Robert Ryan

Though previously filmed several times in one- and two-reel form, Edward Everett Hale's classic 1863 novel The Man Without a Country was not given a full-length treatment until this ABC "Kodak Special" TV presentation. Cliff Robertson stars as young, zealously patriotic American military officer Philip Nolan, who after participating in Aaron Burr's abortive efforts to establish an independent government is placed on trial for treason. During the proceedings, a flustered Nolan exclaims, "Damn the United States! I wish I may never hear of the United States again!" The judge solemnly grants Nolan his "wish," sentencing him to spend the rest of his life on a Navy vessel, where no one will ever be permitted to mention the United States in his presence, and from which he will never be allowed to return to his native soil. Thus is Nolan's fate sealed for the next 60 years -- yet somehow, the prisoner's innate patriotism and love for the land of his birth is never completely extinguished. Capped by one of the most moving deathbed scenes in all American literature, The Man Without a Country was filmed on location in Connecticut, Rhode Island, and Niagara, NY. The film first aired on April 24, 1973. ~ Hal Erickson, All Movie Guide

John Frankenheimer's screen version of Eugene O'Neill's 1947 Broadway play The Iceman Cometh is set in 1912 at Harry Hope's dingy waterfront saloon. On the occasion of Hope's birthday, several derelicts enter the scene to pontificate on the lives they'd planned, the lives they still dream about, and the wasted lives they wound up with. The cast features Lee Marvin as Hickey, a loser who's convinced himself that he's a winner; Robert Ryan as Larry Slade; and Fredric March (his last film role) as Harry Hope. The Iceman Cometh was one of a series of prestige productions presented by the American Film Theatre. ~ Hal Erickson, All Movie Guide

In this decidedly offbeat and rather arty crime drama, a French fugitive heads for Canada and ends up joining a gang of desperate criminals who have been plotting to kidnap a crimelord's retarded daughter. Things go well until she accidentally dies. Despite the unfortunate turn of events, the crooks decide to keep on as if things were fine. The English language version was retitled to And Hope To Die and cut to 95 minutes. ~ Sandra Brennan, All Movie Guide

In Lawman, Burt Lancaster is Jered Maddox, a dedicated marshal with an inflexible adherence to upholding the law at all costs. Riding into a nearby town to pick up a group of local carousers who, during a drunken spree, killed an old man, Maddox meets up with Vincent Bronson (Lee J. Cobb). Bronson is the local town boss, and Maddox discovers that the men he is looking for work for him. Unlike most western heavies, Maddox, although he is powerful and unscrupulous, abhors violence. But violence is something Maddox cultivates. A major confrontation between the reluctant Bronson and the intransigent Maddox builds -- particularly when Maddox enlists the help of weak-willed local sheriff Cotton Ryan (Robert Ryan). ~ Paul Brenner, All Movie Guide

"If they move, kill 'em!" Beginning and ending with two of the bloodiest battles in screen history, Sam Peckinpah's classic revisionist Western ruthlessly takes apart the myths of the West. Released in the late '60s discord over Vietnam, in the wake of the controversial Bonnie and Clyde (1967) and the brutal "spaghetti westerns" of Sergio Leone, The Wild Bunch polarized critics and audiences over its ferocious bloodshed. One side hailed it as a classic appropriately pitched to the violence and nihilism of the times, while the other reviled it as depraved. After a failed payroll robbery, the outlaw Bunch, led by aging Pike Bishop (William Holden) and including Dutch (Ernest Borgnine), Angel (Jaime Sanchez), and Lyle and Tector Gorch (Warren Oates and Ben Johnson), heads for Mexico pursued by the gang of Pike's friend-turned-nemesis Deke Thornton (Robert Ryan). Ultimately caught between the corruption of railroad fat cat Harrigan (Albert Dekker) and federale general Mapache (Emilio Fernandez), and without a frontier for escape, the Bunch opts for a final Pyrrhic victory, striding purposefully to confront Mapache and avenge their friend Angel. ~ Lucia Bozzola, All Movie Guide

Opening with a montage depicting its subject's Civil War exploits, Custer of the West carries us across four years of fighting in less than four minutes of screen time. The Civil War ended, George Armstrong Custer (Robert Shaw) longs for action and to hold onto his rank of general, so General Phil Sheridan (Lawrence Tierney) sends him West, admitting that there will be no nobility to his cause there -- the government and the people want the land, and that means getting the Indians off of it by any means necessary. He arrives in time to see a party of Cheyenne (whom the real Custer never fought) kill a pair of miners by sending them rolling down a long hill in a runaway wagon -- that motif is repeated, in ever more striking, elaborate, and violent fashions, in two subsequent action scenes. Custer organizes his command around Major Marcus Reno (Ty Hardin), depicted as an ambitious officer with a drinking problem, and Captain Benteen (Jeffrey Hunter), a humane officer with a strange, almost mystical streak, who understands the Indians better than anyone else in Custer's command. Also present are Mary Ure as Custer's loving wife and Robert Ryan in a very flamboyant performance as a larcenous sergeant who comes to no good end after being stricken with gold fever. After getting his command into the shape it needs to be -- mostly by running everyone except a lone sergeant into the ground in an extended drill -- he carries out his mission, quietly detesting the motives behind his orders but executing them out to the letter. Regarded as a hero in the East, Custer returns to Washington only to jeopardize his career by testifying about the corruption he's found around him in the West. He is left a political pariah but once more. Sheridan intercedes, again getting Custer posted with the Seventh Cavalry now engaged against the Sioux. He is, by this time, disillusioned with the army that he serves and the politicians and the business interests in whose service it functions. Though he craves the glory that comes with battle, he sees soldiering of the type he is being asked to carry out as little more than organized slaughter, even relying on machines to do the killing in ever more indiscriminate ways with none of the contest between men, of strategies, and arms and resourcefulness -- that was his real joy. The demons and goals that drive him culminate with Custer's disastrous action at Little Big Horn, which is beautifully (if not necessarily accurately) staged, in a stunning visual and aural denouement. ~ Bruce Eder, All Movie Guide

