Rod Pilloud Movies

As usual, the USA network's ad copy for their TV-movie The Haunting of Sarah Hardy was a model of understatement: "She has beauty, wealth, love, and a past that's driving her insane." Sela Ward stars as Sarah, a newlywed who is obsessed with the memory of her late mother. Sarah is convinced that her mom, who committed suicide years earlier, has returned to haunt her on her wedding night. Various friends and relatives (Polly Bergen, Morgan Fairchild, Michael Woods, Roscoe Born) try to convince the girl that she's just imagining things and that there's nothing to worry about. Actually, they're half right: her imagination is being worked overtime. . .by someone who wants to drive her out of her mind. This Gaslight wannabe first aired May 31, 1989. ~ Hal Erickson, All Movie Guide

Edward Albert stars as Taggar, a wealthy industrialist who lives for danger. Together with luscious secret agent Paige Starsen (Audrey Landers), Taggar takes on rival businessman King Kenderson (Joe Don Baker). Having gotten hold of a poison gas which consumes human flesh, Kenderson threatens to unleash the gas over the city of Dallas unless he's paid a $50 million ransom (the film, incidentally, was originally titled Hostage: Dallas). The last 20 minutes of Getting Even is a thrill-packed helicopter chase over, around, and through the Dallas skyline. Barely released theatrically, the film enjoyed a robust "second life" on video. ~ Hal Erickson, All Movie Guide

On the occasion of his 50th birthday, blue-collar family man Gene Hackman is possessed by our old friend, The Mid-Life Crisis. Visiting a local tavern, Hackman becomes enchanted by gorgeous barmaid Ann-Margret. In less time than it takes to down his beer, he has resolved to leave his wife Ellen Burstyn, and his daughters Ally Sheedy and Amy Madigan, in favor of a fresh start with his sexy new "conquest." The film deals not so much with Hackman's impulsive decision as with the genuine pain he leaves in his wake. Madigan's vituperative lash-out at her father is one of many heartbreaking moments of truth in this refreshingly cliché-free domestic drama. The perceptive screenplay for Twice in a Lifetime was written by Colin Welland; the film's theme music was composed by Paul McCartney. ~ Hal Erickson, All Movie Guide

As played by Jessica Lange, Frances Farmer is a rebel from the word go, winning a high school essay award by writing a piece in defense of Communism. Determining to become an actress, Frances is equally determined not to play the Hollywood game: she refuses to acquiesce to idiotic publicity stunts, and insists upon appearing on screen sans makeup. Her defiance attracts the attention of Broadway playwright Clifford Odets, who convinces Frances that her future rests with the Group Theatre. But once she leaves Hollywood for New York, Frances learns to her chagrin that the Group intends to exploit her movie fame in order to draw in customers. Her desperate attempts to restart her movie career, combined with her increasing dependence on alcohol and the pressures brought to bear by her monster mother (Kim Stanley), result in a complete mental breakdown. Even while institutionalized, Frances is abused by the powers-that-be; she is forced to undergo an injurious brain operation, is treated like a mad animal, and periodically raped by the inmates. Frances is released in the custody of her mother, who persists in browbeating her tortured daughter until Frances discovers the legal means to break away. The real-life Frances spent her last years as host of a local Indianapolis TV program, dying in 1970 at age 57; the film comes to a climax when Frances is feted on the smarmy network program This is Your Life. Other actual personages depicted herein include Clifford Odets (played by Jeffrey DeMunn), Harold Clurman (Jordan Charney) and Ralph Edwards (Donald Craig). Frances' first husband Leif Erickson is fictionalized as "Jeffrey York", and played by Lange's real-life inamorata Sam Shepard. And if you listen closely, you'll hear the voice of Kevin Costner, whose minor role was whittled down to one line when he, like Frances Farmer, had the temerity to argue with the director. The unhappy life of actress Frances Farmer was also covered in Farmer's autobiography, Will There Ever Be a Morning? While the film rights for that book were sold to a TV-movie concern, the producers of the theatrical feature Frances were able to ship their production out to the public first. ~ Hal Erickson, All Movie Guide