Robert Clohessy Movies

Set against the anti-war protests, rock & roll revolution, and mind-expanding psychedelia of the 1960s, Julie Taymor's hallucinogenic musical follows the arduous journey of star-crossed lovers Jude (Jim Sturgess) and Lucy (Evan Rachel Wood) as they and a small group of musicians are swept up in the raging waters of the volatile counterculture movement. Guided through their journey by a pair known only as Dr. Robert (Bono) and Mr. Kite (Eddie Izzard), Jude and Lucy are eventually forced to find their way back to one another after being split apart by powerful forces beyond their control. The music in the film consists exclusively of songs made popular by the Beatles during the time period depicted in the movie. ~ Jason Buchanan, All Movie Guide

Bigotry and values are questioned when a Black West Point cadet is singled out and harassed by fellow cadets and senior officers. ~ All Movie Guide

In this made-for-cable-TV crime drama, New York detective Devlin must prove that he is innocent of killing his brother-in-law, a mayoral candidate. It is not easy for the unhappily married, alcoholic gumshoe because he suspects that the man trying to frame him is his arch nemesis, his corrupt father-in-law, a powerful local politician. Now while trying to save his neck and solve the murder, Devlin finds himself pursued by both his fellow cops and the mob. ~ Sandra Brennan, All Movie Guide

When a decorated New York City policeman voiced his opposition to an accused cop killer's death sentence, his co-workers ostracized him in this true story. ~ All Movie Guide

A 16-year-old has been found dead from a bizarre wound, and the detectives are hot on the trail of the possible perpetrator. Chief among the suspects is John Telford (Jacob Pitts), a school bully with an inordinate fascination for martial arts. Ultimately, the investigation zeroes in on John's father Robert Telford (Robert Clohessy), who purchased the exotic weapon of death. ~ Hal Erickson, All Movie Guide

Through the invention of Jessica Fletcher (Angela Lansbury), a Latin instrumental band fronted by a blind musician cuts a demo record at Manhattan University. Before long, the band is being offered a prestigious contract by a record company--but a mobster makes a count-offer that would be unhealthy to refuse. This, coupled with the murder of a petty crook from the band leader's past, prompts Jessica to take more than an academic interest in the situation. ~ Hal Erickson, All Movie Guide

Fifteen New Yorkers head out for a night on the town that has unexpected consequences in this independent ensemble drama. Larry (Bill Sage) is a record company executive who is dating Mia (Maria Zyrianova), a beautiful model several years his junior, though he's also been sleeping with Emily (Holley Fain), his personal assistant. On Emily's suggestion, Larry goes out to a trendy club to see a promising local band fronted by Angelina (Donnamarie Recco) and Leroy (Aaron Staton); the two are also a couple offstage, but their relationship is on its last legs. When not singing, Angelina serves drinks at the club, and one of her regular customers, an actor named Greg (Christian Campbell), has finally worked up the nerve to ask her out on a date. Also at the club with romance on her mind is Michelle (Paola Mendoza), who is finally meeting Jack (Michael Muhney) after weeks of chatting on an internet dating site; however, Michelle's jealous former boyfriend (Billy Lush) is keeping his eye on her. Abby (Merissa Morin) is deeply in love with her boyfriend Marc (Bill Dawes), a bartender at the club, but is surprised to learn that her friend Clarice (Frankie Shaw) also has romantic feelings for her. And Wendy (Melissa Leo), who is older than most of the bar's clientele, finds herself vying for the attentions of both Marc and the more age-appropriate Doug (Robert Clohessy). One Night was an official selection at the 2008 Sundance Film Festival. ~ Mark Deming, All Movie Guide

