chen to segue into her breakthrough role. As Empress Wan Jung in Bernardo Bertolucci's Oscar-award winning The Last Emperor (1987), Chen brilliantly played a woman whose love and life are tragically destroyed by China's rigidly patriarchal culture and the machinations of fate. Hollywood roles being notoriously hard to land for Asian and Asian-American actors, Chen's newfound fame did not immediately lead to better movie offers. She appeared in such low-budget fare as The Blood of Heroes (1989) before she attracted public attention again as Josie Packard in David Lynch's TV series Twin Peaks. In 1993, she played a Vietnamese mother who suffers for a lifetime in a country at war in Oliver Stone's Heaven and Earth.
That same year, she returned to Asia to make a pair of critically successful films. She played a supernatural temptress in Clara Law's Temptation of a Monk (1993), a historical epic with the sweep and visual flare of a Sergio Leone film with a pronounced erotic edge. The role was a brave one to tackle as it not only featured Chen as the movie's clear villain, but it also featuring an unusually graphic sex scene for a mainstream Chinese film. In Stanley Kwan's Red Rose, White Rose (1994), which was nominated for Berlin's Golden Bear, Chen played another deliciously evil vixen opposite Winston Chao. For her effort, she won a Best Actress Golden Horse award, Taiwan's equivalent of the Oscar. Her return to the U.S. was marked by another succession of subpar flicks, including On Deadly Ground (1994) and Judge Dredd (1995). Chen also co-produced and starred in The Wild Side (1995), a lesbian romantic thriller in which she played opposite a still-in-the-closet Anne Heche.
In 1998, Chen made her directorial debut with Xiu Xiu: The Sent Down Girl, a lyrical, harrowing tale about the loss of innocence and respect during the tumult of the Chinese cultural revolution. Featuring sumptuous cinematography and subtle, remarkably assured direction, Xiu Xiu won armfuls of international prizes, including a virtual sweep of the Golden Horse awards and a nomination for a Golden Bear at the Berlin Film Festival. In 1999, Chen climbed back into the director's chair and began production of Autumn in New York, starring Richard Gere and Winona Ryder.
Over the next several years, Chen would cement her position as one of the most loved and respected actresses in film, especially on the Eastern side of the globe, appearing in movies like Sunflower, Lust, Caution, Love in Disguise, and 1911. ~ Jonathan Crow, Rovi
Dexterous martial-arts legend Jackie Chan reaches his 100th-film milestone with this historical drama set in the year 1911, as the Chinese public begins to revolt against the Qing dynasty that has ruled the country for 250 years. As the child emperor takes the throne and his mother, Empress Dowager Longyu (Joan Chen), clings to power, famine sweeps the land and warring factions clash in battle. Meanwhile, the army beings targeting rebels, and the desperate leaders of the Qing dynasty begin putting the country's future at risk through rampant trading with foreign countries. When Huang Xing (Jackie Chan) returns home from studying modern warfare in Japan, he finds his homeland consumed by strife. Realizing that the only hope for the future is for China to take up arms and topple the Qing dynasty, Huang enters into an epic battle that threatens devastating consequences for the common people. Lee Bing Bing, Jaycee Chan, and Winston Chao co-star. ~ Jason Buchanan, Rovi
- Starring:
- Jackie Chan, Lee Bing Bing, (more)
The true story of Li Cunxin and his journey from rural China to the bright lights of ballet stardom is brought to the screen in this biographical drama from director Bruce Beresford. In 1972, 11-year-old Li Cunxin (Huang Wenbin) is living with his parents, Niang (Joan Chen) and Dia (Wang Shuangbao), and six siblings while attending a tumbledown school in Shandog province. Li's life changes when representatives of Madame Mao's Beijing Dance Academy visit his school, and he is one of several students believed to have promise as a dancer. While life at the school is difficult for Li and many of the instructors are harsh and unforgiving, Chan (Zhang Su) takes the boy under his wing and grooms him into one of the school's star pupils. In 1981, Li (now played by Chi Cao) is chosen to travel to the United States as part of a student exchange with the Houston Ballet Company. Under the tutelage of Ben Stevenson (Bruce Greenwood), the company's director, Li impresses his peers and is given a key role in a televised production of Die Fledermaus; despite an attack of stage fright, Li's performance is a triumph. As Li came to love life in the United States, he also falls for an attractive young dancer, Elizabeth (Amanda Schull), and when his time in America draws to a close, he makes the decision to leave his old life behind and pursue a life of personal and creative freedom in America. Also starring Kyle MacLachlan and Camilla Vergotis, Mao's Last Dancer received its world premiere at the 2009 Toronto International Film Festival. ~ Mark Deming, Rovi
