Robert Jordan Movies

A frenetic, bloody look at mass murder and the mass media, director Oliver Stone's extremely controversial film divided critics and audiences with its mixture of over-the-top violence and bitter cultural satire. At the center of the film, written by Stone and Quentin Tarantino, among others, are Mickey (Woody Harrelson) and Mallory (Juliette Lewis), a young couple united by their desire for each other and their common love of violence. Together, they embark on a record-breaking, exceptionally gory killing spree that captivates the sensation-hungry tabloid media. Their fame is ensured by one newsman, Wayne Gale (Robert Downey, Jr.), who reports on Mickey and Mallory for his show, American Maniacs. Even the duo's eventual capture by the police only increases their notoriety, as Gale develops a plan for a Super Bowl Sunday interview that Mickey and Mallory twist to their own advantage. Visually overwhelming, Robert Richardson's hyperkinetic cinematography switches between documentary-style black-and-white, surveillance video, garishly colored psychedelia, and even animation in a rapid-fire fashion that mirrors the psychosis of the killers and the media-saturated culture that makes them popular heroes. The film's extreme violence -- numerous edits were required to win an R rating -- became a subject of debate, as some critics asserted that the film irresponsibly glorified its murderers and blamed the filmmakers for potentially inciting copy-cat killings. Defenders argued that the film attacks media obsession with violence and satirizes a sensationalistic, celebrity-obsessed society. Certain to provoke discussion, Natural Born Killers will thoroughly alienate many viewers with its shock tactics, chaotic approach, and disturbing subject matter, while others will value the combination of technical virtuosity and dark commentary on the modern American landscape. ~ Judd Blaise, Rovi

Friday (Jack Webb) and Smith (Ben Alexander) are on the lookout for a hit-and-run driver. Their detective work includes a thorough inspection of the fenders of the suspects' cars. In the end, however, the case is solved with a small print--not a fingerprint, but a lip print! Like most Dragnet episodes of this era, "The Big Lip" proves to be a good workout for several members of the Jack Webb Stock Company, including Vic Perrin and Olan Soule. Also on hand is former "Dead End Kid"Bobby Jordan, here billed more formally as "Robert." ~ Hal Erickson, Rovi

Friday (Jack Webb) and Smith (Ben Alexander) are summoned to the home of wealthy Mr. and Mrs. Moran (Tom Brown, Virginia Carroll), whose 13-year-old daughter Bunny (Frances Karath) has disappeared. All evidence suggests that the girl has been kidnapped, especially since her dog has been found beaten to death in her room--and most especially when a suspect (Robert Jordan) makes several pointed comments suggesting that he knows Bunny's whereabouts. When the girl turns up safe and sound, she insists that she was indeed kidnapped; trouble is, she changes her story every time she is questioned, leading Friday to suspect that she's holding something back. This episode is based on the Dragnet radio broadcast of July 6, 1954. ~ Hal Erickson, Rovi

Often misidentified as The Treasure of Monte Carlo, this low-budget melodrama is tenuously related to the "Monte Cristo" legend as laid down by novelist Alexandre Dumas. Glenn Langan plays Edmund Dantes, a descendant of the original Count of Monte Cristo. Working as an officer on a freighter, Dantes is forced to follow family tradition when he is falsely accused of murder and imprisoned. After escaping, Dantes tracks down the genuine villains to find out why he was set up. Lensed on location in San Francisco, Treasure of Monte Cristo benefits from such reliable supporting players as Adele Jergens (whose duplicity is so transparent that one wonders how the hero could be so stupid), Steve Brodie, and former "East Side Kid" Bobby Jordan. ~ Hal Erickson, Rovi