Ulrich Tukur Movies

One man's dogged search for freedom and a better life leads him on a picaresque journey in this comedy-drama from celebrated filmmaker Costa-Gavras. Elias (Ricardo Scamarcio) is a young man from a nameless country in the Mediterranean who has tossed away his passport and paid a smuggler a handsome fee to be hidden inside a ship making its way to Europe. When immigration authorities stage a surprise inspection, Elias jumps ship along with a number of other unauthorized passengers, and hours later he washed up on the clothes-optional beach of a luxury resort on the Southern coast of France. Wearing tattered clothes amidst folks who wear designer originals when they bother to dress at all, dogged by hunger while guess nibble at lavish open buffets, and presumed to be a laborer by the few guests who pay attention to him, Elias is a stranger in a very strange land as he tries to avoid immigration police and survive in a place where he can't speak the local language. Elias stumbles into a brief affair with Christina (Juliane Köhler), a German tourist looking for kicks, but he fares better when he meets Nick Nickelby (Ulrich Tukur), a traveling magician who gives Elias a job as a temporary assistant and invites him to visit him in Paris. When Nickelby moves on, Elias decides to make his way to the fabled city, which is the beginning of a long and sometimes dangerous journey though class-conscious Europe. Eden à l'ouest (aka Eden Is West) was screened at the 2009 Berlin International Film Festival only a few days after its world premiere, appropriately held in Paris. ~ Mark Deming, All Movie Guide

Oscar-winning director Florian Gallenberger explores the crucial role that foreigners played in helping countless Chinese escape a fate worse than death in this period docudrama concerning the 1937 invasion of Nanking by the ruthless Japanese Imperial Army. Casually known by historians as the "Rape of Nanking," the relentless assault on the then-Chinese capitol found countless men, women, and children slaughtered with a ferocity that shocked the entire world. Yet, despite the violence that surrounded them, some people refused to sit by silently as the innocents perished. One of those people was German engineer and Nazi party member John Rabe, who earned the nickname "The Schindler of China" for constructing a vast safety zone in which nearly a quarter of a million civilians sought sanctuary. Ulrich Tukur, Daniel Brühl, Dagmar Manzel, and Steve Buscemi star. ~ Jason Buchanan, All Movie Guide

A man who has devoted his life to ferreting out "dangerous" characters is thrown into a quandary when he investigates a man who poses no threat in this drama, the first feature from German filmmaker Florian Henckel von Donnersmarck. It's 1984, and Capt. Gerd Wiesler (Ulrich Mühe) is an agent of the Stasi, the East German Secret Police. Weisler carefully and dispassionately investigates people who might be deemed some sort of threat to the state. Shortly after Weisler's former classmate, Lt. Col. Grubitz (Ulrich Tukur), invites him to a theatrical piece by celebrated East German playwright Georg Dreyman (Sebastian Koch), Minister Bruno Hempf (Thomas Thieme) informs Weisler that he suspects Dreyman of political dissidence, and wonders if this renowned patriot is all that he seems to be. As it turns out, Hempf has something of an ulterior motive for trying to pin something on Dreyman: a deep-seated infatuation with Christa-Maria Sieland (Martina Gedeck), Dreyman's girlfriend. Nevertheless, Grubitz, who is anxious to further his career, appoints Weisler to spy on the gentleman with his help. Weisler plants listening devices in Dreyman's apartment and begins shadowing the writer. As Weisler monitors Dreyman's daily life, however (from a secret surveillance station in the gentleman's attic), he discovers the writer is one of the few East Germans who genuinely believes in his leaders. This changes over time, however, as Dreyman discovers that Christa-Maria is being blackmailed into a sexual relationship with Hempf, and one of Dreyman's friends, stage director Albert Jerska (Volkmar Kleinert), is driven to suicide after himself being blackballed by the government. Dreyman's loyalty thus shifts away from the East German government, and he anonymously posts an anti-establishment piece in a major newspaper which rouses the fury of government officials. Meanwhile, Weisler becomes deeply emotionally drawn into the lives of Dreyman and Sieland, and becomes something of an anti-establishment figure himself, embracing freedom of thought and expression. A major box-office success in Germany, Das Leben der Anderen (aka The Lives of Others) received its North American premiere at the 2006 Toronto Film Festival. ~ Mark Deming, All Movie Guide

A therapist travels to a distant space station to treat a group of astronauts traumatized by mysterious entities -- and ends up having to deal with an entity of his own -- in this second film version of Stanislaw Lem's philosophical sci-fi novel. Solaris stars George Clooney as Chris Kelvin, a psychologist still mourning the loss of his wife Rheya (Natascha McElhone) when he's implored by a colleague named Gibarian (Ulrich Tukur) to investigate the increasingly weird goings-on at the Prometheus space station. By the time Kelvin gets there, Gibarian has committed suicide, leaving only the cryptic, babbling Snow (Jeremy Davies) and the paranoid, guarded Gordon (Viola Davis), both of whom are holed up in their respective rooms. As Kelvin interrogates the skeleton crew, he learns that they've had unwanted "visitors," apparitions of long-dead friends, family, and loved ones who are apparently being generated by the interstellar energy source Solaris. The doctor is dubious of their claims until one night he, too, is greeted by his wife Rheya (Natascha McElhone), whose death still torments him. At first skeptical of the new Rheya, Kelvin gradually becomes obsessed with her -- and with the guilt that he feels over their troubled marriage -- to the point where the others begin to fear for his sanity. Produced by James Cameron, Solaris represented director Steven Soderbergh's first screenplay credit since the independently financed Schizopolis in 1996. ~ Michael Hastings, All Movie Guide

