Daniel Chatto Movies

Little Dorrit was intended as the cinematic equivalent to the mammoth, eight hour Royal Shakespeare Company's staging of Dickens' Nicholas Nickelby. The film was released to theatres in two parts, each running approximately three hours. The first part, subtitled "Nobody's Fault," introduced us to the seamstress title character (Sarah Pickering), who chooses to live in debtor's prison with her father (Alec Guinness). Good samaritan Derek Jacobi endeavors to help both father and daughter. The second part, also known as "Little Dorrit's Story," details Dorrit's escape from penury to lasting happiness. Eschewing the usual 19th century-style British music often heard in Dickensian adaptations, director Christine Edzard creatively-and effectively--opts for the strains of Giuseppe Verdi. Edzard's eye for period detail is also deserving of unbounded praise. Unfortunately, Part Two of Little Dorrit spends nearly half of its running time recapping Part One, utilizing much of the same footage. For those familiar with "Nobody's Fault," "Little Dorrit's Story" is more a redundancy than a continuation. Still, taken together, parts one and two all fully deserving of the enthusiastic critical commentary that greeted them upon their original release-not to mention the multiple Academy Award nominations bestowed upon the project and its participants. ~ Hal Erickson, All Movie Guide

Based on what some consider to be Elizabeth Bowen's best novel, The Death of the Heart focuses on one of her primary themes, a young woman's first love. Portia Quayne (Jojo Cole) is orphaned, and at the age of 16 she must go live with her relatives, Anna (Patricia Hodge) and Thomas Quayne (Nigel Havers). The time is 1937, and this upper-crust couple are a bit too selfish and amoral (Anna) or just aloof (Thomas) for Portia; she cannot relate to them. Complicating matters is young Eddie (Daniel Chatto), a high-society do-nothing who awakens Portia's romantic ardor and then makes fun of her in front of her friends. Besides, he is interested in Anna. Portia cannot tolerate either her home environment or her mistreatment at the hands of Eddie, and she runs away looking for help from a sympathic Major Brutt (Robert Hardy). ~ Eleanor Mannikka, All Movie Guide

This British Merchant-Ivory look-alike was adapted from a novel by Isabel Colgate. In the summer before World War I, British nobleman James Mason invites an assorted group of acquaintances for a weekend shooting party on his huge estate. Among the participants are longtime rivals Edward Fox and Rupert Frazer, Fox's occasionally unfaithful wife Cheryl Campbell, and staunch anti-hunting advocate John Gielgud. The film unfolds in a carefully calculated but seemingly spontaneous fashion, in the manner of its 1938 ancestor Rules of the Game. Also like the earlier film, The Shooting Party casts a jaundiced eye towards class consciousness--and ends with a sudden, senseless but not altogether unexpected tragedy. ~ Hal Erickson, All Movie Guide

The later years of the life of author D.H. Lawrence are dramatized in this screen biography. Following the controversial reception of his novel The Rainbow, David Herbert Lawrence (Ian McKellen) and his wife Frieda (Janet Suzman) leave England for the U.S., where they hope that Lawrence's bold themes will be received in a more tolerant climate. Such is not the case, and the Lawrences travel first to Mexico, and then to Italy while David attempts to complete and then publish his best known (and most controversial) work, Lady Chatterley's Lover. However, as the furor over the book taxes David's well being, tuberculosis saps his physical health. The supporting cast includes John Gielgud as censorship crusader Herbert G. Muskett and Ava Gardner as Mabel Dodge Luhan. ~ Mark Deming, All Movie Guide