Susan Batson Movies

Sean Combs, Phylicia Rashad, Audra McDonald, Sanaa Lathan, and John Stamos all return to reprise the roles they originally played on Broadway in this made for television take on Lorraine Hansbury's timeless play about a 1950s-era Chicago family longing for a better life. Walter Lee has died, and now his widow Lena Younger (Rashad) is about to receive a $10,000 check from her late-husband's insurance company. Everyone in the family dreams about the ways their lives will be changed with the arrival of the money, family matriarch Lena - who longs to retire from her job as a domestic servant for a wealthy white family - in particular. Having lived in a one room tenement apartment ever since she and her late husband originally married, Lena is eager to purchase a house of her own and provide her family with a real home. Lena's son Walter Lee, Jr. (Combs), currently employed as a chauffer, and has recently become taken with the idea of purchasing a liquor store as a means of solving his family's financial woes. Like her mother-in-law, Walter's wife Ruth (McDonald) is also a domestic servant for a white family, and dreams of the day she can walk away from her job. While Walter's sister Beneatha (Lathan) strives to become a medical professional, tuition is expensive and she is currently being pursued by two men - wealthy but superficial George Murchison (Sean Patrick Thomas) and intellectual classmate Joseph Asagai (David Oyelowo). Much to everyone's surprise, Lena uses the lion's share of the money to purchase a home in the all-white residential neighborhood of Cllaybourne, splitting the remainder between Walter (for his entrepreneurial endeavor) and Beneatha (for tuition). Around the same time Walter loses his share of the inheritance to a smooth talking con man who claimed he could help finance the liquor store, the Claybourne "home improvement" association makes the discovery that the Youngers are black and sends emissary Mr. Lindner (John Stamos) to try prevent their neighborhood from becoming integrated by buying the house back. Now faced with the prospect of losing it all, Walter considers making a deal with Mr. Lindner in order to recover his losses. ~ Jason Buchanan, Rovi

Writer and director Spike Lee casts his satiric gaze on racism in American television and how America's racist past still impacts the present in this biting comedy. Pierre Delacroix (Damon Wayans) is an astute, Harvard-educated African-American writer working for an independent television network who is assigned to brainstorm a new show for the African-American audience. Delacroix is the only black writer on the network's staff, and the longer he works under Dunwitty (Michael Rapaport), the loudmouthed executive in charge of programming, the more he's convinced he's made a mistake. Wanting to be fired, Delacroix writes a pilot he imagines is so offensive no network would ever dare to air it: "The ManTan Minstrel Show," in which dancer Man Ray (Savion Glover) and comedian Womack (Tommy Davidson) portray two shiftless dunderheads, ManTan and Sleep 'N Eat -- who are to be played in blackface. To Delacroix's surprise, Dunwitty gives the idea the go-ahead, and to his shock, the show is soon a massive hit. Delacroix is now stuck trying to explain his show to the African-American community, who are generally not amused, especially Sloan Hopkins (Jada Pinkett Smith), his assistant on the staff, who has become involved with Man Ray. In order to give Bamboozled a look that would suit its setting in the world of network television, Spike Lee and cinematographer Ellen Kuras shot the entire film using digital video equipment. ~ Mark Deming, Rovi

Detectives Greevey (George Dzundza) and Logan (Chris Noth) seek out Brutus Walker (Jerome Preston Bates), the chief suspect in the rooftop murder of a cop. Even while the detectives put out a dragnet for Walker, the fugitive's lawyer, Simpson (David Margulies), tries to cut a deal with prosecutors Stone (Michael Moriarty) and Robinette (Richard Brooks). The key to the outcome of this perplexing case may be in the hands of the dead cop's guilt-ridden partner. ~ Hal Erickson, Rovi

Based upon the true story of a woman's battle to raise her baby in prison after having become pregnant by a prison guard while serving a twenty-year stretch for robbery, Amy Madigan, in her debut film, delivers an impressive intensity and range as Terry Jean Moore, a wild young woman with a chip on her shoulder. The story begins as Terry is hitchhiking with her equally wild cousin Jesse (Lewis Smith). They are picked up by a passing motorist and Jesse tries to rob the motorist of five dollars. When they are caught, Jesse takes the rap for her cousin and winds up in jail. Her temperament does not endear her to the prison authorities, although she is befriended by a young lesbian, J.J. (Mackenzie Phillips), and a sympathetic guard, Jack Hensen (Beau Bridges). Jack and Terry fall in love and have an affair in prison. Terry becomes pregnant and fights to raise her child in prison. At the same time, being pregnant forces Terry to reconsider her life and adopt a more responsible attitude. ~ Paul Brenner, Rovi

The Incredible Hulk, the live-action TV series based on the popular Marvel Comics character, was preceded by a 2-hour TV-movie pilot. Bill Bixby stars as Dr. David Banner (Bruce Banner in the original comic books), a scientist whose experimentation with gamma rays has a most dramatic effect. Whenever his anger is aroused, Dr. Banner turns into a huge, green, rampaging monstrosity called the Hulk (played by bodybuilder Lou Ferrigno). Unjustly accused of being a criminal in his "Hulk" guise, Dr. Banner is forced to take it on the lam. In Fugitive fashion, the subsequent series found Dr. Banner and his alter-ego Hulk helping people in distress. Written, produced and directed by Kenneth Johnson, the Incredible Hulk pilot was first broadcast November 4, 1977. ~ Hal Erickson, Rovi

Thelma (BernNadette Stanis) is in love again: This time her beau is a fast-talking charmer named Lloyd Williams (James A. Watson Jr.). Inasmuch as Lloyd only agrees to see Thelma during their lunch hour, Willona (Ja'net DuBois) suspects that the man is married. Doing a bit of detective work, J.J. (Jimmie Walker) arrives at an even more shocking conclusion. Suffice to say that there's not only "another woman," but several other women. ~ Hal Erickson, Rovi

In the first episode of a two-part story, the financially strapped Evans family again faces eviction by usurious landlord Nathan Bookman (Johnny Brown). If things don't get better soon, Thelma (BernNadette Stanis) may very well drop out of college to help support her family. Even worse, J.J. has agreed to accept a job as a neighborhood numbers runner. ~ Hal Erickson, Rovi

Paul Newman served as co-producer of this allegorical drama and stars as Rheinhardt, a opportunistic drifter who ends up in New Orleans and hits up his old friend Farley (Laurence Harvey), a con man-turned-phony preacher, for a job. Farley is able to get Rheinhardt hired on as an announcer at a local radio station, WUSA, but the station is a right-wing propaganda mill that devotes its air time to venomous tirades against political and social progress. Rheinhardt is happy to be making decent money, and he makes the friendly acquaintance of a local working girl, Geraldine (Joanne Woodward), so he refuses to look his gift horse in the mouth. However, when he finds out that WUSA is actually involved in shadowy political actions, he is at a loss for what to do, especially after a naïve and troubled social worker (Anthony Perkins) is tricked into starting a race riot. Robert Stone wrote the screenplay, adapted from his novel A Hall of Mirrors. ~ Mark Deming, Rovi