Clay McCord (Alex Cord) is a former outlaw determined to live the life of a law-abiding citizen. Colby (Arthur Kennedy) is the town marshall who keeps law and order. Not far from the peaceful town is a haven for criminals led by Kraut (Mario Brega), a trigger happy outlaw who welcomes those who are wanted by the law. McCord worries that he may have the epilepsy that plagued his father and hastened his demise. He battles the sadistic gunman while hoping for a pardon from the sympathetic governor (Robert Ryan). He also falls for the lovely Laurinda (Nicoletta Machiavelli) as he walks between the two worlds of the law and the lawless in this action-packed and often bloody western adventure. ~ Dan Pavlides, All Movie Guide

Filmed on location in New York, the 60-minute TV drama Guilty or Not Guilty was cowritten by Evan "Blackboard Jungle" Hunter. Robert Ryan stars as Andrew Dixon, a New York assistant DA. Disgusted by the crime rate and the court's revolving door policy regarding street criminals, Dixon organizes a citizen's protection committee in his own neighborhood. Guilty or Not Guilty was designed as the pilot for a potential series starring Robert Ryan. It was originally telecast as the June 1, 1966 installment of Bob Hope Chrysler Theatre. ~ Hal Erickson, All Movie Guide

Grant (Ralph Bellamy) is a wealthy rancher who hires four mercenaries to retrieve his wife, Maria (Claudia Cardinale), from the clutches of the desperado Raza (Jack Palance) in this Western adventure set in 1917. Dolworth (Burt Lancaster) is a munitions expert who joins gunslinger Fardan (Lee Marvin), horse trainer Hans Ehrengard (Robert Ryan), and longbow master Jake (Woody Strode) when the men are offered 10,000 dollars apiece for the safe return of Grant's kidnapped wife. The cadre travels 100 miles into Mexico to retrieve the woman, whom they later discover wants to remain with Raza, but they decide to nab Maria anyway to make good on the money. Soon Fardan, Hans, and Jake are chased across the border by the enraged Raza and his equally deadly female accomplice Chiquita (Marie Gomez), while Dolworth stays behind to fight off Raza's Mexican banditos. The film received Academy Award nominations for Best Direction (Richard Brooks), Best Screenplay (Brooks again), and Best Cinematography (Conrad L. Hall). ~ Dan Pavlides, All Movie Guide

This British programmer was filmed on the cheap in Yugoslavia, with an American star, Robert Ryan, to secure U.S. playdates. Ryan plays an American journalist who views with alarm as a dictator (Stewart Granger) runs roughshod over the citizens of an unnamed Balkan country. The news hound puts together enough incriminating evidence to topple the dictator from power. The problem for Ryan lies with staying alive long enough to make his findings public--a chancy prospect once the powers-that-be frame the journalist for murder. The Crooked Road was adapted from The Big Story, a novel by Morris West. ~ Hal Erickson, All Movie Guide

Herman Melville's short novel Billy Budd is adapted for the screen, distinguished by Robert Krasker's expressive black-and-white cinematography and Peter Ustinov's crisp direction. Terence Stamp is Billy Budd, a seaman forced to serve in the British Navy during the war between England and France in 1797. Billy looks upon all men as inherently good and, although his crewmates are initially skeptical about this sailor who appears too good to be true, he proves his mettle by his skills as a sailor and gains the respect of the crew -- all except for the ship's reviled master-at-arms John Claggert (Robert Ryan), who attempts to poison Billy's reputation by accusing him of instigating a mutiny. When the ship's captain, Edward Vere (Peter Ustinov), questions Billy about the charges, Billy reacts by striking Claggert, who falls over and dies from a blow on the head. A court-martial is called and Vere has to determine whether Billy should be hanged or acquitted. ~ Paul Brenner, All Movie Guide

One major film star referred to director Nicholas Ray as a "loser," because of Ray's alleged willingness to let his more temperamental actors walk all over him. Evidently, Ray had a very compliant and cooperative cast in King of Kings, inasmuch as the film emerged as one of the most disciplined Biblical epics ever made. Jeffrey Hunter is cast as Jesus Christ, delivering a wholly credible performance in this most taxing of roles (never mind the wags who referred to the film as "I Was a Teenage Jesus"). Siobhan McKenna is a radiant if somewhat overaged Mary; Hurd Hatfield offers a properly preening Pontius Pilate; Rip Torn portrays Judas more for the tragedy than the treachery; Robert Ryan (a personal favorite of Ray's) is one of the best John the Baptists you're ever likely to see; and Harry Guardino convincingly interprets Barabbas as a firebrand political extremist. The only false note in the casting is the MGM-dictated selection of teenaged Brigid Bazlen as Salome. The best aspect of the film is its handling of the days after the Resurrection; the "Jesus sightings" are offered as secondhand information, so as to retain some of the mystery inherent in the Scriptures. King of Kings was previously filmed in 1927 by Cecil B. DeMille, with a middle-aged H.B. Warner as Jesus. ~ Hal Erickson, All Movie Guide