Spencer Charters Movies
Burly, puffy-cheeked American actor Spencer Charters entered films in 1923, after decades of stage experience. In his first talkie appearances (Whoopee [1930], The Bat Whispers [1931], etc.), Charters was often seen as an ill-tempered authority figure. Traces of this characterization continued into such mid-'30s efforts as Wheeler and Woolsey's Hips Hips Hooray, but before the decade was over Charters was firmly locked into playing such benign types as rustic sheriffs, bucolic hotel clerks and half-asleep justices of the peace. Advancing age and the attendant infirmities made it difficult for Charters to play anything other than one-scene bits by the early '40s. At the age of 68, he ended his life by downing an overdose of sleeping pills and then inhaling the exhaust fumes of his car. ~ Hal Erickson, All Movie Guide- 1935
Two rich and wealthy millionaires who have a lot of money bet that reporter Robert Pryor can't spend $720,000 in twelve hours. If you're asking "Why $720,000?", the answer is: because this Republic programmer is titled $1000 a Minute . Anyway, a couple of cops spot Pryor flashing a roll of bills, and deduce that he's the bank robber they're looking for. For the rest of the film, Pryor must race around to spend his money, while remaining two steps ahead of the Law. The supporting actors in $1000 a Minute are delightfully cast to type, from Edgar Kennedy as a detective to Sterling Holloway as a helpful cabbie. ~ Hal Erickson, All Movie Guide
- Starring:
- Roger Pryor, Leila Hyams, (more)
- 1933
Sent to Sing Sing prison, influential crook Spencer Tracy is unregenerate and refuses to adhere to the rules. While in solitary confinement, Tracy reconsiders his attitude. Thanks to the correctional facility's compassionate warden (Arthur Byron), Tracy becomes a model prisoner, even refusing to participate in a jailbreak. The warden sets up a special program permitting selected prisoners a degree of freedom and even suggests allowing an occasional furlough. When Tracy's girl friend (Bette Davis) is hurt in an auto accident, he is given a 24 hour pass to visit her. It's a test case--if Tracy doesn't return, the warden will be discredited and replaced. While on the "outside," Tracy learns that his old rival (Louis Calhern) was responsible for his girl's injuries. Davis shoots the rival, who in turn fingers Tracy as the one responsible; the convict thus risks execution upon returning to the arms of the law. Based on the book by real-life Sing Sing warden Lewis E. Lawes, 20,000 Years in Sing Sing was remade in 1940 as Castle on the Hudson. ~ Hal Erickson, All Movie Guide
- Starring:
- Spencer Tracy, Bette Davis, (more)
- 1940
Radio humorist Bob Burns plays the title role in Alias the Deacon. Based on a stage play by John B. Hymer and LeRoy Clements (previously filmed in 1927 with Jean Hersholt), the story concerns a philosophical drifter named Deke Caswell (Burns) who is mistaken for the new deacon of a small town. A gambler by nature, Caswell decides to continue the clerical pose so that he can divest the locals of their hard-earned dollars. Instead, he turns honest, eventually solving all of the town's problems. A subplot concerns the "scandalous" (but wholly innocent) relationship between truck driver Johnny Sloan (Dennis O'Keefe) and hitchhiker Phyllis (Peggy Moran). This being a Universal film of the early 1940s, it was all but mandatory for Mischa Auer to show up in an incongrous but amusing supporting role. ~ Hal Erickson, All Movie Guide
- Starring:
- Mischa Auer, Peggy Moran, (more)
- 1935
In this rollicking adaptation of Ring Lardner's short story, Joe E. Brown plays an ace baseball player whose insistence upon making up excuses earns him the nickname "Alibi Ike." In the course of his first season with the Chicago Cubs, Brown also falls in love with Olivia De Havilland, sister-in-law of the team's manager. Brown's "alibi" habit prompts De Havilland to walk out on him, whereupon he goes into a slump-- which coincides with attempts by gamblers to get Brown to throw the World Series. The plot weaves its way towards a climax in which Brown escapes the gamblers by commandeering an ambulance and driving onto the ball field during the final Series game. Alibi Ike was the most successful of Joe E. Brown's "baseball trilogy" (which included Elmer the Great and Fireman Save My Child), and one the best baseball comedies of all time. ~ Hal Erickson, All Movie Guide
