Stephen Chase Movies

Though written by Sam Peckinpah (he adapted the film from a novel by Hoffman Birney), the direction of The Glory Guys was entrusted to the competent but perfunctory Arnold Laven. Cavalry captain Demas Harrod (Tom Tryon) and his faithful scout Sol Rogers (Harve Presnell) are placed under the command of xenophobic general Frederick McCabe (Andrew Duggan), who hates Indians almost as much as his own men hate him. When not preparing to decimate every Native American in their path, Harrod and Rogers carry on a rivalry over the hand of pretty Lou (Senta Berger; another authentic Wild West type). The novelty of the film is that the Indians, rather than the cavalry, win the final battle. Despite a few bursts of cinematic creativity from Laven in the climactic scenes, it still would have been more interesting to see how Sam Peckinpah would have handled The Glory Guys. ~ Hal Erickson, All Movie Guide

In an effort to help railroad owner Paul Sutton (James Westerfield) escape his financial woes, Bart (Jack Kelly) enters into a poker game with the somewhat shady San Francisco investors who covet Sutton's train line. Alas, his opponents cheat spectacularly, and Bart ends up even deeper in debt than poor Sutton. Sentenced to work as a butler for the Cushman family, Bart tries to turn the situation to his advantage by pulling off a sting operation to expose the villains. ~ Hal Erickson, All Movie Guide

There's intrigue aplenty aboard the USS "Moray" when Navy submarine commander James Page (Hugh Marlowe) accuses seaman Robert Chapman (Jack Ging) of murdering a nightclub singer. Things get worse for Chapman when Cmdr. Page himself is killed. In his efforts to defend Chapman, Perry Mason (Raymond Burr) exposes evidence of a complicated blackmail scheme involving an electronics firm owned by the victim's father-in-law Anthony Beldon (Robert F. Simon). ~ Hal Erickson, All Movie Guide

In his first starring role, Steve McQueen plays a typical oversexed, car-lovin' highschooler who can't get anyone to believe his story about a huge meteor, which crashes to earth and begins exuding a pink, gooey substance. Affixing itself to the body of an old man, the "blob" begins parasitically sucking the life out of several unfortunate humans, growing to an enormous size. Problem is, the disappearances of the victims can all be explained (one is supposed to be out of town, another is attending a convention), so the cops still won't believe McQueen or his girlfriend Aneta Corsaut (the future Helen Crump of The Andy Griffith Show). Rallying his teen pals, McQueen finally manages to get the adults' attention-but by now, the Blob is consuming entire city blocks. In 1972, the sequel Beware the Blob followed. ~ Hal Erickson, All Movie Guide

George Nader plays a reporter whose career is ruined by liquor. A comeback opportunity presents itself when Nader is a bystander at the arrest of a well-known criminal. The reporter knows that the crook, who has been accused of an ambush murder, is innocent, and he sets about to collar the real killer. Nader goes "cold turkey" on the booze despite tempations at every turn, and gets his man. Appointment with a Shadow is one of a handful of films directed by onetime I Led 3 Lives star Richard Carlson. ~ Hal Erickson, All Movie Guide

Based on a novel by Gwen Bristow, Jubilee Trail is a sprawling, all-star western from the Republic Studio mills. Despite is vaunted budget, the plot is strictly B-picture material. Ambitious California landowner Charles Hale (Ray Middleton) hopes to add to his riches by marrying off his brother Oliver (John Russell) to a wealthy Spanish family. But when Oliver weds a gal named Garnet (Joan Leslie) instead, Charles vows revenge against the new bride. Later, Oliver is killed, leaving Garnet to raise their baby alone. Charles intends to claim the baby for himself, but Garnet, who has subsequently fallen in love with John Ives (Forrest Tucker), isn't about to let that happen. Top-billed Vera Ralston plays saloon-hall chirp Florinda, a Woman With a Past who is peripherally involved in the plot proper, while Richard Webb, TV's "Captain Midnight", fills the obligatory "disgruntled suitor" role. The film is stolen hands down by Pat O'Brien as a drunken doctor who serves as last-minute problem-solver. ~ Hal Erickson, All Movie Guide

Martin and Lewis tee each other off on a PGA tour in The Caddy. Harvey Miller (Jerry Lewis) is an expert with his golf club, except when he tries to play in front of a crowd -- then he completely loses control. With his mind set on getting into the PGA one way or another, he latches onto Joe Anthony (Dean Martin), a stylish gadabout. Harvey teaches Joe everything he knows about the game, and when Joe enters a tournament, Harvey does too -- as his caddy. But while the golf fans still make Harvey go wild, laid-back Joe feeds upon their applause. As Joe's game improves, his ego grows, and he begins to think Harvey is useless and wants to take the tour alone. The Caddy introduced the Dean Martin classic That's Amore to the world of kitsch and features a bevy of real life professional golfers in cameo roles -- including Sam Snead, Byron Nelson, and Julius Boros. ~ Paul Brenner, All Movie Guide

