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Roberta Robinson Movies

1934  
 
Though she certainly didn't need the money, silent film favorite Colleen Moore made a comeback bid during the 1933-34 film season, appearing prominently in four productions. The least prepossessing of these was Columbia's Social Register, in which Moore is cast as good-natured chorus girl Patsy Shaw. Our heroine falls in love with wealthy Charlie Breene (Alexander Kirkland), but his snobbish parents oppose the relationship. To prove Patsy's unworthiness, Charlie's parents invite her to a high-society party. Turning the tables, Patsy wins over the hoity-toity crowd with her down-to-earth ebullience. As a last-ditch effort, Charlie's mother (Pauline Frederick) tries to frame the girl in a compromising position, but at the last moment the old lady relents and accepts the girl as her daughter-in-law. The whole thing was remarkably similar to MGM's The Girl From Missouri, but not so similar as to constitute plagiarism. Humorist Robert Benchley makes a brief but hilarious appearance as "himself." ~ Hal Erickson, Rovi

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Starring:
Colleen MooreCharles Winninger, (more)
 
1930  
 
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After serving as comedy relief in three big-budget RKO Radio musicals, the comedy team of Bert Wheeler and Robert Woolsey were rewarded with their own starring vehicle, the dated but still delightful Half Shot at Sunrise. Set in Paris during WWI, the film casts Bert and Bob as Gilbert and Tommy, two AWOL doughboys. When not posing as officers to impress the local mademoiselles, our heroes spend their time ducking a pair of diligent MPs, and while doing so make the acquaintance of the hoydenish Annette (Dorothy Lee), the daughter of dyspeptic Colonel Marshall (George MacFarlane) and Marshall's snooty wife (Edna May Oliver). Tommy falls in love with Annette, while Gilbert is equally enamored of Olga (Leni Stengel), the Colonel's sultry lady friend. Hoping to save the boys from court-martial by turning them into war heroes, Annette and Olga contrive to send Gilbert and Tommy to the Front with "borrowed" secret orders. After nearly being killed by enemy shellfire, the two errant soldiers are arrested and brought to Marshall's headquarters, averting a firing squad only by revealing that their "secret orders" were actually love letters written to the Colonel by the flirtatious Olga. There are many funny routines in Half Shot at Sunrise (the scene in which Wheeler and Woolsey pose as French waiters is a riot), and the songs, particularly the Wheeler-Lee duet "Whistling the Blues Away," are quite entertaining. But the film's highlight is an uncharacteristic "straight" scene toward the end, when a panic-stricken Woolsey risks death to rescue an injured Wheeler from No Man's Land (and never mind that the scene ends with a satirically comic punch line). Half Shot a Sunrise proved beyond all doubt that Wheeler and Woolsey could carry a picture by themselves; they would remain top box-office attractions until Bob Woolsey's death in 1938. ~ Hal Erickson, Rovi

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Starring:
Bert WheelerRobert Woolsey, (more)
 
1930  
 
Having long enjoyed a near-legendary status because of its general unavailability, Dangerous Nan McGrew inevitably disappoints when seen today. In her only starring feature role, Helen Kane, the original "Boop-boop-a-doop" girl, stars as an entertainer in a travelling medicine show. While her boss Doc Foster (Victor Moore) peddles his snake oil and picks as many pockets as possible, Nan shows off her skills as a singer and sharpshooter. Through a series of improbable plot twists, Doc's little show becomes a rendezvous for bank robber Muldoon (Frank Morgan), RCMP officer Bob Dawes (James Hall), and all-around dufus Eustace Macy (Stu Erwin). The comedy sequences are strictly from hunger, and the songs aren't much better, but Helen Kane's sheer likability -- and the combined comic expertise of Victor Moore (in his first talkie) and Frank Morgan -- save the film from being a complete waste of time. ~ Hal Erickson, Rovi

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Starring:
Helen KaneVictor Moore, (more)