- Starring:
- William Frawley
- 1936
Bucolic Elmer Lamb (Stuart Erwin), who only wants to raise dairy cattle, is a mathematical prodigy; he's even a whiz at playing bridge. Circus pitchman Bill (Robert Armstrong) and circus owner Jeffrey Crane (Edmund Gwenn) want to make money off Elmer, but Jeff's daughter Kitty (Betty Furness) finds herself drawn to him. Eventually, Elmer is pitted against the reigning bridge champion (E.E. Clive) -- whom he's already beaten in an informal match -- which involves shady Pudgy (Edward S. Brophy) and gangster Al (Dewey Robinson). ~ Bill Warren, All Movie Guide
- Starring:
- Stuart Erwin, Robert Armstrong, (more)
- 1920
April Poole (Marion Davies) is a prominent magazine writer. She tells her publisher, Kerry Sarle (Conway Tearle) and editor, Ronald Kenna (Herbert Frank) that she has put them in her latest story, which unfolds as follows: April disguises herself as Lady Diana Mannister, so that the real Lady Diana (Madeline Marshall) can get married. April, meanwhile, sails to South Africa with a very large, very valuable diamond. During her journey, she meets a handsome young businessman, Sarle, while Kenna, a jewel thief, tries to get his hands on the diamond. April locks herself inside a trunk which is delivered to her aunt's in South Africa. Kenna has followed it, believing it contains the diamond, but when he opens it, he finds April confronting him with a revolver. She turns the crook in, while winning the love of Sarle -- both in her story and in real life. Not surprisingly, this picture was based on a serial (written by Cynthia Stockley) that ran in Cosmopolitan magazine -- one of the publications belonging to Marion Davies' paramour and producer, William Randolph Hearst. The relationship between Davies and Hearst was one of the '20s worst-kept secrets -- in its advice to exhibitors, trade magazine Motion Picture News significantly notes, "In advertising this picture you have the cooperation of the Hearst publications, so a good deal of your work is already accomplished." ~ Janiss Garza, All Movie Guide
Arsenic and Old Lace is director Frank Capra's spin on the classic Joseph Kesselring stage comedy, which concerns the sweet old Brewster sisters (Josephine Hull, Jean Adair), beloved in their genteel Brooklyn neighborhood for their many charitable acts. One charity which the ladies don't advertise is their ongoing effort to permit lonely bachelors to die with smiles on their faces--by serving said bachelors elderberry wine spiked with arsenic. When the sisters' drama-critic nephew Mortimer (Cary Grant) stumbles onto their secret, he is understandably put out--especially since he has just married the lovely Elaine Harper (Priscilla Lane). Given the homicidal tendencies of his aunts, the sinister activities of his escaped-convict older brother Jonathan (Raymond Massey) and the disruptive behavior of younger brother Teddy (John Alexander)--who is convinced that he's really Theodore Roosevelt, and runs around the house yelling "CHAAAAARGGGE"--Mortimer isn't keen on starting a family with his new bride. "Insanity runs in my family," he explains. "It practically gallops." Further complications ensue when the murderous Jonathan Brewster arrives home, with his snivelling accomplice Dr. Einstein (Peter Lorre) in tow. When Jonathan learns that his darling aunts have killed twelve men, he is incensed--they're challenging his own record of murders. Though the movie rights for Arsenic and Old Lace were set up so that the film could not be released until 1944, director Capra shot the film quickly and inexpensively in 1941, so that his family could subsist on his $100,000 salary while he was serving in World War II. ~ Hal Erickson, All Movie Guide
- Starring:
- Cary Grant, Priscilla Lane, (more)
- 1937