As season four of Oz begins, the experimental unit at Oswald State Correctional Facility known as "Emerald City" is not living up to manager Tim McManus' (Terry Kinney) hopes. Ever since he set up the unit, wherein convicts are given more freedom of movement, extra privileges, and the opportunity for advancement, McManus has been frustrated that his good intentions have not paid off in wholesale rehabilitation. In fact, things seem to have gotten worse, with too many murders and suicides occurring within the unit. Hoping to alleviate the situation, McManus' head guard, Murphy (Robert Clohessy), suggests that all the cons -- including those in solitary -- spend an hour each day indulging in healthy recreation. Again, however, the plan fails when a killing takes place during that special hour. With more episodes this season than in previous years (16, compared to the usual eight), Oz is able to devote extra time to a plethora of subplots. One of these involves convicted murderer Shirley Bellinger (Kathryn Erbe), who after losing her unborn baby under suspicious circumstances is sent back to death row. Also, a group of illegal aliens sequestered in Emerald City is the catalyst for a rash of violence; Warden Glynn (Ernie Hudson) runs for lieutenant governor; an attempt to film a documentary in Oz ends in disaster; Busmalis (aka "The Mole") (Tom Mardirosian), manages to break out of prison, only to be recaptured as he stands outside the home of his favorite TV star; crooked evangelist Rev. Cloutier (Luke Perry) is tossed into the unit; and infirmary doctor Gloria Nathan (Lauren Velez) is raped. Tensions continue to mount as McManus is fired and convict Miguel Alvarez (Kirk Acevedo) escapes (these plot twists were designed to allow Acevedo and his co-star Terry Kinney to take leaves of absence to appear in other projects); new unit manager Martin Querns (Reg E. Cathey) cuts a sinister deal with drug-dealing con Adebisi (Adewale Akinnouye-Agbaje) to put a lid on the violence; fired guard Clayton Hughes (Seth Gilliam) tries to assassinate Governor Devlin (Zeljko Ivanek); a plot is hatched to frame wheelchair-bound convict Hill (Harold Perrineau Jr.) for a crime he hasn't committed; the children of inmate Beecher (Lee Tergesen) are placed in jeopardy thanks to orders from the "inside"; and incarcerated Muslim leader Said (Eamonn Walker) settles accounts with an old enemy. The season ends with a cliffhanger, sparked -- literally -- by a deadly gas explosion. ~ Hal Erickson, All Movie Guide

Although Oz's longtime narrator, wheelchair-bound prison inmate Augustus Hill (Harold Perrineau Jr.), was killed at the end of the series' fifth season, he is still very much in attendance at the beginning of season six -- albeit from beyond the grave. Hill is, in fact, one of several ghostly prisoners, all of them victims of past tragedies occurring at the experimental "Emerald City" unit at Oswald Correction Facility, who show up to narrate the eight episodes in this, the series' final season on the air. Undaunted by previous failures and setbacks, unit manager Tim McManus (Terry Kinney) remains steadfast in his belief that the prisoners living within "Emerald City" can be rehabilitated if given freedom of movement, extra privileges, and a sense of responsibility and self-worth. Unfortunately, he may not get the chance to carry out his reforms this season, inasmuch as several prisoners have become violently ill due to faulty building substances used to renovate the unit. In another disturbing development, Emerald City's most famous "resident," charismatic Muslim leader Said (Eamonn Walker), is murdered. On a more satisfying note, the ruthlessly ambitious Governor Devlin (Zeljko Ivanek), who for six years has opposed the efforts by McManus and Warden Glynn (Ernie Hudson) to improve prison conditions, may finally be called to account for all of his crooked and underhanded dealings in the past. Oz's climactic episode, running 100 minutes, not only serves up just desserts for Devlin, but also charts the ultimate destinies of two other long-term series regulars, convicts Miguel Alvarez (Kirk Acevedo) and Tobias Beecher (Lee Tergesen). "There's no place like home." ~ All Movie Guide

African-American mime artist Charles Lane directed and starred in this ultra-low-budget film. Lane plays a Chaplinesque homeless individual with a talent for sidewalk chalk art, who finds himself caring for an abandoned baby. The child's father has been killed in a robbery, so Lane begins a long, lonely search for the kid's next of kin. What little dialogue there is comes from the mouths of the multitude of oddball characters with whom Lane comes in contact while he roams the streets of New York. ~ Hal Erickson, All Movie Guide

A pair of teenage girls decide to switch families for a while to prove that each of their own clans likes the other girl better. ~ Sandra Brennan, All Movie Guide

This made-for-TV feature is based on the true story of Dean Kraft, who worked within the traditional medical community as a hands-on healer. Discovering his unique gift at an early age, Kraft (played as an adult by Anthony Michael Hall) is reluctant to utilize his healing talents, agreeing to do so only under emergency conditions. Even when he comes to terms with his abilities, Kraft must face the often hostile skepticism of "mainstream" doctors and caregivers. The story reaches a melodramatic apex when Kraft attempts to bring a doubting doctor's daughter out of a coma. Scott Davis Jones' teleplay is careful to neither fully confirm nor flatly deny Kraft's healing prowess, permitting viewers to draw their own conclusions. A Touch of Hope made its NBC network debut on October 10, 1999. ~ Hal Erickson, All Movie Guide