- Starring:
- Bruce Greenwood, Kyle MacLachlan, (more)
When the state-owned Factory 420 becomes a luxury apartment complex known as "24 City," the stories of three generations and eight characters meld together to offer an intimate glimpse into the history of China. The line between documentary and fiction blurs as the towering factories on which socialism was built are dismantled and employees are laid off, paving the way for a free-market economy. Located in Sichuan's capital city of Chengdu, the 420 plant used to produce airplane engines. For more than 50 years, it was the center of life for hundreds of workers. Now, as builders prepare to transform the factory into luxury condos, interviews with real workers and ex-workers are intercut with vignettes about a lonely Shanghai woman (Joan Chen) exiled in Chengdu, a mother (Lu Liping) who lost her son on the long trip from Shenyang, and a young professional (Zhao Tao) pondering the uncertain fate faced by her elderly working-class parents. ~ Jason Buchanan, Rovi
Academy Award-winning director Ang Lee adapts this Eileen Chang story set in World War II-era Shanghai that details the political intrigue surrounding a powerful political figure named Mr. Yee (Tony Leung) in Japanese-occupied Shanghai. Spanning the late '30s and early '40s, the movie introduces us to Hong Kong teen Wong Chia Chi (Tang Wei), a shy college freshman who finds her calling in a drama society devoted to patriotic plays. But the troupe's leader, Kuang Yu Min (Wang Leehom), isn't just a theater maven -- he's a revolutionary as well, and he's devoted to carrying out a bold plan to assassinate top Japanese collaborator Mr. Yee. Each student has an important role to play, and Wong puts herself in a dangerous position as Mrs. Mak; she befriends Mr. Yee's wife (Joan Chen), and slowly gains trust before tempting him into an affair. While at first the plan goes exactly as scripted, things suddenly take a deadly turn and Wong is emigrated from Hong Kong. Later, in 1941, the occupation shows no signs of ceasing and Wong is simply drifting through her days in Shanghai. Much to her surprise, the former actress finds Kuang requesting that she resume the role of Mrs. Mak. Now, as Wong again gains intimate access to her dangerous prey, she must struggle with her own identity in order to pull off the performance of a lifetime. ~ Jason Buchanan, Rovi
- Starring:
- Tony Leung Chiu-Wai, Tang Wei, (more)
- 2007
Filmmaker Arthur Dong's documentary Hollywood Chinese pays homage to the first century of the American film industry, as specifically colored and influenced by the Chinese immigrants to whom Hollywood owes an inestimable debt. Dong touches on everyone from actress Anna May Wong, of Limehouse Blues (1934) and Lady from Chungking (1943), to the late cameraman James Wong Howe, responsible for giving the Rock Hudson thriller Seconds (1966) such a creepy and inventive look. Dong also explores the newer generation of Chinese-American filmmakers, including such giants as Wayne Wang and Ang Lee, responsible for such contemporary classics as The Joy Luck Club, Crouching Tiger, Hidden Dragon, and Brokeback Mountain. At the same time, a haunting and telling undercurrent of racism and stereotypes weaves its way in, suggestive of the difficulties that Chinese men and women found working in Hollywood -- particularly in the early years. As a historical footnote, Dong also makes film history by rediscovering and editing in footage from what is alleged to be the first Asian-American film ever made: the 1916 Curse of Quon Gwan, directed by Marion Wong. ~ Nathan Southern, Rovi
- Starring:
- Turhan Bey, Joan Chen, (more)
- 2007
