Tsila Chelton Movies

Music aficionados in the U.S. might remember Jeannine Deckers by her stage name, The Singing Nun -- performer of the one-hit-wonder "Dominique," which topped the U.S. pop charts for ten weeks in 1963, displaced the Kingsmen's seminal "Louie, Louie," and inspired the Debbie Reynolds musical The Singing Nun as a fictionalized version of Deckers' life. Behind the gloss, however, Deckers led one of the most unusual lives of any late 20th century European celebrity. With Soeur Sourire, director Stijn Coninx tells the performer's strange story. The tale opens in 1959, when young Belgian girl Jeannine (Cecile de France) flees her parents' strictly conservative home, and moves into a Dominican convent. While there, she chafes beneath the restrictions thrust onto her -- such as the inability to sing and play her guitar -- but begins quietly authoring songs. She impulsively books time in the Phillips studio to record one of the tunes, planning to donate to charity the monies earned from the song, but Phillips executives overhear it and grow so enthusiastic that they offer Deckers a recording contract under the stage name "Soeur Sourire" (or "Sister Smile,") and turn her into an international sensation. Then, at the pinnacle of her success, not long after The Ed Sullivan Show travels to Belgium to film her, she struggles with an attempted reconciliation between her religious faith and beckoning pop stardom. Deckers ultimately shocks everyone by shucking Catholicism, pursuing a full-time career as a recording star, recording radically left-wing protest songs, and taking up with a lesbian partner, Annie (Sandrine Blancke). The two fall deeply in love and open a school together for autistic children, but Jeannine's world falls apart when the Belgian government comes calling and informs her that she owes a fortune in back taxes for "Dominique" profits that she originally donated to charity. This actually marked the second of two major features within a ten-year period to cover Deckers' life -- the first, 2001's Suor Sorriso, utilized an experimental, non-linear approach and received mostly scathing reviews. ~ Nathan Southern, Rovi

Director Peter Hyams brings the modern choreography talents of famed Hong Kong fight sequence designer Xin Xin Xiong to this action adventure that departs widely from its classic novel source material, focusing exclusively on the D'Artagnan character and either excising other characters completely or relegating them to minor supporting roles. Justin Chambers stars as D'Artagnan, a country-bred lad whose skill with a sword has led to aspirations of becoming a Musketeer, one of the French king's elite guard. Upon arriving in Paris, however, he finds that the Musketeers have been disbanded by order of Cardinal Richelieu (Stephen Rea), who is usurping the king's authority with the help of a lethally gifted henchman, Febre (Tim Roth). Soon, D'Artagnan is embroiled in an effort to prevent a war between his native country and England, meeting up with a beautiful love interest (Mena Suvari) along the way. As he has often done before, director Hyams doubles as his own cinematographer. ~ Karl Williams, Rovi

In this crime comedy, Urbain (Christian Clavier) only got married because his wife blackmailed him into it: she was a tax fraud investigator. Since she's divorcing him, and will be entitled to a share of his prefabricated housing business, he's been skimming as much money as he can from it. The business will probably be bankrupt when the divorce goes through, but what does he care? He's got oodles of gold stashed in the walls of a model home mounted on a trailer. He and his beloved and similarly avaricious grandmother (Tsilla Chelton) plan to smuggle them in to Switzerland. Meanwhile, his soon-to-be ex-wife (Catherine Jacob) and his former chauffeur (Philippe Khorsand), who have been lovers for a long time, get wind of the scheme and take up the chase. ~ Clarke Fountain, Rovi

Tatie Danielle is a black comedy about a widow who is intent on ruining the lives of her great-nephew and his wife. Tsilla Chelton plays the title character, who mourns the death of her husband by tormenting everyone she meets. Eventually, she moves in with her nephew and his vain wife. Soon, her family is at war with Tatie, and takes off for Greece, leaving her in the care of Sandrine (Isabelle Nanty), an au pair who is as equally bitter as Tatie herself. At first the two don't get along, yet the two eventually become friends. However, Sandrine is invited to accompany an American student for an overnight stay at the beach, which would leave Tatie alone for a night. Angered, Tatie fires Sandrine, and while she is alone, she goes into deep depression, eventually setting the family's apartment on fire. The fire becomes a national story, with Tatie cast as a poor old lady and the family labeled as cruel and heartless villains. ~ Stephen Thomas Erlewine, Rovi

This gentle, closely observed autobiographical tale, a first film by director Diane Kurys, got a very favorable critical reception at the time of its release. It concerns the experiences of Anne (Eleonore Klarwein) and Frederique (Odile Michel), the 13- and 15-year-old daughters of a separated Jewish couple. They are attending a grim, rule-crazy school in the early 1960s. Anne is unsocial and not much of an "achiever"; she tries to find out what is going on around her by eavesdropping on her mother and her older sister. Frederique is much more outgoing, has a crush on someone much older than herself, and is beginning to feel the first pangs of love. They are both awkward around their father, whom they visit on school holidays. ~ Clarke Fountain, Rovi

The Daydreamer (Le Distrait) stars Pierre Richard (who also directed) as a stumblebum ad-agency employee. Unable to get by in the "real" world, he opts for his own fantasy world, in which everything goes right for him and he always gets the girl. After several blithe moments, the businessman manages to find success and romance for real. Filmed in 1970, The Daydreamer was released in the U.S. in 1975, after the success of the Pierre Richard comedy The Tall Blonde Man With One Black Shoe. The film was also released as Absent-Minded. ~ Hal Erickson, Rovi

The harsh life of a troubled young man provides the basis of this grim French tragedy that begins when the fellow stops into a shop to buy a pack of the title cigarettes. There he meets a pretty shop girl with whom he falls in love and eventually marries. It was a foolish choice, for the two cannot get along and constantly fight. Things get worse when the husband resumes his criminal activities and gets caught. The two are about to divorce when the woman gets pregnant. The time comes for their baby to be born and while sitting in the waiting room, the husband reflects upon his past activities, which are revealed via flashback. ~ Sandra Brennan, Rovi