Set in Germany in 1946, Taking Sides tells the story of the investigation of Wilhelm Furtwängler (Stellan Skarsgård), the renowned conductor of the Berlin Philharmonic and Vienna Philharmonic orchestras, by the American occupying army. Major Steve Arnold (Harvey Keitel) has been told by his superiors that they want Furtwängler convicted of being a willing participant in the crimes of the Hitler regime, by virtue of his supposed support for and support from the Hitler government. They haven't got the time or resources to go after every ex-Nazi, so they want Furtwängler, as the biggest cultural target they can hit. Arnold does his loud, boorish best to first humiliate and then attack the conductor over the supposed favoritism that he was shown by Hitler, Goering, Himmler, et al. and his conducting of a concert at the 1934 Nuremberg rally and at Hitler's 53rd birthday. Arnold finds, to his eventual distress but not dissuasion, that nothing is as simple as he would like to make it. His civilian secretary, Emmi Straube (Birgit Minichmayr), a concentration camp survivor whose father was part of the German Army plot to kill Hitler, and Lt. David Wills (Moritz Bleibtreu), a German-born Jew representing the War Crimes Tribunal, keep trying to remind Arnold that life and politics in Germany only deteriorated gradually after 1933, and in ways that couldn't always be anticipated by those who were there. Germans who chose not to leave weren't necessarily casting their lot with Hitler, but with protecting what was decent or even great about Germany, including her orchestras and music. Arnold knows nothing about music and even less about Germany and her people, and won't be deterred from his goal. Wills and Straube wish to resign from working with him, until they realize that they're facing the same choice that Furtwängler faced -- to leave a horrendous situation and have no way of affecting its conduct or outcome, or remain and do their best to stand up for decency and truth. In the process of doing that, they find out that Furtwängler is not only a great artist -- which they knew already -- but a great and brave man, who also has his flaws. The latter include an outsized ego that may have caused him to participate a little too willingly at times in the dangerous game he played of maintaining the excellence of Germany's musical institutions while protecting them (and also many musicians) from the worst ravages of the Nazi regime, at the same time also keeping lesser, more compliant figures from usurping his control. ~ Bruce Eder, All Movie Guide

Daniil Kharms (Charms in German spelling) was a noted Soviet dadaist author. This intellectually challenging Austrian film from director/screenwriter Michael Kreihsl took some of the poems and prose from the one book Charms wrote before going to his death in a Nazi concentration camp, and fashioned a sort of non-story about the weird adventures of a Russian poet living in Vienna. The resulting episodes are tinged with the surreal, but are actually quite funny once the rhythm and tone of the piece is understood. ~ Sandra Brennan, All Movie Guide

German politics and filmmaking are parodied in this comedic mystery that centers on a line-up of odd-balls, each suspected of killing a politician, as they explain their different motives for committing the crime. It is up to the viewer to decide which one of them committed the crime (the filmmaker never does tell who did it, so it could provide an interesting topic for discussion after the picture ends. Also never shown is the industrialist they killed). Among the suspects are a bungling terrorist who cannot prove the existence of her radical group and a former director of East German state films who currently makes his living editing video clips for a dating service. During the "interviews," characters will periodically stop to argue with director Hans-Christian Blumenberg. ~ Sandra Brennan, All Movie Guide

Carl Hamilton is in one sense a peculiar sort of secret agent in that he has a license to kill but applies his conscience to that license far more often than is comfortable for him. In another sense, since he is Swedish, it makes sense that this would be so. In this story, one of a series of successful films based on this character from the novels of Jan Guillou, he has been given the task of infiltrating a group of terrorists operating out of Hamburg, who reportedly intend to attack the U.S. Embassy in Stockholm. After falling in love with one beautiful terrorist, he attempts to get her to change her ways by the force of moral persuasion rather than arms. ~ Clarke Fountain, All Movie Guide

Felix is a four-headed look at a one-headed male chauvinist. Ulrich Tukur plays Felix, an unreconstructed "love 'em and leave 'em" type who feels persecuted when women demand that he make a commitment. Felix's escapades are depicted in four separate sequences, each handled by a top female writer/director. The four creative spirits behind Felix are Christel Buschmann, Helke Sander, Helma Sanders-Brahms and Margherita von Trotta. Felix makes no attempt to hide its feminist bias, which only adds to the overall enjoyment of this prickly German comedy. ~ Hal Erickson, All Movie Guide

The powerful depiction of a story that split a country, the movie was equally controversial. Based on the well-publicized Baader-Meinhof terrorists, it is the tale of five terrorists who were brought to trial and accused of the murder of four United States servicemen in a terrorist bombing. One of the defendants dies of malnutrition after a hunger strike. A second dies of apparent suicide, leaving only three defendants at the time of the trial. The trial itself was almost travesty in that everything from defense attorneys who would abide by no rules, the presiding judge being removed and defense attorneys and prosecutors switching with almost daily regularity happened during this long and complicated court battle. The action and drama, however, are outstanding and this movie garnered multiple awards and nominations. ~ Tana Hobart, All Movie Guide

In this period film about the life of an aristocratic family in Munich just before World War I and the end of the aristocracy as such, there are a series of garden parties for the royalty and nobility, Christmas celebrations, an appearance by Eleanora Duse at the local theater, music recitals, and majestic ballroom dances. No strong dramatic content or major story line holds the events in a thematic scheme, but the Lautenschlag family serves as the axis around which events come and go. This fictional family unit and the story, come from the partly autobiographical novel titled The Swing, written in 1934 by Annette Kolb. ~ Eleanor Mannikka, All Movie Guide