Ray Oriel Movies

Oversized mutant ticks start terrorizing a nearby campground and eating its campers. ~ Sean D. MacLaggan, Rovi

Director John Badham's remake of French action thriller La Femme Nikita moves the action to the U.S., where Maggie (Bridget Fonda) is a strung-out Washington, D.C. drug addict who kills a policeman in a pharmaceutical-induced haze. Sentenced to death, Maggie is rescued by a shady operative, Bob (Gabriel Byrne), who offers to save her life if she'll become a covert government assassin. Maggie agrees and trains for a life as a professional killer under a new name, Claudia. Her classes include weaponry, martial arts, explosives, and even social graces under the tutelage of Amanda (Anne Bancroft). Claudia is transformed into a classy sophisticate and is assigned to Venice, California, where she falls for J.P. (Dermot Mulroney), an attractive photographer who lives downstairs. Claudia's highly dangerous job soon interferes when she's ordered to carry out a series of clever assassinations, including a hit in a restaurant and a hotel bombing. When one particular killing goes horribly wrong, she gets some assistance from Victor the Cleaner (Harvey Keitel), a disposal artist who may have also been ordered to get rid of Claudia. ~ Karl Williams, Rovi

Glenn Close and Keith Carradine are the only non-Latino cast members of the made-for-TV Stones for Ibarra. Close and Carradine portray a San Francisco couple who feel they've lost touch with life's meaning. They journey to a tiny Mexican village, where they find themselves sharing the "companionship of death" with the locals. The film is at its best when emphasizing its mysticism and clashes of custom. Adapted by Ernest Kinoy from a novel by Harriet Doerr, this was originally presented as a Hallmark Hall of Fame special. ~ Hal Erickson, Rovi