Pity poor ex-GI Alvah Morrell (Tony Curtis). While on his honeymoon with perky Lee Kingshead (Piper Laurie), he comes down with a bad case of chicken pox. The moment he recovers, he's shipped overseas. And when Alvah returns home, he finds his house festooned with his wife's troublesome relatives -- and, per the film's title, there's no room for him. Complicating matters is Lee's supercilious mother (Spring Byington), who does her best to break up the marriage so that her daughter will be free to marry wealthy-but-dull Herman Strouple (Don DeFore). No Room for the Groom plays like an elongated 2-reel comedy, but the stars are attractive and Douglas Sirk's direction is subtle and inventive. ~ Hal Erickson, All Movie Guide

Rex Allen, his horse Koko, and his sidekick Slim Pickens play themselves in Old Oklahoma Plains. Set in the 1920s, the film finds Allen trying to convince local ranchers to allow the army room for their tank maneuvers. Rabble-rouser Roy Barcroft, certain that the tank will make horses obsolete, organizes mob resistance against the military. At first glance, the film's finale -- a race between tanks and mounted cavalry -- seems like a novelty. At closer glance, however, most of the climactic sequence consists of stock footage lifted from the 1938 Republic production Army Girl. ~ Hal Erickson, All Movie Guide

Previously filmed in 1938 with Edward G. Robinson in the lead, the Damon Runyon-Howard Lindsay stage farce A Slight Case of Murder was musicalized in 1952 as Stop, You're Killing Me. Broderick Crawford stars as Remy Marko, a soft-hearted Prohibition beer baron who turns honest when the 18th amendment is repealed in 1933. Trouble is, Marko's beer tastes awful and his business plummets. Compounding this headache, Marko's daughter Mary (Virginia Gibson) intends to wed Chance Whitelaw (Billy Hayes), a police officer from a wealthy family. Hoping to put up a respectable front for their prospective in-laws, Marko and his wife Nora (Claire Trevor) rent a fancy mansion-spa in Saratoga -- where, unbeknownst to the ex-bootlegger, four gangster types have been shot to death by a desperado named Innocent (Harry Morgan). The rest of the film finds Remy trying to dispose of the cumbersome corpses while avoiding the baleful stares of both his future in-laws and the police. Not quite as good as its 1938 predecessor, Stop You're Killing Me at least affords viewers the rare opportunity of hearing Broderick Crawford sing! ~ Hal Erickson, All Movie Guide

Bob Hope is up to his famous nose in danger in this espionage comedy. Second-rate burlesque comic Peanuts White (Hope) is approached by federal agents who think that he's international spy Eric Augustine, to whom Peanuts bears a striking resemblance. When they realize that Peanuts and Eric are two different people, the FBI persuades him to travel to Africa posing as Eric and fetch a batch of microfilm that could prove vital to national security. With reluctance, Peanuts flies to Tangiers and arranges a rendezvous with Lily Dalbray (Hedy Lamarr), Eric's beautiful girlfriend and an agent of shifting alliances herself. However, Lily's superior Karl Brubaker (Francis L. Sullivan) wants the microfilm, and he will stop at nothing to get it. As Peanuts tries to rescue the microfilm, make time with Lily, and avoid Karl, things become even more confused when Eric escapes from hiding and re-enters the picture. Both Bob Hope and Hedy Lamarr contribute songs to the soundtrack, though unlike Bob, Hedy's vocals were dubbed in by a studio vocalist. ~ Mark Deming, All Movie Guide

Byington, a retired teacher, sells her apartment complex to ex-gangsters who begin kicking out the tenants. Byington tries to help the reformed mobsters, headed by Caruso, to undergo a change of heart. But one of the group, Karnes, still is out to cheat the system. ~ All Movie Guide

First published in 1932, Philip Wylie and Edwin Balmer's speculative novel When Worlds Collide was immediately purchased by Paramount as a possible project for director Cecil B. DeMille. But because none of Paramount's scriptwriters were able to come up with an adequate screen treatment, the property lay on the shelf until 1950, when producer George Pal was casting about for a follow-up to his successful sci-fier Destination Moon. Though the film was top-heavy with special effects, Pal was able to bring When Worlds Collide in for under a million dollars, thanks to an inexpensive cast and a heavy reliance upon stock footage. The story is set in motion when Dr. Cole Henderson (Larry Keating) announces that a extraterrestrial planet is on a collision course with the Earth. No one believes Henderson's story, save for crippled financier Stanton (John Hoyt), who finances the construction of a gigantic spaceship, built for the purpose of transporting selected survivors from the doomed Earth to another Earthlike planet. As it becomes obvious that Henderson's predictions will come true, a worldwide lottery is held to select those people who will be rescued from oblivion by Stanton's spaceship. In the climactic scenes, the worlds do indeed collide, with appropriately spectacular results. But will the spaceship, overloaded with humanity, be able to take off and seek out a Brave New World? Amidst the thrills, a romantic triangle emerges, involving Richard Derr, Barbara Rush and Peter Hanson. ~ Hal Erickson, All Movie Guide