Geoffrey Chater Movies

At a laboratory outside of a small village in the south of England, physicist Dr. Laird (Alec Mango), assisted by American scientist Gilbert Graham (Forrest Tucker), is performing a series of advanced experiments with magnetic fields -- dangerous experiments, using massive amounts of power in equipment which isn't designed to carry the load. An accident injures one of his assistants, and a request for a replacement to the Ministry of Defense brings Brigadier Cartwright (Windham Goldie) down to investigate, accompanied by a replacement for the injured man -- a woman computer expert, Michele Dupont (Gaby Andre), who helps to solve Laird's power problem, but not the larger risks inherent in his experiments. Cartwright is impressed when an interrupted experiment transforms several pieces of steel not in the test chamber into useless lumps of powder -- his report convinced the Deputy Defense Minister (Geoffrey Chater) to make Laird's project a top priority, and he sends a full security team, led by counter-espionage expert Jimmy Murray (Hugh Latimer), down to cover the laboratory. But it soon becomes clear that enemy agents are the least of the dangers manifesting themselves around Laird's project -- the hyper-magnetic fields that he has generated have been affecting the ionosphere, causing unnatural weather patterns, threatening ships at sea hundreds of miles away, and also weakening the magnetic layer that shields the surface of the earth from cosmic rays. The sudden burst of radiation from deep space causes brain damage in one man that turns him into into a homicidal maniac -- but it has also affected the insect life in the area, causing it to mutate. In the midst of this growing threat to the safety of the world, a mysterious Mr. Smith (Martin Benson) arrives in the village -- he's a well-spoken man with amazingly little knowledge of ordinary life, but a lot of awareness about magnetic fields and the work that Dr. Laird is doing. Murray is positive that he's a spy, but Gil and Michele decide that there's a lot less danger from him than from Dr. Laird, who has vowed to continue regardless of the risks. And even with Smith's warning, and Gil's and Michele's best efforts to alert the authorities and stop Laird, the forest adjacent to the town is soon swarming with gigantic beetles and other monsters. ~ Bruce Eder, Rovi

Rebellious students at an English private school plan a violent revolt against their repressive environment in director Lindsay Anderson's highly acclaimed but extremely controversial drama. Centering on a small group of non-conformists led by Mick Travis (Malcolm McDowell), the film paints a distinctly negative picture of the British school system and, by extension, English society. Seeing the powers-that-be as humorless, bureaucratic, and needlessly restrictive, Mick and his cohorts indulge in small acts of rebellion, including sneaking into town to romance a local waitress. Their actions are discovered and punished with harsh beatings, leading the students to plot revenge. This effort culminates in the film's most famous sequence, a surrealistic depiction of a bloody uprising by the students against the adult world. Daring and unpredictable in content and form, If... mixes color and black-and-white cinematography as easily as it mingles satire with dark fantasy. The film's ambiguous attitude toward violence caused controversy at the time, as many commentators saw the film as a potential incitement to violence. It became a great success among younger, counter-culture audiences who appreciated the audacious shock tactics and embraced the satirical, anti-establishment message. Often compared to Jean Vigo's French classic Zéro de conduite, which also featured surrealistic boarding-school rebellion, If... has become a high point in the cinema of youth rebellion. Anderson and McDowell later collaborated on O Lucky Man! (1973), Look Back in Anger (1980), and Britannia Hospital (1982). ~ Judd Blaise, Rovi

The young girl who witnessed the auto plant manager's hit-and-run accident doesn't quite blackmail him into giving her a good job, and she also doesn't quite blackmail him into spending time with her and her young friends. Her threat is implied, rather than explicit, and what she wants isn't made entirely clear. The manager doesn't want to break up his marriage or make the young woman his mistress, which might be her objective, and he can't promote her any further in the company. If she talks, his life is ruined. What can he do? When the Japanese owners of his factory ask him to come with an assistant to Japan to test-drive a new car, he has an opportunity to find out. This Danish-made English-language thriller doesn't end quite the way one might expect it to. ~ Clarke Fountain, Rovi

This mystery, adapted from an Agatha Christie story, tells the tale of an ambitious British chauffeur who marries his American employer, one of the richest women in the US and persuades her to buy a palatial country estate. She literally loves it to death and that is where all the real trouble begins. ~ Sandra Brennan, Rovi

Look Back in Darkness is a 90-minute taped-for-TV thriller. Bradford Dillman plays a jazz pianist who was blinded by his wife's murderer. One day, while performing, Dillman hears the voice of his assailant. The rest of the story concerns Dillman's efforts to bring the criminal to heel before he himself is eliminated. Catherine Schell and Terence Sewards costar in this terror piece. Look Back in Darkness was originally telecast on ABC's Wide World Mystery under the title The Next Voice You See. ~ Hal Erickson, Rovi

