Ruth Chatterton Movies

A Royal Divorce is the misleading title bestowed upon this dramatization of certain events in the lives of Napoleon and Josephine. Making her first screen appearance in two years, Hollywood's Ruth Chatterton tops the cast as Josephine, whose widowhood is relieved upon her marriage to up-and-coming military officer Napoleon (France's Pierre Blanchar). Though she's several years older than her husband, Josephine tries to be the wife he wants-but she cannot give him what he really wants, namely an heir. Miles Malleson's screenplay puts forth the theory that Josephine agreed to her divorce from the Emperor so that he might father a legitimate child by his mistress, Marie Louise. In terms of costumes and settings, A Royal Divorce is authentic to a fault; in terms of adherence to the facts, it's a bit shaky, though undeniably dramatic. ~ Hal Erickson, All Movie Guide

Charming Sinners was a stilted adaptation of Somerset Maugham's play The Constant Wife. Robert Miles (Clive Brook) starts the ball rolling when he falls in love with Anne-Marie Whitley (Mary Nolan), the best friend of his own wife Kathryn (Ruth Chatterton). In retaliation, Kathryn begins a flirtation with her former boyfriend Karl Kraley (William Powell). After reels and reels of verbal fencing, the status quo is re-established, and Robert and Kathryn are reunited. So dour and restrained was Clive Brook's performance that one film critic pretended to mistake him for the family butler! Charming Sinners was also filmed in several foreign-language versions. ~ Hal Erickson, All Movie Guide

Ruth Chatterton tears up the screen in this fast-paced, lusty comedy. Alison Drake is an automobile magnate, a hard-nosed, hardboiled business woman making dozens of important decisions a day. In her private life, however, she is passionate and bold in her pursuit of male companionship, which she frequently finds among the ranks of her own employees and executives; the problem is that these men can't abide the fact that back at work, she's all business again; and she keeps having to get their long, mopey faces out of her presence by transferring them elsewhere. Then she meets Jim Thorne (George Brent), a gifted engineer who is attracted to Drake but isn't a callow, cowtowing yes-man, and isn't awed by her millions. After a few awkward encounters, they find a balance in their lives together, or so she thinks, until he proposes marriage. ~ Bruce Eder, All Movie Guide

French actress Simone Simon made her American film debut in Girls' Dormitory. Simon portrays a twentyish student in a Swiss private school, harboring a secret passion for headmaster Herbert Marshall. For her own amusement, Simon writes an intense love letter to an imaginary beau; the letter falls in the hands of two snoopy teachers, who suspect the worst. Running away from her accusers, Simone has a chance meeting with Marshall, who reveals that he is in love with her. The official studio synopsis for Girl's Dormitory states that Simone nobly steps aside to allow a middle-aged teacher (Ruth Chatterton) to marry Marshall, but in the film itself Simon ends up with Marshall after all. The synopsis barely mentions Tyrone Power, appearing in his first film for 20th Century-Fox. ~ Hal Erickson, All Movie Guide

In this tragic drama, a pregnant daughter prepares to marry a man she doesn't love when her 'sister' tells her a story. It seems that when the older woman was a girl she too got pregnant by her lover. When her father found out, he had the impregnator sent to war where he was killed. Meanwhile he allowed his daughter to keep her little girl under the provision that she tell the child that she is her sister. The sister of course, is the woman's daughter. Unfortunately, when her father learns that his daughter has told her daughter the truth he has her committed to an asylum. ~ Sandra Brennan, All Movie Guide

Alexandre Brisson's weepy 1906 play had already been filmed three times when the 1929 talkie Madame X made its debut. Ruth Chatterton stars as a low-born wife of a socialite, whose aristocratic in-laws kick her out when she gives birth to a baby boy of dubious parentage. The boy, who has been led to believe his mother is dead, grows up to become a renowned attorney (Raymond Hackett). Mama Chatterton takes to the streets, but proudly monitors her son's progress from afar. When Chatterton is accused of murder, her defense attorney is none other than her son. She refuses to tell him the truth about their relationship, even though that information may make the difference between execution and exoneration. Madame X would be remade three more times over the next five decades; to avoid confusion with these later versions, the 1929 Madame X has been retitled Absinthe for its TV showings. ~ Hal Erickson, All Movie Guide

Considered the best of the all-star "studio" musicals of 1929 and 1930, Paramount on Parade utilized the talents of practically everyone on the Paramount Pictures payroll. Under the supervision of British musical-comedy favorite Elsie Janis, 11 top directors contributed to the project: Dorothy Arzner, Otto Brower, Edmund Goulding, Victor Heerman, Edwin H. Knopf, Rowland V. Lee, Ernst Lubitsch, Lothar Mendes, Victor Schertzinger, Edward Sutherland and Frank Tuttle. Introduced by masters of ceremonies Jack Oakie, Skeets Gallegher and Leon Errol, the film is a vaudeville-like maelstrom of musical duets, comedy sketches, occasional dramatic interludes, and spectacular production numbers. To mention all the highlights would take a book in itself but among them are Nancy Carroll's rendition of "Dancing to Save Your Sole" (performed inside a giant shoe!); Maurice Chevalier (and chorus) soaring heavenward in "Sweeping the Clouds Away" ; child actress Mitzi Green's dead-on impersonations of Chevalier, George Arliss, Moran & Mack and Helen "Boop-a-doop" Kane; Ernst Lubitsch's witty staging of an Apache dance in the style of a polite boudoir farce, with Chevalier (again) and Evelyn Brent; Clara Bow's saucy "I'm True to the Navy Now" ; the wish-fulfillment sketch "Impulses," in which George Bancroft and Kay Francis delightedly upset a dinner party by saying what's really on their minds; and best of all, "Murder Will Out," a murder-mystery parody wherein Fu Manchu (Warner Oland) bumps off Sherlock Holmes (Clive Brook) and Philo Vance (William Powell) when they refuse to give him proper credit for his killing of Jack Oakie. Only the dramatic sketch with Frederic March and Ruth Chatterton truly creaks when seen today. Originally released at 102 minutes, Paramount on Parade is presently available only in an 80-minute version, with all its Technicolor sequences missing: casualties include the elaborate "Drink to the Girl of My Dreams" number, directed by Edmund Goulding and featuring Gary Cooper, Jean Arthur and Fay Wray, and Harry Green's dialect song "Isadore the Toreodor". ~ Hal Erickson, All Movie Guide

