Tullio Kezich Movies

2003  
 
German filmmaker Eckhart Schmidt tracks down many high-profile Italian movie folks for the documentary portrait Federico Fellini: Through the Eyes of Others. Actresses Anita Ekberg, Anouk Aimée, and Sandra Milo provide commentary about the director's behavior on and off the set. Other interview subjects include screenwriter Tullio Pinelli, producer Dino de Laurentiis, cinematographer Giuseppe Rotunno, biographer Tullio Kezich, and novelist Gore Vidal. The film also employs archive footage and film clips. ~ Andrea LeVasseur, All Movie Guide

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Starring:
Anouk AiméeDino de Laurentiis, (more)
1988  
 
Italian director Ermanno Olmi serves up another tale of dignity amongst the "rabble" in Legend of the Holy Drinker. Rutger Hauer plays an alcoholic derelict who comes into a large sum of money. Though his benefactor is a human stranger, Hauer attributes his windfall to Santo Bevitor, or the "saint of drunkards." When Hauer tries to pay back the favor, he is constantly thwarted by society's "better" people. Distinguished by its long, portentous silent passages and by the consistently offbeat performances of stars Rutger Hauer and Anthony Quayle, The Legend of the Holy Drinker (originally La Leggenda del Santo Bevitor) is in the eyes of some observers superior to its source, a novel by Joseph Roth titled Die Legende des Helligen Trinkers. ~ Hal Erickson, All Movie Guide

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Starring:
Rutger HauerAnthony Quayle, (more)
1984  
 
As Don Quixote would say (an original quote), "the proof of the pudding is in the eating," and this interpretation of Cervantes' famous idealist and his trusty sidekick Sancho Panza is not gourmet. Don Quixote still tilts at windmills, and Panza goads him on, but their adventures are boxed in by various stage sets that do not allow their rhetoric to soar to its full irony and insight. ~ Eleanor Mannikka, All Movie Guide

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1970  
 
Emerenziano (Ugo Tognazzi) is the middle aged tax inspector looking for a rich woman to keep from working and provide him with food and sex. He travels to northern Italy where he is taken in by three maiden sisters of less than average beauty. He marries one sister and takes the other two as mistresses. The virginal sisters are slowly transformed in to man hungry mavens, each possessing their own individual sexual talents. Emerenziano is felled by a stroke when he tries to get the maid to play erotic games. He becomes a helpless prisoner subjected to the whims of the love starved females in this erotic dark comedy. ~ Dan Pavlides, All Movie Guide

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Starring:
Francesca Romana ColuzziMilena Vukotic, (more)
1961  
 
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Better known as The Sound of Trumpets, Il Posto was the first feature-length effort of the highly singular Italian filmmaker Ermanno Olmi. The director has acknowledged that the young protagonist, played by nonprofessional Sandro Panzeri, was based on himself. Bursting with big dreams and plans, Panzeri arrives in Milan, where he goes to work in a big impersonal office. He yearns after a pretty female coworker, but he is most desirous of moving "up" into the desk next to his. By the time he accomplishes this (via the death of another employee), Panzeri is on the verge of being drained of all his individualism -- though Olmi suggests that he still has time to escape his fate. The director attacks the depersonalization of the business world by continuing pointing out how much potential has been sacrified to conformity; for example, the deceased office worker, whom no one noticed in life, is revealed to have been an aspiring writer. Taking a big chance, Olmi allowed his amateur cast to do their own post-dubbing, rather than hiring professionals to dub in their voices. Il Posto is within the realm of neorealism, but with a tad more humor than one finds in other Italian films of that ilk. ~ Hal Erickson, All Movie Guide

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Starring:
Sandro PanzeriLoredana Detto, (more)

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