Othello (Anthony Hopkins) is a noble black Moor held in high regard by Venice for his service as a military general. However, he makes a deadly enemy in his ensign Iago (Bob Hoskins) after he promotes Michael Cassio (David Yelland), not Iago, to the position of personal lieutenant. To gain revenge, Iago secretly attempts to break up the new marriage of Othello and his lovely wife Desdemona (Penelope Wilton) by having Desdemona's former suitor Roderigo (Anthony Pedley) inflame Desdemona's father, Senator Brabantio (Geoffrey Chater), against Othello as a sorcerer who used witchcraft to woo his daughter. In the Venetian Senate, which is discussing a Turkish threat against Cyprus, the duke exonerates Othello of wrongdoing and dispatches him to Cyprus to defend it and become the new governor. Unaware that Iago was behind Brabantio's earlier protests against his marriage, Othello orders Iago to accompany his wife to Cyprus, and Roderigo goes along at the urging of Iago, who tells him that Desdemona will eventually tire of Othello. Once in Cyprus, Iago manipulates Roderigo and his own wife Emilia (Rosemary Leach) into helping him to discredit Cassio and make Desdemona appear unfaithful. His plan works. Othello tells Iago he plans to poison Desdemona, but Iago persuades him to kill her in the bed she ''contaminated.'' As for Cassio, Iago says, ''Let me be his undertaker.'' Believing Iago has killed Cassio, the Moor returns to his castle for the awful task of executing his wife. Othello, still loving his wife, kisses her awake, asks her to prepare her soul for death -- and after an exchange of accusations and denials -- smothers her in her bed. When Emilia tells Othello the truth about the scheming Iago, the wounded Cassio backs up Emilia's story. Othello wounds Iago, then kills himself. Iago kills Emilia. After Iago is led away in chains, Cassio becomes governor of Cyprus. ~ Mike Cummings, Rovi

The Greeks laid siege to the city of Troy after Paris (David Firth) of Troy abducted the beautiful Helen (Ann Pennington) from Sparta. In the city, Troilus (Anton Lesser), brother of Paris, is courting the lovely Cressida (Suzanne Burden), who is playing hard to get so that his interest will be heightened. Outside the walls of Troy, the Greek forces are growing weary of the war. Leader Agamemnon (Vernon Dobtcheff) even finds his prize warrior Achilles (Kenneth Haigh) to be sullen about the proceedings, and is concocting a plan to promote Ajax (Anthony Pedley ) as the Greeks' greatest hero, thereby goading Achilles back into action. To this end, Ajax is chosen when the Trojans suggest a wrestling match with Hector (John Shrapnel), another brother of Paris and Troilus. Meanwhile, Troilus and Cressida consolidate their feelings for one another and spend the night together. The next day, however, Cressida's traitorous father arranges for her to be given to the Greeks in exchange for a captured Trojan. Troilus vows vengeance on Diomedes (Paul Moriarty), the Greek who seduces Cressida, and goes on a rampage in the Greek camp. The fighting spreads, with Hector killing Patroclus (Simon Cutter), beloved of Achilles, and Hector viciously slain in turn by Achilles. The film ends with the war far from over, and Troilus bemoaning the meaninglessness of love and life. ~ Craig Butler, Rovi

Aerodrome is a British black comedy set in the 1930s. A backwater English village is threatened with takeover by a fascist air force. It's the home guard to the rescue--sort of. Peter Firth, Richard Johnson, Jill Bennett, and Richard Briers head the cast. Produced for British TV in 1982, Aerodrome premiered in the US the following year over the Arts Cable Network. ~ Hal Erickson, Rovi

This British made-for-television movie tells the story of the 1950s competition to unlock the mystery behind DNA, and the personal and political tribulations that accompanied the endeavor. Jeff Goldblum stars as American scientist Jim Watson, and Tim Pigott-Smith is Britain's Francis Crick. Together, the non-traditional scientists raced to find the structure of the DNA molecule before their contemporaries did the same. The film was based on the book of the same name by James Watson. ~ Bernadette McCallion, Rovi

Having previously essayed the role of real-life Canadian physician/political activist Norman Bethune in a 1977 TV movie, Donald Sutherland returns to the role in the 1989 theatrical feature Bethune: The Making of a Hero. Over a period of several decades, Dr. Bethune grows increasingly disenchanted with the corrupt politics that have fomented so many wars. Radicalized during the Spanish Civil War, he declares himself by fighting with Mao Tse Tung's Chinese Communist forces against the Japanese in World War 2. He remains a staunch Mao supported in the postwar years, winning him both loyal supporters and bitter foes in the West. This warts-and-all film makes no effort to cover up Bethune's personal demons, notably his boozing and philandering. Still, one emerges from the film wishing to learn just a wee bit more about the good doctor's motivations. Bethune: The Making of a Hero was released in the US in 1993 as Doctor Bethune. ~ Hal Erickson, Rovi