Victor Cowie Movies

The wildly idiosyncratic Canadian auteur Guy Maddin created this exercise in semi-autobiographical impressionism. Guy Maddin (Darcy Fehr) is a gifted but weak-willed hockey player who has helped drive the Winnipeg Maroons to a championship season. However, Maddin's sense of triumph is dashed when his girlfriend Veronica (Amy Stewart) informs him that she's pregnant. Incapable of dealing with parenthood, Maddin escorts Veronica to The Black Silhouette, a combination beauty shop and brothel where a cross-dressing doctor performs abortions. As Veronica is on the operating table, Maddin spies Meta (Melissa Dionisio) and immediately falls in love with her, leaving Veronica behind. While Meta is attracted to Maddin, she will not grant him her favors until he passes a test -- he must track down the man who murdered her father and kill him using her late father's own blue hands. Shot on Super-8 film, Cowards Bend the Knee was originally created by Maddin as an art installation presented at a Toronto gallery and at the Rotterdam Film Festival, where viewers watched the film in six-minute segments through peepholes; it was later released in a conventional full-screen version. ~ Mark Deming, Rovi

Two young people struggling to find happiness in the midst of adversity exist side by side with their alter egos, an older and very unhappy married couple, in this offbeat drama. Beatrice (Sarah Polley) is a supermarket checkout girl fascinated by Henry (Brendan Fletcher), an angry and withdrawn young man whose bitterness stems largely from having been diagnosed with a rare, often fatal form of cancer. Beatrice and Henry fall in love, their passion intensified by the possibility of Henry's imminent death, but Henry's life is saved by surgery and they soon marry. In contrast, Bea (Diane Ladd) and Hank (Sean McCann) are a sixtysomething couple whose love burned out long ago. Bea and Hank have first grown bored, and then bitter, their rancor coming to a head when Hank buys a retirement home without consulting Bea, and she gets back at him by incurring financially ruinous construction and decorating expenses. Living near Bea is her old friend Myra (Shirley Douglas), whose husband Stan (Victor Cowie) is dying of cancer, while Beatrice's best friend Myrah (Kristin Thompson) has fallen deeply in love with Stanley (Rob Stefaniuk), a soldier soon to leave for the Gulf War. The Law of Enclosures was based on the well-regarded novel by Dale Peck and was the first non-gay-themed project from director John Greyson. ~ Mark Deming, Rovi

Michael Nouri plays a Detroit cabbie whose lifestyle is radically altered when he picks up the lovely Joanna Pacula. She turns out to be on the run from murderer Michael Ironside and now, by extension, so is Nouri. If only he hadn't stopped at the empty apartment of a powerful politician for a little nookie with Pacula. Maybe if he'd kept his libido in check, he wouldn't be forced on a perilous journey from Michigan to Seattle. It gets worse: the villainous Ironside is a government agent, so he's above suspicion. Typical USA network action fare, Black Ice premiered June 16, 1993. ~ Hal Erickson, Rovi

Archangel is a courageous if not altogether successful attempt to emulate the styles and techniques of silent films within a talking-picture framework. Kyle McCulloch plays a crippled British officer, who during World War 1 takes up residence in the Russian town of Archangel. Here he falls in love with a woman who is the living image of his deceased lover. This arouses the jealousy of McCulloch's landlord's wife, who covets the soldier for herself. While it is obvious that director Guy Maddin has put a great deal of love and effort into this project, it is liable to confuse anyone not familiar with the "language" of silent movies. ~ Hal Erickson, Rovi