Loosely inspired by author Ye Mi's novel Velvet, Chinese New Wave director Jiang Wen's follow-up to Devils on the Doorstep drifts between Yunnan's Shangri-la and the Gobi Desert to follow four narratives exploring the roles that culture and revolution have played in Chinese history. In the first tale, a deranged young widow (Zhou Yun) slips on a pair of colorful shoes that have been embroidered to resemble fish, and abandons her only son (Jaycee Chan) to disappear into a nearby river. Set on a university campus during the Cultural Revolution, the second episode details the tragic relationship between professors Liang (Anthony Wong), Tang (Jiang Wen), and attractive doctor Lin (Joan Chen) that eventually leads the village where the mad widow resides. After exploring the magical texture of velvet in the third tale, Wen connects each of the stories by traveling back in time to the Gobi Desert. ~ Jason Buchanan, Rovi
- 2007
A combination of circumstance and poor life choices turn to young children into the caretakers for their unstable mother in writer/director Tony Ayres' semi-autobiographical family drama. As aging writer Tom (Darren Yap) sits down to pen a screenplay detailing his life story, memories quickly transport him to the Shanghai nightclub where his single mother Rose (Joan Chen) would captivate Western servicemen. A beautiful thrush with a magnificent voice, Rose eventually packed up children Tom (Joel Lok) and May (Irene Chen) and set off for Australia after accepting a marriage proposal from Melbourne sailor Bill (Steven Vidler). When the relationship between Rose and Bill withered after just one week, the mother set her sights on Sydney. In the following seven years, Rose and her two young children would bounce between a series of "uncles" as stability continued to elude the trio. Though desperate Rose would eventually return to Melbourne with her children and attempt to rekindle her relationship with Bill, that too would eventually result in failure when the impulsive woman entered into a heated affair with local restaurant employee Joe (Qi Yuwu). Enraged when younger lover Joe takes note of May's blossoming beauty, Rose once again begs Bill's forgiveness though his generosity finally seems to have been exhausted. ~ Jason Buchanan, Rovi
- 2006
Writer-director Eric Byler adapted his ensemble comedy drama Americanese from Shawn Wong's best-selling 1995 novel, American Knees. The film, like the novel, dramatizes the seriocomic day-to-day experiences of a number of Asian American immigrants in the City of Angels. At the story's center is milquetoast-dull, middle-aged college professor and divorcé Raymond Ding (Chris Tashima) -- so ineffectual that he barely seems to have control over the events that befall him, and so emotionally distant in his relationship with his live-in lover, the Japanese-American photojournalist Aurora (Allison Sie), that his inaccessibility destroys their union. Forced to move out of their house, Raymond instead rooms with his aging father, Wood (Sab Shimono), making periodic, unannounced visits back to Aurora's home when she is absent. While Aurora kindles her own romance with American Steve (Ben Shenkman), Raymond moves into his own apartment and takes up with Vietnamese-American Betty (Joan Chen) -- a university associate plagued by deep-seated emotional and mental problems. ~ Nathan Southern, Rovi
- Starring:
- Chris Tashima, Allison Sie, (more)
The tumultuous relationship between a father returning home after years in a labor camp and the nine-year-old son who doesn't quite know what to make of this new man in his life lies at the heart of director Zhang Yang's heartfelt drama addressing the nature of change and the importance of family in Chinese culture. Chairman Mao has died and the Gang of Four have fallen, leaving former painter Gengnian (Sun Haiying) to return home to his wife, Xiuqing (Joan Chen), and the pair's nine-year-old son Xiangyang (Zhang Fan). His hands permanently damaged by the ravages of hard labor, Gengnian cannot return to painting, though his young son has shown an abundance of artistic promise. Troubled by the sudden presence of a father he has never known and rebelling against the path laid before him, Xiangyang ignites a firecracker in his hand in hopes that it may derail his artistic career. In the years that follow, Xiangyang's reputation as a talented artist grows while his relationship with his father remains forever troubled. ~ Jason Buchanan, Rovi
- Starring:
- Joan Chen, Sun Haiyung, (more)