In this newsroom drama, a tabloid's ace reporter's investigations lead to a chorine's conviction for murdering her husband. The trouble begins when the reporter digs a little deeper and realizes that the showgirl is really innocent. Now, despite the objections of her editor, the reporter must hurry to keep the dancer off of death row. ~ Sandra Brennan, All Movie Guide
- Starring:
- Pat O'Brien, Joan Blondell, (more)
- 1936
This lively riverboat musical shows off the vocal and terpsichorean talents of former Ziegfeld Follies star Barbara Stanwyck as it tells the tale of two newlyweds who must postpone their honeymoon when the groom gets in a fight with a villain, decks him and, believing he has killed him, flees upon a riverboat, leaving his bride to take up with a womanizing photographer. She and the cameraman head for New Orleans and this is where most of the action, music and romantic mayhem takes place. ~ Sandra Brennan, All Movie Guide
- Starring:
- Barbara Stanwyck, Joel McCrea, (more)
- 1937
Rivalry surfaces between radio producers as they fight for control of programs and sponsors in this lively comedy that features Jack Benny's radio announcer, Don Wilson. One of the producers has trouble because he tends to tell the sponsors exactly what he thinks, no holds barred. Fortunately Wilson, his good friend, intervenes and saves the day. ~ Sandra Brennan, All Movie Guide
- Starring:
- William Gargan, Judith Barrett, (more)
- 1937
Big Town Girl is 20th-Century Fox's spin on Paramount's Carole Lombard vehicle The Princess Comes Across. Whereas Lombard played a Brooklyn girl posing as a Swedish princess, Big Town Girl's Claire Trevor plays a department store song plugger who becomes a radio singing sensation by posing as the mysterious "Masked Countess." This publicity ploy serves a double purpose: Trevor is the estranged wife of gangster Alan Baxter, and she doesn't want Baxter to know her whereabouts. Reporter Donald Woods tumbles to Trevor's deception, but he falls in love with her and determines to keep her secret. ~ Hal Erickson, All Movie Guide
- Starring:
- Claire Trevor, Donald Woods, (more)
- 1934
The all-purpose title Blind Date was trotted out in 1934 for this romantic trifle. Poor Kitty Taylor (Ann Sothern) just can't choose between wealthy Bob Hartwell (Neil Hamilton) and unwealthy mechanic Bill (Paul Kelly). When Kitty gets a modelling job thanks to Bob, she feels beholden to him, even though she still carries a torch for Bill. Bob announces that he'd like to live with Kitty without bothering to get married, whereupon Kitty goes back to Bill, who by now has decided that she'd be better off with Bob, so he deliberately breaks off with her?..This could go on for years, but the film is only 71 minutes long, obliging Kitty to make her final decision a few moments before the "End" title. ~ Hal Erickson, All Movie Guide
- Starring:
- Ann Sothern, Neil Hamilton, (more)
- 1940
The Bumstead family-Blondie (Penny Singleton), Dagwood (Arthur Lake) and Baby Dumpling (Larry Simms)-embark on a long-delayed vacation in this series entry. While en route to their out-of-town relatives, the Bumsteads are forced to make an emergency stopover in a small town, where they get mixed up in an elopement. By the time Dagwood is through offering his well-intentioned assistance, the elopers are on the verge of a breakup, but Blondie (per the film's title) manages to smooth things out. Blondie Plays Cupid is distinguished by the appearance of Glenn Ford as flustered groom-to-be Charlie (the bride-to-be is Columbia contractee Luana Walters, who later played the title character's mother in the 1948 serial The Adventures of Superman). ~ Hal Erickson, All Movie Guide
- Starring:
- Penny Singleton, Arthur Lake, (more)
- 1939
It may sound like a teenage-romance comedy, but Boy Trouble is actually a sentimental effort about middle-aged parents. Charlie Ruggles stars as a small town shopkeeper whose wife (Mary Boland) adopts a pair of rambunctious orphan boys (Donald O'Connor, Billy Lee). Ruggles is at first hostile towards this invasion of his peace and quiet, but his paternal feelings are aroused when the children become victims of a scarlet fever epidemic. The screenwriters for Boy Trouble were satirist S. J. Perelman and his wife Laura, hardly the most logical candidates for this domestic comedy/drama. The film was meant to launch a B-series titled The Fitch Family, but didn't do well enough at the box office to justify any sequels. ~ Hal Erickson, All Movie Guide
