Susie Lindeman Movies

One of the best Ismail Merchant/James Ivory films, this adaptation of E. M. Forster's classic 1910 novel shows in careful detail the injuriously rigid British class consciousness of the early 20th century. The film's catalyst is "poor relation" Margaret Schlegel (Emma Thompson), who inherits part of the estate of Ruth Wilcox (Vanessa Redgrave), an upper-class woman whom she had befriended. The film's principal characters are divided by caste: aristocratic industrial Henry Wilcox (Anthony Hopkins); middle-echelon Margaret and her sister Helen (Helena Bonham Carter); and working-class clerk Leonard Bast (Sam West) and his wife (Nicola Duffett). The personal and social conflicts among these characters ultimately result in tragedy for Bast and disgrace for Wilcox, but the film's wider theme remains the need, in the words of the novel's famous epigram, to "only connect" with other people, despite boundaries of gender, class, or petty grievance. Filmed on a proudly modest budget, Howards End offers sets, spectacles, and costumes as lavish as in any historical epic. Nominated for 9 Oscars, including Best Picture and Best Director, the film took home awards for Thompson as Best Actress, Ruth Prawer Jhabvala's adapted screenplay, and Luciana Arrighi's art direction. ~ Hal Erickson, Rovi

Christina Stead's novel For Love Alone was a best-seller in Australia, but remains essentially unknown to the outside world. The same can be said for this 1986 film version, likewise a homegrown Australian product. Set in the 1930s, the film stars Helen Buhay as a starry-eyed young girl chafing under the oppressive attitudes of society in general and her father in particular. She kicks over the traces to enter into a romance with college Latin professor Hugo Weaving. Still not realizing that Weaving considers her a pleasant diversion and nothing more, Helen nearly misses out on a chance for happiness with liberal-minded banker Sam Neill. Once she's settled down with Neill, the idealistic Buhay is smitten by another aesthete, poet Huw Williams. Neill encourages this affair, hoping that Buhay will eventually realize that there's more to true love than mere sexual impulsiveness. ~ Hal Erickson, Rovi