An Asian-American woman and her mother both find their private lives are becoming a family matter in this romantic comedy-drama. Wilhelmina Pang (Michelle Krusiec) is a surgeon living in Manhattan whose mother (Joan Chen) is eager for her to settle down with a nice man and get married. What Ma doesn't know is that Wilhelmina happens to be a lesbian -- or rather, Ma prefers not to acknowledge it, since she once walked in on Wilhelmina and her girlfriend several years before. As it happens, Wilhelmina is looking for someone special in her life, and thinks she may have found her in Vivian (Lynn Chen), a beautiful dancer, but a fear of commitment and a desire to keep her medical career on track is making their relationship problematic. As Wilhelmina tries to get her love life in order, her mother's shifts into crisis mode. Ma, a 48-year-old widow, has just discovered she's pregnant, and her staunchly traditional father (Li Zhiyu) will not allow her back into the home they share until she's married someone respectable. Unwilling to name the father of her baby, Ma is forced to move in with Wilhelmina, and while enduring the emotional roller coaster of pregnancy she is being pressured by friends and relatives to marry Cho (Nathaniel Geng), a sweet but boring man she doesn't especially like. Saving Face was the first feature film from writer and director Alice Wu. ~ Mark Deming, Rovi
- Starring:
- Michelle Krusiec, Joan Chen, (more)
A collection of evil corporate conglomerates are using their powerful influence to play a deadly game with the citizens of a major metropolitan city, and upon discovering the diabolical scheme, a fearsome bounty hunter and a determined police detective find that beating the moneymen at their own game may cost them their lives in this futuristic thriller starring Joan Chen and David Warner. With thousands of lives on the line, including their own, the determined pair desperately attempt to beat the clock, dodge the bullet, and ensure that the white-collar madmen who set this deadly plan into motion pay for their heinous crimes against humanity. ~ Jason Buchanan, Rovi
- Starring:
- Genevieve O'Reilly, Joan Chen, (more)
An man gets an unexpected lesson in love and life from a much younger woman in this romantic drama. Will Keane (Richard Gere) is a wealthy 50-year-old restaurant tycoon who has a knack for wooing beautiful women, but is unable to commit to a lasting relationship. On day Will meets a beautiful woman in her early-20s named Charlotte Fielding (Winona Ryder); he turns on the charm in an effort to impress her, and soon the two are having an affair. But what Will thought would be a brief, casual fling proves to have far deeper repercussions when he learns that Charlotte is suffering from a serious illness and does not have long to live. Autumn in New York was directed by actress-turned-filmmaker Joan Chen and co-stars Anthony LaPaglia, Elaine Stritch, and Jillian Hennessy. ~ Mark Deming, Rovi
- Starring:
- Richard Gere, Winona Ryder, (more)
Kenyan-born, London-educated Indian filmmaker Gurinder Chadha follows up on her debut hit Bhaji on the Beach (1994) with this gentle look at multiculturalism in Los Angeles. The film details the lives of four ethnically diverse families -- black, Latino, Jewish, and Asian -- during one frantic Thanksgiving. The film opens with Ronald (Dennis Haysbert), an African-American who works as a spin doctor for the Republican politico; he and his wife Audrey (Alfre Woodard) are in the midst of preparing for their white dinner guests. Meanwhile, at the Latino household, young Anthony Avila (Douglas Spain) invites his womanizing father for Thanksgiving dinner, unbeknownst to his schoolteacher mother Elisabeth (Mercedes Ruehl). At the same time, the Seeling family is confronted with their daughter Rachel's (Kyra Sedwick) lesbianism, when she brings home her lover Carla (Julianna Margulies). Finally, Vietnamese immigrant Trinh Nguyen (Joan Chen) struggles to understand her Americanized children after she discovers condoms in her eldest daughter's jacket and a gun in her son's room. ~ Jonathan Crow, Rovi
- Starring:
- Alfre Woodard, Dennis Haysbert, (more)
- 1999
Hong Kong director Teddy Chen follows up on his hit Downtown Torpedoes (1997) with this breathless action flick that recalls the South Korean mega hit Swiri (1999). Just as Hong Kong's new airport is set to open, a band of terrorists strike a Korean cargo ship, but they leave behind three encoded computer discs and Todd Nguyen (Daniel Wu), an American-educated Cambodian-Chinese man who has complete amnesia. Anti-terrorist cop Ma Li (Emil Chow) and psychiatrist Shirley Kwan (Joan Chen, whose voice is dubbed into Cantonese) struggle to turn Todd against his comrades and to wrest the secrets from his blanked memory. Meanwhile, Soong (Kam Kwok-leung), the crazed leader of the terrorist group, and his sexy sidekick Guan Ai (Josie Ho), plot to unleash a deadly chemical weapon somewhere in Hong Kong. ~ Jonathan Crow, Rovi
- Starring:
- Daniel Wu, Kwok-Leung Gan, (more)
