Micheline Cheirel Movies

For the ninth time, Warner Baxter plays Dr. Robert Ordway, better known to movie (and radio) fans as "The Crime Doctor". Ordway is in Paris, mingling with the upper crust of the art world. A murder is committed and a valuable painting is stolen; the principal suspects are the victim's son (Roger Dann), the father (Steven Geray) of the heroine (Micheline Cheirel), and an attorney (Marcel Journet). Ordway's search for the missing masterpiece takes him all over the European continent, while the solution to the murder takes him back to Paris. Crime Doctor's Gamble was directed by William Castle, long before he'd established himself as the king of "gimmick" horror films. ~ Hal Erickson, All Movie Guide

This well-plotted and executed film noir suffered from its lack of star power, but has become something of a cult classic. Steven Geray stars as Henri Cassin, a French detective from the Paris Surete, who takes his first vacation in many years to St. Margot and the country inn of the Michaud family. There, he falls in love with the innkeeper's daughter Nanette (Micheline Cheirel), who is already engaged to a local farmer, Leon Archard (Paul Marion). Urged to pursue a romance with Cassin by her social-climbing mother, Nanette agrees to wed the lawman. Leon pledges that he will never stop pursuing Nanette, and when she runs off, Cassin realizes that his betrothed loves another. When Nanette is found strangled to death, Cassin believes that the obvious suspect is Leon, but soon he is also found murdered. His only clues are some handwriting and a footprint, so Cassin returns to Paris, where his investigative techniques put him on the trail of the killer. ~ Karl Williams, All Movie Guide

Roundly blasted upon its release because of the extreme liberties it takes with the truth, Devotion is better as cinema than as history. Not that it's great cinema, mind you, mainly because the filmmakers opted to replace historical fact with either tired dramatic clichés or wild improbabilities. As an example of the latter, the film posits that Paul Henreid's character, who is a standard-issue film romantic hero (troubled, but understandably so), is the inspiration for two of the most passionate, fiery characters in the canon of English literature. Arthur Kennedy as brother Bramwell is much more passionate and fiery, a fact which tends to further muddle things up. The generic setting is also disappointing; these ladies wrote as they wrote because of where they lived and how they lived, but little of this makes it to the screen. Fortunately, Devotion has Olivia de Havilland and Ida Lupino on hand. De Havilland is quite good, grabbing hold of whatever she can find in the script and milking it for all it's worth. Lupino does even better, often making this standard-issue (at best) writing seem engaging and moving. As indicated, Kennedy also makes things work for him, and Nancy Coleman does what she can with the little she is handed. Erich Wolfgang Korngold's score provides plenty of the atmosphere that Curtis Bernhardt's direction often lacks. Ultimately, Devotion's assets, particularly Lupino and de Havilland, manage to squeeze it into the winner's column -- but it's a pretty close call. The film was produced in 1943, hence the presence of Montagu Love, who died that year. ~ Craig Butler, All Movie Guide

The final pairing of Jeanette MacDonald and Nelson Eddy, an adaptation of a Rodgers & Hart musical, stars Eddy as a playboy who fantasizes that he is romancing an angel (MacDonald). ~ Jason Ankeny, All Movie Guide

Released in France as La Kermesse Heroique, Carnival in Flanders is set during the long-ago war between the Dutch and Spanish. A tiny village in Flanders is invaded by Spanish troops. The townsfolk have heard of Spanish cruelties in other towns, and decide to deflect the vanquishers by playing dead. This isn't terribly effective (you have to take a breath once in a while), so the wife of the burgomaster tries to soften up the invaders with a lavish carnival. So successful is this venture that the Spaniards allow the village to escape being decimated, or even taxed. An award-winner many times over, Carnival in Flanders was banned in Germany; evidently, Goebbels caught on that director Jacques Feyder and scenarists Bernard Zimmer and Charles Spaak were drawing deliberate parallels between the Spanish and the then-burgeoning Nazis. ~ Hal Erickson, All Movie Guide