- Starring:
- Charlie Ruggles, Mary Boland, (more)
- 1938
Boy soprano Bobby Breen dons a pair of skates in the oddball musical Breaking the Ice. Escaping his super-strict Mennonite relatives, our hero gets a job singing at a Philadelphia ice-skating rink. Here he tries to earn enough money to help his beloved widowed mother (Dolores Costello) wrest herself free of those selfsame relatives. The plot requires canary-voiced Breen to share the spotlight with six-year-old skating sensation Irene Dare. Within a year, Breaking the Ice producer Sol Lesser attempted to launch another series of family musicals built around the talents of little Ms. Dare, but the first entry in this project--Everything's on Ice--was also the last. ~ Hal Erickson, All Movie Guide
- Starring:
- Bobby Breen, Charlie Ruggles, (more)
- 1933
Broadway Bad stars Joan Blondell as a wisecracking but goodhearted chorus girl whose husband (Ricardo Cortez) is an abusive lout. Blondell's plight makes the headlines, which results in an upswing in her career. Rather than wallow in self-pity, she trades on the publicity to become a star, while hubby mutters dark promises of revenge. This film was based on the real-life relationship between Broadway star Hal Skelly and a promiscuous young actress who assumed several professional names. Though its cast and subject matter might suggest that Broadway Bad is a Warner Bros. epic, the picture was actually produced and released by Fox Studios. ~ Hal Erickson, All Movie Guide
- Starring:
- Joan Blondell, Ricardo Cortez, (more)
- 1940
Poor Mr. Trippe, a spineless spouse, finds himself brow-beaten by his overbearing nag of a wife who constantly reminds him that she should have married her dashing, successful ex-boy friend Armstrong. Fortunately, Trippe's daughter Betty understands and tries to help him cope with his battle-axe wife. Betty has fallen in love with handsome Williams. One day, Trippe finally gets sweet revenge upon his constantly nattering wife when Armstrong shows up at their back door. Impoverished and fleeing from the law, he begs Trippe for shelter and help. ~ Sandra Brennan, All Movie Guide
- Starring:
- George Tobias, Lucille Fairbanks, (more)
- 1936
Admidst a sea of melodramatic and unbelievable courtroom dramas, Career Woman is distinguished by its comparative realism. Law school graduate Carroll Aiken (Claire Trevor) is idealistic; her colleague Barry Conant (Michael Whalen) is cynical and mercenary. Despite their ethical differences, they team up to defend downtrodden Gracie Clay (Isabel Jewell) on a charge of murdering her sadistic father. The grandstanding Conant reprimands the jury for their prejudices against the poor, but this strategy fails miserably. Carroll is forced to apologize to the court, then goes on to win the case through the simple expedient of sticking to the facts. Career Woman well be the best "lady lawyer" film of the 1930s, with characters acting like human beings instead of Hollywood stereotypes. ~ Hal Erickson, All Movie Guide
- Starring:
- Claire Trevor, Michael Whalen, (more)
- 1932
Two small-town youths head for the Big Apple and somehow get mixed up with mobsters during a visit to the title park in this episodic comedy drama filmed on location. ~ Sandra Brennan, All Movie Guide
- 1937
The owner of a racehorse, the owner's lovely niece and a jockey must deal with a number of travails before the big race in this comedy. The uncle must win so he can afford to keep the bank from foreclosing on his horse farm. Unfortunately, his horse breaks his leg and all seems to be lost. Fortunately the girl finds a clever veterinarian who uses a new technique to repair the leg and therefore save the farm. ~ Sandra Brennan, All Movie Guide
- Starring:
- Jane Withers, Stuart Erwin, (more)
- 1936