Lou Diamond Phillips stars in the true story of a high school janitor who never graduated high school and now must get his GED or lose his job. With the help of his wife (Cara Buono), a teacher (Joan Chen), and the school's students, he perseveres and eventually earns his degree. ~ Rovi
- Starring:
- Lou Diamond Phillips, Cara Buono, (more)
- 1998
- R
Actress Joan Chen makes her directorial debut with this bleak tale, adapted from the award-winning novella "Tian Yu" by Shanghai writer Yan Geling, about the loss of innocence during Mao Zedong's brutal Cultural Revolution. Precocious Wen Xiu (16-year-old Lu Lu), playfully called Xiu Xiu by her friends, finds herself one of millions of Chinese teenagers sent to the hinterlands to receive specialized training during the early 1970s. She is taken from her loving family in Chengdu to the Tibetan steppes, where she is apprenticed to Lao Jin (Lopsang), a solitary master horseman whose legendary status stems partly from his prowess on the range and partly from an embarrassing secret resulting from a battle injury. Though life is hard on the high grasslands, the sheer physical beauty of the landscape, coupled with Xiu Xiu's youthful vibrancy, reinvigorate the quiet horseman. He soon falls for the young girl, although, thanks to his wound, he will never be able to consummate his love. Meanwhile, Xiu Xiu longs to return to her family in Sichuan. Her growing desperation, coupled with her own naivete, leave her vulnerable to the opportunistic scheming of a traveling peddler, who takes her virginity while promising her quick passage back home. Soon lecherous bureaucrats and others venture out to Xiu Xiu's remote yurt with the promise of free sex. The young girl willingly prostitutes herself, believing that it is the only way to see her beloved family again, while Lao Jin suffers silently, watching his love defile herself. Only after a medical emergency does Xiu Xiu realize how callously she has been used and cast aside. Joan Chen's dark work fits in a subgenre of Chinese art and cinema that explores the horrors of the Cultural Revolution, whose most famous examples include Tian Zhuangzhuang's Blue Kite (1993) and Zhang Yimou's To Live (1993). Though this film was screened in the 1998 Berlin Film Festival, it was banned in China for sexual and political content. ~ Jonathan Crow, Rovi
- 1997
Pembleton (Andre Braugher) is impressed by reporter Elizabeth Wu (Joan Chen), who is covering his investigation of a drug-related cop killing. He is, however, less than impressed when the inquisitive Wu proves to be a monumental nuisance. Elsewhere, Kellerman's (Reed Diamond) wild country-boy brothers Drew (Eric Stoltz) and Greg (Tate Donovan) show up in Baltimore, insisting that he return to Miami and join them in setting up a charter-boat service. What his brothers have neglected to tell them is that they are on the lam from a pair of murderous bookies -- and that they have stolen a valuable souvenir baseball. ~ Hal Erickson, Rovi
- Starring:
- Richard Belzer, Andre Braugher, (more)
- 1996
- R
Philippe Mora, the genre filmmaker whose marsupial-themed Howling III and alien-abduction hit Communion solidified his reputation as a director of clunky, substandard fantasy, returned with this space-set remake of The Treasure of the Sierra Madre. True to form, it's a clunky mess, with Harold Pruett as a young prospector named Ben (complete with a lovable canine sidekick), who teams up with gambler Armand Crile (Rutger Hauer) and a shifty engineer named Horton (Brion James) to look for Au79, a valuable ore also called "Precious." Mora throws in everything but the kitchen sink with sabotage, explosions, crazed hijackings, and a few tacky aliens in an obligatory cantina scene. He also includes a lame CGI monster and some campy humor (as if Don Stroud as a long-haired Asian robot wasn't campy enough). Brion James steals the show as the cynical Horton, and even gets to sing, while Mora makes a cameo appearance as a scummy merchant. Despite its outer-space setting, the science fiction elements pretty much fall by the wayside once the cast leaves the moon and gets to Asteroid 18, which may as well be Bronson Canyon in an old B-Western. While it is true that most science fiction movies are basically frontier Westerns at heart anyway, this one forces the issue in such a way that one can only wonder why Mora didn't just do a straight ripoff of Sierra Madre rather than adding the unnecessary spaceships. Probably because low-budget sci-fi rents and low-budget Westerns don't. ~ Robert Firsching, Rovi
- Starring:
- Rutger Hauer, Joan Chen, (more)
