Roque Ybarra Movies
- 1965
Director Serge Bourguignon coadapted the screenplay for The Reward from a novel by Michael Barrett. Efrem Zimbalist Jr., usually cast on the right side of the law, is here a fugitive from American justice hiding from a murder rap in Mexico. Zimbalist and his girlfriend Yvette Mimieux try to avoid those who'd like to collect the $50,000 dead-or-alive price on his head. Police chief Gilbert Roland captures Zimbalist alive, promising to divvy up the reward with his men. But the police officers greedily turn on each other, leaving the audience to sort out for themselves just who's the real "bad guy" hereabouts. ~ Hal Erickson, Rovi
- Starring:
- Max von Sydow, Yvette Mimieux, (more)
- 1960
Hubert Cornfield wrote, directed, and co-produced this standard suspense story about two people who commit both murder and fraud -- out of revenge on the one hand and materialistic gain on the other. Marian Forbes (Laraine Day) has been having an affair with her boss and when he drops her for another woman she sees green -- jealousy and greed take over. She convinces an acquaintance (Edmond O'Brien) to murder her former lover and then impersonate him just long enough to get their hands on a large sum of money. Everything comes off as she plans, but then as the two cover up their crime, the danger of being discovered looms larger at every turn. ~ Eleanor Mannikka, Rovi
- Starring:
- Edmond O'Brien, Julie London, (more)
- 1951
Callaway Went Thataway is an amiable spoof of early television's "Hopalong Cassidy" craze. Fred MacMurray and Dorothy McGuire star as Mike Frye and Deborah Patterson, advertising copywriters who have pulled off quite a coup by purchasing the old "Smokey Callaway" Westerns for TV. Trouble begins when the sponsor wants to meet up with Callaway (Howard Keel) and sign him to a long-term contract. But Smokey, a notorious boozer and womanizer, has dropped out of sight and left for parts unknown. In desperation, Mike and Debbie hire a Callaway look-alike named Stretch Barnes (also Howard Keel), whom they give a crash course in the art of being a boyhood idol ("You're a cowboy star. You have two expressions: hat on and hat off"). Barnes not only pulls off the ruse with the greatest of ease, but also takes his responsibilities to his young fans quite seriously. The plot thickens when the real Smoky Callaway emerges from a ten-year bender to demand a piece of the action. Callaway Went Thataway is full of wonderful moments, not least of which is a climactic fistfight between Callaway and Barnes, adroitly edited and photographed so as to make it appear that Howard Keel is actually punching out himself! The supporting cast includes future TV favorites Jesse White, Stan Freberg, and Hugh Beaumont (unbilled), while several MGM stars make surprise cameo appearances. Perhaps to avoid potential lawsuits, the film ends with a timorous disclaimer, stating that most Western stars are generous, upstanding individuals -- and not at all like the bibulous, mercenary Smoky Callaway. ~ Hal Erickson, Rovi
- Starring:
- Fred MacMurray, Dorothy McGuire, (more)
- 1950
- NR
Cary Grant's utter credibility in the role of a brilliant, world-famous brain surgeon Dr. Eugene Norland Ferguson is the single element that keeps Crisis afloat. While vacationing in a politically unstable Latin American country, Ferguson and his wife, Helen (Paula Raymond), find themselves the unwilling house guests of dictator Raoul Farrago (José Ferrer). Suffering from a brain tumor, Farrago insists that Ferguson operate at once. The "crisis" of the title arises when revolutionary leader Gonzales (Gilbert Roland) demands that Farrago be killed on the operating table -- and kidnaps Dr. Ferguson's wife to bind the bargain. Unaware of his wife's plight, Ferguson proceeds with the operation, setting into motion a series of events leading to a grimly ironic denouement. Director Richard Brooks adapted the screenplay of Crisis from a story by George Tabori. ~ Hal Erickson, Rovi
- Starring:
- Cary Grant, José Ferrer, (more)
- 1949
Esther Williams and Red Skelton share equal screen time for once in the MGM Technicolor musical Neptune's Daughter. The title character is, of course, Williams, here cast as Eve Barrett, a bathing-suit manufacturer (and sometimes model). Skelton plays Jack Spratt, the masseur at a fancy polo club, who falls for Eve's sister (Betty Garrett). To prove worthy of her love, Jack poses as dashing Latin polo star Jose O'Rourke (Ricardo Montalban), resulting in a wealth of comic complications. The slapstick setpieces include a hilarious horse-mounting routine and a climactic set-to between Skelton and petty crook Mike Mazurki; there's also a few inspired moments from Mel Blanc, cast as a slow-talking Mexican. While Xavier Cugat is on hand as "himself," the film's musical high point is the Oscar-winning Baby It's Cold Outside, performed first by Williams and Montalban and then by Skelton and Garrett. ~ Hal Erickson, Rovi
- Starring:
- Esther Williams, Red Skelton, (more)
- 1948