The great German actor Emil Jannings closed out the American phase of his film career with the Paramount part-talkie Sins of the Fathers. Jannings is cast as Wilhelm Spangler, who works as a head waiter to provide for his pregnant wife (ZaSu Pitts). As their family grows and grows, Spangler becomes more and more successful in his chosen profession, eventually putting enough money together to buy his own restaurant. The now-prosperous Spangler begins playing the filed with other women, including temptress Gretta (Ruth Chatterton). Upon learning about her husband's infidelities, Mother Spangler goes into a catatonic shock, which eventually leads to her death. With no "guiding force" at home, Spangler embarks upon a life of crime as a Prohibition bootlegger. The sins of the fathers are visited upon the sons at last when Spangler's beloved son Tom (Barry Norton) is blinded after drinking some of his dad's bootleg hootch. Later on, Spangler is thrown in jail, prompting the far-from-faithful Gretta to walk out on him. After serving his term, Spangler starts life all over again from the bottom as a waiter. An unhappy ending is averted when Spangler is tearfully reunited with son Tom, whose sight has been restored. Outside of a bizarre sequence in which Emil Jannings sings in a whiskey baritone, Sins of the Fathers was distinguished by the presence of Ruth Chatterton, whose first film this was. ~ Hal Erickson, All Movie Guide

The Doctor's Secret was adapted by director William C. DeMille from James M. Barrie's play Half an Hour. After marrying wealthy Richard Garson (H.B. Warner) for his money and prestige, Lillian Garson (Ruth Chatterton) grows weary of her stuffed-shirt husband and decides to run off with another man. While disembarking from a cab to meet Lillian, her lover is struck down and killed by a hit-and-run driver. On the scene of the accident is Dr. Brodie (Robert Edeson), who happens to be an old friend of Garson's. That evening, at a cocktail party held by Garson, Dr. Brodie begins relating the story of the unfortunate accident victim and his beautiful paramour. As the story unfolds, Garson begins to suspect that Lillian, who is late for the party, is the "woman in the case." When Lillian finally shows up, her husband confronts her with his suspicions. But Dr. Brodie saves the day by lying like a gentlemen, denying that he and the errant wife have ever met before. Doctor's Secret was one of the first Hollywood talkies to be simultaneously filmed in foreign-language versions. ~ Hal Erickson, All Movie Guide

Based on Frederick Lonsdale's The High Road, The Lady of Scandal is typical of the "teacup drama" genre so prevalent during the early talkie period. It all begins with down-to-earth musical comedy star Elsie (Ruth Chatterton) visiting the home of her aristocratic fiancee, John (Ralph Forbes. She briefly becomes acquainted with his cousin Edward (Basil Rathbone), an individual of dubious character allegedly nursing an affair with a married woman. In time, two changes occur during Elsie's visit to the stiff and formal household: first, each family member falls under her spell and "loosens up"; Elsie and Edward also become amorously entwined, and in the end - when the husband of Edward's married lover dies, Elsie must make a sacrifice to this woman. In the process, she also realizes that she does not love John and wishes to return to the theater. Extremely stagy and garrulous, the film also incorporates a great deal of humor to offset the prospective melodramatic pitfalls of the material. ~ Hal Erickson, All Movie Guide

The only thing magnificent about Magnificent Lie is its title. As usual, Ruth Chatterton plays a woman of variable morals, this time a seedy cafe entertainer. Ralph Bellamy costars as a recently blinded man, whose sole reason for living is his adulation of a famous French singing star. To boost the man's morale, Chatterton impersonates the star in his presence. They fall in love...but will it last once the ruse is revealed? Magnificent Lie features Charles Boyer in a supporting role. ~ Hal Erickson, All Movie Guide

A talented cast does its best with a nonsensical script in The Rich are Always With Us. Ruth Chatterton stars as a witty socialite saddled with caddish husband John Miljan. Upon learning that Miljan has been fooling around with Adrienne Dore, Chatterton divorces him, whereupon his brokerage firm goes belly-up, for which our heroine holds herself responsible. She undergoes another guilt trip when Miljan's second wife dies in a car crash. Throughout all this, Chatterton denies herself true love in the person of foreign correspondent George Brent, who became Chatterton's husband during filming. Bette Davis enjoys an early scene-chewing opportunity as a predatory young debutante who sets her sights for the handsome Brent. ~ Hal Erickson, All Movie Guide