The titular colleen is Ruby Keeler, hired to manage a dress shop by wealthy Dick Powell. Keeler is the replacement for slatternly Joan Blondell, who'd been assigned the job by Powell's philandering father (Hugh Herbert). With Powell and Keeler at the helm, it's no time at all before the musical numbers proliferate, though none of the songs have the staying power of those in such earlier Warners musicals as 42nd Street and Golddiggers of 1933. The best number, "Boulevardier from the Bronx", is familiar to modern viewers thanks to its constant use in Warner Bros. cartoons. A lesser Powell/Keeler outing, Colleen contains what many film buffs regard as the definitive performance of character comedian Hugh "Woo Woo" Herbert. ~ Hal Erickson, All Movie Guide
- Starring:
- Dick Powell, Ruby Keeler, (more)
- 1938
This entry in the Dead End Kids series of adventures makes critical comments about the failings of reform schools. The story begins as the boys are sent to the Gatesville Reformatory, a cruel institution where the discipline is often violent. They boys do their best, but it is difficult to cope. Things get a little better when the deputy commissioner of corrections makes a surprise visit to the institution. He is appalled and immediately fires the sadistic warden. He then begins instituting gentler ways of treating the inmates. The grateful youths save the new warden's life after he is machine gunned during a political double-cross. As a reward, the boys are paroled. ~ Sandra Brennan, All Movie Guide
- Starring:
- Billy Halop, Bobby Jordan, (more)
- 1926
Believe it or not, Betty Bronson, who starred in the title role of Peter Pan, was the first choice to play jazz baby Kittens Westcourt, the part which eventually went to Clara Bow. Kittens was the second lead, but Bow turned her into a sympathetic character and stole the show from the film's star, Alice Joyce. This society drama, based on the Broadway hit by Edgar Selwyn, probably wouldn't have been much without Bow and Joyce, but they raised it above soap opera level and helped make it one of the defining films of the 1920s. Ethel Westcourt (Joyce) is a very nice, still-lovely society matron whose womanizing husband, Hugh (Norman Trevor), is keeping a mistress, Irma (Elsie Lawson). Ethel's daughter, Kittens (Bow), takes after her father and begins carrying on with Jerry Naughton (Conway Tearle), a man about town. Ethel finds out about all this and decides to fight fire with fire. She becomes a bit jazzy herself and steals Naughton away from her daughter. The family has an emotional confrontation in Naughton's apartments. Although Hugh and Kittens eventually decide to reconcile with Ethel, she takes off for Europe and leaves them behind -- quite an independent way for a female character to end a film in 1926. ~ Janiss Garza, All Movie Guide
- Starring:
- Alice Joyce, Conway Tearle, (more)
- 1937
An airy screwball comedy, Danger--Love at Work explores the lives of a wealthy but wacky family. Ann Sothern plays the daughter, the only remotely "normal" member of the clan. Poor Jack Haley enters the scene as a feckless attorney who tries to get the family to finalize an important land deal. Sothern falls for Haley, and through the machinations of her looney parents the timorous lawyer winds up the object of a "shotgun wedding." The amusing but inconsequential Danger--Love at Work was the second American film of director Otto Preminger. ~ Hal Erickson, All Movie Guide
- Starring:
- Ann Sothern, Jack Haley, (more)
- 1937
The Dangerous Number of the title is madcap showgirl Elinor (Ann Sothern). Notorious throughout Manhattan for her zany antics, Elinor is also quite a handful for her conservative husband Hank (Robert Young). In addition, Hank must contend with the heroine's flamboyant ex-burlesque queen mother Gypsey (Cora Witherspoon). Not that Hank's family is anything to write home about; the most eccentric member of his clan is cousin William (Reginald Owen), who has lost one girlfriend after another because he refuses to shave off his beard. Trying very, very hard to qualify as a "screwball" comedy, Dangerous Number succeeds about three-fourths of the time. PS: This was Ann Sothern's first starring assignment at MGM. ~ Hal Erickson, All Movie Guide
- Starring:
- Robert Young, Ann Sothern, (more)