- 1995
- R
Alex (Anne Heche) is a corporate banker who refuses to prostitute herself for the company but has house payments to make so she becomes a call girl on her own terms. After hooking with bad-boy criminal Bruno Buckingham (Christopher Walken), she is then approached and raped by FBI-agent Tony who is posing as Bruno's driver. Alex is caught in a squeeze where she has to keep seeing Bruno, working with the FBI. Her first job as Bruno's new girl is to set up an account for Bruno's wife, Virginia (Joan Chen), at her bank. Suddenly Alex discovers she's a lesbian as she falls for Virginia and the two have a sexual encounter. Together, Alex and Virginia attempt to send up Bruno and leave the country together. The story for this soft-core crime film is as loose as the characters, most of it feeling like it was improvised. The entire plot seems to take back seat to the sexuality and works as little more. ~ Sean D. MacLaggan, Rovi
- Starring:
- Christopher Walken, Joan Chen, (more)
A violent, effects-heavy science fiction adventure, Judge Dredd depicts a nightmarish future in which overcrowded cities are terrorized by brutal gun battles and policed by "Judges," law officers who act as judge, jury, and executioner. Sylvester Stallone stars as Judge Dredd, a punishing enforcer with an unswerving dedication to law and order. Little does Dredd know that a nasty villain (Armand Assante) and a corrupt Judge (Jurgen Prochnow) are plotting to take over the city and plan to frame Dredd for murder in order to prevent him from interfering. Dredd winds up in prison, but he fights back with the help of Judge Hershey (Diane Lane), his partner and romantic interest, and Fergie (Rob Schneider), his friend and comic relief, developing a plan to clear his name and stop the bad guys. ~ Judd Blaise, Rovi
- Starring:
- Sylvester Stallone, Armand Assante, (more)
In this international action thriller, Paul Racine (Christopher Lambert) is an American salesman with a computer firm who is in Japan on business. While spending an evening in a bar, he meets Kirina (Joan Chen), a beautiful but mysterious woman. Paul buys Kirina a drink, one thing leads to another, and he ends up spending the night with her. However, when Paul returns to her room to retrieve a set of keys he left behind, he discovers that Kirina is being murdered by Kinjo (John Lone), the master of a cult of bloodthirsty ninjas. Kinjo informs Karina that no one has ever seen his face and lived, so when Paul witnesses Kirina's execution and the face Kinjo hides behind his mask, he's a marked man. With the help of Takeda (Yoshio Harada), an experienced ninja fighter, Paul learns how to defend himself against his new adversaries as he plots a final showdown with the deadly Kinjo. The Hunted represented something of a reunion for John Lone and Joan Chen, who previously starred together in The Last Emperor. ~ Mark Deming, Rovi
- Starring:
- Christopher Lambert, John Lone, (more)
- 1994
In this sensitive Asian melodrama chronicles the two major loves in the life of a man who cannot change. The story is divided into two parts; each part focused upon one woman. The story begins in Shanghai during the early 1930's and follows the loves of Chen-pao. His early love life abroad is chronicled in the opening scenes. The real story begins as Chen-pao returns to Shanghai and stay at their friend Wang's apartment. Chen-pao meets Wang's moody, selfish wife Chiao-jui. The two begin a passionate affair. Chen-pao nicknames her "Red Rose." Chen-pao, who always likes to be in control, is tormented by his love affair. Red Rose rejoices in it. Soon she asks Wang for a divorce. This sends Chen-pao over the edge. He vows to start anew. Time passes. In the second half, Chen-pao is a businessman who woos and marries Yen-li, his "White Rose." She is from a peasant background and very young. She endeavors to be the perfect wife. More time passes. It is 1943 and Chen-pao is back to his old ways. This drives Yen-li to a breakdown. After she recovers, she too has an affair. Chen-pao encounters Red Rose on the street as the movie ends. ~ Sandra Brennan, Rovi
Jennings (Michael Caine), a corrupt company owner will stop at nothing to open a new refinery in Alaska. Forrest Taft (Steven Seagal), a disgruntled former employee is chosen by an Eskimo chief as savior of his people. Forrest's mission is to prevent the new refinery from beginning work before the land rights are returned to the Eskimos. ~ Linda Rasmussen, Rovi
- Starring:
- Steven Seagal, Michael Caine, (more)
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