Tommy Steele Movies

A charming portrait of Quentin Crisp, who has (very deliberately) become the closest thing this century has to an Oscar Wilde. Crisp moved to New York City at the age of 73 and has many devoted friends and admirers who sing his praises. Indeed, pop star Sting literally "sings" of Quentin in his hit "Englishman in New York." Other fans who make appearances in the film include John Hurt, Fran Lebowitz and director Paul Morrissey. Of course, not everyone loves Quentin, as we learn primarily in a segment from the Sally Jesse Raphael show. He is not only a frequent target of homophobic attacks but is described by one homosexual as a "gay Stepin Fetchit." Overall, though, this is certainly a sympathetic documentary which may even provoke a grudging admiration from the viewer. ~ John Voorhees, All Movie Guide

This televised adaptation of William Shakespeare's Twelfth Night, originally screened on Britain's ITV in 1969, stars Alec Guinness, Tommy Steele, Joan Plowright and Sir Ralph Richardson in the principal roles. ~ Nathan Southern, All Movie Guide

Nearly 20 years after it opened on Broadway, the E.Y. Harburg/Fred Saidy musical Finian's Rainbow was committed to film. Set in the mythical southern state of Missitucky, the story involves the whimsical Irishman Finian (Fred Astaire) and his daughter Sharon (Petula Clark) arriving in the community carrying a crock of gold, which they've stolen in the Auld Sod from Ogg the Leprechaun (Tommy Steele). Finian believes that if he buries the crock on American soil, it will grow into an even larger treasure--just as Fort Knox did (or so he thinks). Sharon falls in love with sharecropper Woody Mahoney (Don Francks), who like everyone else in the community is being threatened by the perfidy of Senator Rawkins (Keenan Wynn). While Finian haggles over three wishes with the tricky Ogg, Sharon runs afoul of the racially bigoted Rawkins. She wishes that Rawkins would turn black so that he could walk in someone else's shoes for a change--and this, thanks to Ogg, is exactly what happens. To rescue Sharon and Woody from being burned as witches, Ogg grants a last wish, which turns him into a human being; this is not an altogether bad thing, for Ogg has fallen in love with mysterious mountain gal Susan the Silent (Barbara Hancock). The racial tolerance subtext of Finian's Rainbow, considered radical in 1948, seemed rather antiquated in 1969, though it did allow for a hilarious scene in which a white associate of Judge Rawkins attempts to instruct young black botanist Al Freeman Jr. on the proper way to "act Negro". As Finian, Fred Astaire requested that the role be expanded to allow him to dance a little (as written, the character barely even sings). Most of the original score remains intact, including the hit song "How Are Things in Glocca Morra?" Francis Ford Coppola seemed a curious choice to direct a musical, and indeed the production was a troubled one due to Coppola's inexperience in the genre. ~ Hal Erickson, All Movie Guide

British musical star Tommy Steele had starred in Half a Sixpence in London and on Broadway, thus he was first choice for this garish film version. Based on the H.G. Wells story Kipps (previously filmed in 1941 with Michael Redgrave), Half a Sixpence tells the tale of a humble London drapery clerk (Steele) who inherits a fortune. He briefly forgets his old mates and his faithful girl friend (Julia Foster), but soon discovers that High Society isn't his cup of tea. Filmed during the "monster musical" cycle fostered by The Sound of Music, Half a Sixpence isn't really suited for the spectacular approach dictated by co-producer Charles H. Schneer. Fortunately, the guiding directorial hand is the film's other producer: George Sidney, a veteran of MGM's Arthur Freed unit, who knew how to successfully weld music with story. Thanks to Sidney and star Steele, Half a Sixpence never gets too out of hand, though we'd argue with some of the eyestrain-inducing color choices in the bigger numbers. The film might have done better at the box office had the score yielded a few hit songs. ~ Hal Erickson, All Movie Guide

Director Lewis Gilbert is best known for his other cinematic efforts, such as Educating Rita or in films in a wartime genre, Sink the Bismarck. This unexceptional comedy is about a bumbling searchlight unit during World War II. Ensemble acting creates a series of intertwining stories that involve the various soldiers assigned to this post. Lt. Ogleby (Ian Carmichael) is the cheerful, inept officer in charge, then there is the womanizer whose concept of birth control is limited, the lovesick soldier unhappy over a misunderstanding with his girlfriend, the Cockney cook, the father-figure, and several others. Their trials and tribulations provide the bulk of the comedy, such as it is. ~ Eleanor Mannikka, All Movie Guide

Based on Touch It Light, a play by Robert Storey, Skywatch is distinguished by a stellar British cast. Ian Carmichael is the officer in charge of a World War 2 searchlight unit. The archetypal comedy relief is supplied by none other than Benny Hill, while the "girl appeal" is handled by singing idol Tommy Steele. In Stalag 17 fashion, humor deftly dovetails into suspense and back again. Skywatch is also known as Light Up the Sky. ~ Hal Erickson, All Movie Guide

In this sad drama, a boozy reporter must cope with a series of personal disasters begin with the death of his wife in a car crash. Next he loses his job. Finally he learns that his son must have a $5,000 eye operation in Switzerland. In desperation he decides to ask his old boss for his job back. Upon arriving to his office, he finds the man dead. He is then offered money by the killer, a diamond smuggler to take the murder rap. What else can the desperate man do? Later he confesses all to Scotland Yard. Unfortunately, they do not believe him. The smuggler hears of the attempt, and thinking the police believe the reporter, attempts to prevent the boy's plane from taking off. The late editor's niece gets involved and makes sure the plane does take off. She then captures the smuggler and his gang. ~ Sandra Brennan, All Movie Guide

One of the most entertaining serials to be released by Republic Pictures, this mystery employed yet another inscrutable invention, a counter atomic device known as Cyclotrode X, sought after by yet another cloaked villain, The Crimson Ghost of the title. But just like the well-known criminologist Duncan Richards (Charles Quigley) and his lovely assistant Diana Farnsworth (Linda Stirling), the Saturday Matinee kids had a tough job spotting the person hiding behind the hideous disguise. The studio took no chances this time and ingeniously cast stunt-man Bud Geary to embody the villain while several actors supplied the voice, including I. Stanford Jolley, whose role was minor but who received fourth-billing and was therefore highly suspect. When The Crimson Ghost was unmasked in the 12th and final chapter, he proved to be yet another actor, Joseph Forte, who had enacted a character seemingly above suspicion. Instead of feeling cheated, however, the young target audience subconsciously enjoyed the above-average writing and fine direction by the talented William Witney and Fred C. Brannon, and no one complained. Quigley and Stirling were at the top of their serial game, and to the bemused surprise of more recent viewers, television's Lone Ranger, Clayton Moore, played one of the master villain's henchmen, a cold-hearted gangster. The Crimson Ghost was also released in an edited feature version, retitled Cyclotrode. In 1966, yet another edited version was given the title Cyclotrode X. ~ Hans J. Wollstein, All Movie Guide