Fabienne Chaudat Movies

One woman decides to change the world by changing the lives of the people she knows in this charming and romantic comic fantasy from director Jean-Pierre Jeunet. Amelie (Audrey Tautou) is a young woman who had a decidedly unusual childhood; misdiagnosed with an unusual heart condition, Amelie didn't attend school with other children, but spent most of her time in her room, where she developed a keen imagination and an active fantasy life. Her mother Amandine (Lorella Cravotta) died in a freak accident when Amelie was eight, and her father Raphael (Rufus) had limited contact with her, since his presence seemed to throw her heart into high gear. Despite all this, Amelie has grown into a healthy and beautiful young woman who works in a cafe and has a whimsical, romantic nature. When Princess Diana dies in a car wreck in the summer of 1997, Amelie is reminded that life can be fleeting and she decides it's time for her to intervene in the lives of those around her, hoping to bring a bit of happiness to her neighbors and the regulars at the cafe. Amelie starts by bringing together two lonely people -- Georgette (Isabelle Nanty), a tobacconist with a severe case of hypochondria, and Joseph (Dominique Pinon), an especially ill-tempered customer. When Amelie finds a box of old toys in her apartment, she returns them to their former owner, Mr. Bretodeau (Maurice Benichou), sending him on a reverie of childhood. Amelie befriends Dufayel (Serge Merlin), an elderly artist living nearby whose bones are so brittle, thanks to a rare disease, that everything in his flat must be padded for his protection. And Amelie decides someone has to step into the life of Nino (Mathieu Kassovitz), a lonely adult video store clerk and part-time carnival spook-show ghost who collects pictures left behind at photo booths around Paris. Le Fabuleux Destin D'Amelie Poulain received unusually enthusiastic advance reviews prior to its French premiere in the spring of 2001, and was well received at a special free screening at that year's Cannes Film Festival. ~ Mark Deming, All Movie Guide

His estranged wife is worth millions, but poor Paris resident Richard is homeless and jobless. He applied for unemployment benefits and now faces charges of fraud. To save himself from nine months in jail he must find his wife and force her to tell the courts the truth, that though she has married a politically-ambitious American governor and is filing U.S. tax returns, she is technically still married to Richard. But as she lives in America, how can he get to her? Opportunity knocks when Richard learns that she and her husband will be attending an international conference at an exclusive Paris hotel. To get in he will need a disguise. Meanwhile, at the hotel, the concierge and the director are panic stricken by the prospect of a surprise visit by an unknown auditor who is coming to check out allegations of a hotel-run prostitution ring. They immediately banish all their call girls from the premises, but one refuses to leave without a fight. She too is eventually ejected, and while in the middle of the street she has a charming encounter with Richard, who is disguised as a bum. When the seeming vagrant ambles into the hotel, the managers immediately mistake him for the auditor and instead of booting him out, the hoteliers roll out the red carpet and treat Richard like a king. While he continues his endeavors to see his wife, several other subplots add to the confusion, including one in which a naive couple from the country tries to reach the American governor in hopes of hashing out an international business deal. ~ Sandra Brennan, All Movie Guide

The sorry story of the Vichy government of France from 1940 to 1945 is the subject of this thoughtful historical drama. In return for a swift surrender in 1940, the French government was allowed to retain, in Vichy an unoccupied portion of the country. There, at the Hotel du Parc, the government enacted and carried out its own decrees, which paralleled the Nazi persecution of Jews elsewhere. While the film itself simply tells its story in a straightforward manner that reviewers found quite creditable, it is remarkable for the fact that it was actually made and released. Why? Because it punctures the convenient illusions so many had constructed about the period, and reveals that far from being coerced into cooperating with the Germans, a large number (perhaps a majority) of Frenchmen were quite enthusiastic. In fact, the producer found it extremely difficult to get anyone to cooperate in making the film, and it took him over six years to bring together the resources to begin shooting. ~ Clarke Fountain, All Movie Guide

François (Thierry Lhermitte) has convinced his wife and nearly everyone else that he is a pleasant, downtrodden civil servant who has been immured in a dead-end job. In reality, he is a very competent secret operative for the government. Meanwhile, Helene (Miou-Miou), the mother of his two children, has grown bored with her dull husband and is considering whether or not she should have an affair with an attractively sleazy used-car salesman who has been feeding her his standard seduction line: that he's a secret agent (which, in his case, is a lie). When François discovers this, he concocts a plan to teach his wife a lesson, which grows unexpectedly complicated when the two of them stumble across an international arms-smuggling cartel. ~ Clarke Fountain, All Movie Guide