Cole Porter's Broadway musical Mexican Hayride was optioned by Universal in the mid-1940s, then remained in "development hell" until 1948. By the time the property made it to the screen, the entire Porter score had been removed, and the play's original star Bobby Clark was replaced by Bud Abbott and Lou Costello. The story takes place South of the Border, where American fugitive from justice Joe Bascom (Costello) searches for con man Harry Lambert (Abbott), for whom Bascom had been a fall guy. Also in Mexico is Joe's hometown-sweetheart Mary (Virginia Grey), now known as Montana, the country's foremost female bullfighter. Joe catches up with Harry at the bull arena, where Montana is about to choose the "Amigo Americano" in a publicity scheme cooked up by Harry. When she spots Joe in the crowd, Montana (angry at our tubby hero for bilking her out of her life savings -- it was actually Harry's doing), furiously throws her hat at him. When Joe catches the hat, he's elected Amigo Americano and extended every hospitality that Mexico can afford. Sensing yet another opportunity to make a dishonest dollar, Harry exploits Joe's newfound celebrity to promote a phony gold-mining scheme. The gorgeous Dagmar (Luba Malina), Harry's partner in crime, romances Joe to secure his cooperation. Somehow all of this ends up back in the bull ring, with poor Joe facing a very belligerent "el toro." A bit too plot-heavy for Abbott & Costello, Mexican Hayride still has several choice moments, including a priceless verbal exchange involving gold ore ("gold or what?") and a "Mother Lode." ~ Hal Erickson, Rovi
- Starring:
- Bud Abbott, Lou Costello, (more)
- 1947
Promoted from Republic B westerns to "A" productions, William "Wild Bill" Elliot found himself in the sort of roles previously essayed by John Wayne, Richard Dix and Errol Flynn. In the Republic "special" Wyoming, Elliot plays Charles Alderson, a wealthy Wyoming Territory ranch owner who takes an adversarial position against the congressional Homestead Act of the late 19th century. Alderson's grown daughter Karen (Vera Ralston, whose foreign accent is "explained" by the fact that she's been educated in Europe!) tries to dissuade her father from his ruinous path, but it is only through the villainy of crooked landgrabber Duke Lassiter (Albert Dekker) that Alderson realizes he's been all wrong about the incoming homesteaders. Only in a Republic picture would a film's supporting cast include both Maria Ouspenskaya and Gabby Hayes! This Wyoming, incidentally, is not a remake of the 1940 Columbia film of the same name. ~ Hal Erickson, Rovi
- Starring:
- Roy Barcroft, John Carroll, (more)
- 1944
Oriental Dream is the TV title for the 1944 Technicolor version of Kismet. Ronald Colman plays Hadji, "king of beggars" in the days of the Arabian Nights. Posing as a prince, Colman woos Marlene Dietrich, the favorite wife of the evil Wazir (Edward Arnold). Meanwhile, Colman's daughter Joy Ann Page falls in love with handsome Caliph James Craig--while the Wazir connives to get Page into his own harem. Several plot convolutions later, Colman ends up with Dietrich, Page winds up with Craig, and the Wazir winds up six feet under. Kismet was based on the war-horse stage play by Edward Knoblock, previously filmed in 1920 and 1930 with the play's original star Otis Skinner. The title Oriental Dream was bestowed upon the 1944 Kismet when it was remade as a musical in 1955. The earlier version had its musical moments as well, notably a delicious dance number spotlighting Dietrich, painted gold head from head to toe; an additional dance sequence was cut, but later showed up in the Abbott and Costello comedy Lost in a Harem (1944). ~ Hal Erickson, Rovi
- Starring:
- Ronald Colman, Marlene Dietrich, (more)
- 1942
- NR
Like the John Steinbeck novel on which it is based, Tortilla Flat is not so much a movie as a series of warm-hearted anecdotes, all linked to a small California fishing village populated by poor but happy immigrants. The focus is upon Pilon (Spencer Tracy), a good-natured, charismatic freeloader, and Danny (John Garfield), a hot-headed fisherman who is dragged kicking and screaming into the world of personal responsibility when he inherits two small houses. As Pilon toys with the notion of stealing the nest egg saved up by an old man known as "the Pirate" (Frank Morgan), Danny tries to spark a romance with sexy cannery worker Dolores "Sweets" Ramirez (Hedy Lamarr). Abandoning the robbery plans when he learns that the Pirate intends to use his money to purchase a candlestick for St. Francis, Pilon turns his attentions to stealing Sweets away from Danny. But when Danny is injured in a drunken fight, the mercurial Pilon switches gears again, devoting his energies to bringing Danny and Sweets back together. Of the film's many highlights, standouts include the surprisingly effective "straight" performance by comic actor Frank Morgan (for which he received an Oscar nomination), and the seemingly improvised songfest between Spencer Tracy and John Garfield. ~ Hal Erickson, Rovi
- Starring:
- Spencer Tracy, Hedy Lamarr, (more)
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