Spencer Charters Movies

This airy bit of MGM fluff stars Lana Turner as small-town soda clerk Peggy Evans. After telling off the self-important new drugstore manager Bob Stuart (Robert Young), Peggy, convinced that there's no future for her in her hometown, fakes her suicide and heads for the big city. After a series of dizzying comic complications, she successfully poses as the long-lost daughter of millionaire Cornelius Burden (Walter Brennan). Meanwhile, poor Bob, held responsible for Peggy's "death," comes to town determined to clear his name by exposing Peggy as an impostor. How this all works itself out is as hard to swallow as the rest of the picture, but the stars are attractive and the production values first-rate. ~ Hal Erickson, All Movie Guide

The Carter Case was the second and last Republic film based on the popular radio series Mister District Attorney. Like the first entry, this one is played mostly for laughs, with Radio's Mister District Attorney. James Ellison replacing Dennis O'Keefe as feckless assistant DA P. Cadwallader Jones. The publisher of a tony fashion magazine is murdered, requiring Jones to sift through a colorful array of suspects. He is helped (?) along by snoopy girl reporter Terry Parker (Virginia Gilmore), who by default is the brightest character in the picture. Once the mystery has been solved, the film devolves into a Mack Sennett-style slapstick chase, which on its own merits is quite good. Unique among mystery movies, The Carter Case offers a "surprise" killer who for once is really a surprise-in fact, the unmasking of the murderer is downright incredible! ~ Hal Erickson, All Movie Guide

Director Curtis Bernhardt hadn't wanted to make Juke Girl, but he was under contract to Warner Bros. and had to tow the line lest he find himself drawing Unemployment. One of Bernhardt's gripes against the film is that it starred Ronald Reagan, whom he considered an "unimportant" screen personality. In all fairness, Reagan is pretty good in his role as itinerant fruit-picker Steve Talbot, who gets involved in the middle of a labor dispute between the farmers and the packers. Talbot casts his lot with the farmers, while his longtime pal Danny Frazier (Richard Whorf) goes with the packers. Juke-joint hostess Lola Meers (Anne Sheridan) falls for Steve and supports his cause, only to be fired for her troubles at the behest of powerful packing-plant operator Henry Madden (Gene Lockhart). She and Steve try to escape Madden's influence, but when their farmer friend Nick Garcos (George Tobias) is murdered, the couple is framed for the crime. There follows "orgies of fights" (director Bernhardt's description) and a lynching attempt before Steve's old buddy Danny comes to the rescue. Anne Sheridan is at her most gorgeous in Juke Girl, making it difficult for the viewer to remain concentrated on the story. ~ Hal Erickson, All Movie Guide

The Night Before the Divorce is when Lynn Thorndike (Lynn Bari) seeks out her ex-husband George (Joseph Allen Jr.), begging for help. Lynn claims she is in trouble with cops, a contingency tied in with the murder of bandleader Victor Roselle (Nils Asther), whom she has been dating. George immediately drops his current girl friend Lola May (Mary Beth Hughes) like a hot potato to come to his former wife's rescue. It turns out, however, that Lynn isn't in any trouble at all; she's just been playing dumb and helpless to win back her husband, who'd always been jealous of her superior intellect. Wonder what the chances are for a screening of The Night Before the Divorce at the next N.O.W. meeting? ~ Hal Erickson, All Movie Guide

In this romance, a spoiled, self-centered rich boy John T. Bromley III, is simultaneously disinherited by his wealthy aunt and kicked out by his social climbing girl friend. The fellow is naturally depressed and while slumping in a bar drinking heavily he meets a former pug who ends up knocking him flat in a brawl. Now the fellow is humiliated as well; and he demands a rematch, but before he goes through with it, he enrolls in a training camp for fighters. There he meets and falls for the trainer's daughter. Unfortunately her foster brother doesn't like her new beau and begins giving him a hard time. By the picture's end, the fellow has learned the proper etiquette for eating humble pie. Fortunately, his dream girl is there to eat it with him. ~ Sandra Brennan, All Movie Guide

Also known as The Singing Hills, this Gene Autry western boasts a screenplay cowritten by Jesse Lasky Jr. Gene and his saddle pal Smiley Burnette ride into town and sing a few songs. They make the acquaintance of heiress Virginia Grey, who wants to divest herself of her land holdings. Villain George Meeker hopes that she'll do this so he can charge inordinately high prices for grazing lands. Autry fixes everything, then he sings a few more songs. Director Lew Landers keeps things moving apace between the musical interludes. ~ Hal Erickson, All Movie Guide

Midnight Angel was the title of this Paramount actioner when it was first released in December of 1941. But by the time the film reached the hinterlands, America had entered WW2, and thus it was that Midnight Angel was rechristened Pacific Blackout, which remained its title to this very day. Falsely convicted of murder (in one of those movie trials that takes only a few minutes!), young Robert Draper (Robert Preston) escapes custody during a practice blackout drill. Under cover of darkness, Draper hopes to find the real killer, who turns out to be a member of a Nazi sabotage ring. Our hero is helped along by Mary (Martha O'Driscoll), one of the most refreshingly self-reliant heroines in B-picture history. Among the secondary players are a young Hungarian immigrant named Eva Gabor and a portly German refugee named John Banner. ~ Hal Erickson, All Movie Guide

Erskine Caldwell's once-scandalous novel Tobacco Road resulted in an equally steamy stage play by Jack Kirkland, which became one of the longest-running productions in Broadway history. This story of indigence and amorality amongst inbred "poor whites" (based on people Caldwell had known while growing up in Georgia) had to be heavily expurgated for movie consumption, put there was plenty of comedy and colorful characterizations to suit the purposes of director John Ford. Charley Grapewin stars as Jeeter Lester, shiftless patriarch of a large backwoods clan. The Lesters are about to be thrown off their land for nonpayment of rent, but anyone who tries to help them--or to alter their lifestyle--is chased away by the poverty-stricken but intensely proud Jeeter. Tobacco Road succeeded on the basis of its title alone, even though no one expected the film to be anywhere near as earthy as the stage version (it would have been impossible under prevailing censorship to include the play's famous opening scene, in which the family watches intently while a teenage girl masturbates!) ~ Hal Erickson, All Movie Guide

The Nazis are clearly the villains in So Ends Our Night, but since the film was made before America's entry into World War II, Adolph Hitler goes unmentioned (we wouldn't want to lose those foreign markets, would we?) Based on Erich Maria Remarque's novel Flotsam, the film zeroes in on three German refugees. Frederic March despises the Nazis on ideological grounds; Margaret Sullavan, a Jew, is fleeing for her life; and Glenn Ford, born of a Jewish mother and Aryan father, is racked with confusion and torn loyalties. The three separate as they move from country to country in Europe, just a step or so ahead of the advancing Nazis. As Sullavan and Ford fall in love, March puts his life on the line by trying to arrange a reunion with his ailing wife Frances Dee, who has remained in Germany. Had So Ends Our Night been released a few months after the US entry into the war, it might have done better at the box office. ~ Hal Erickson, All Movie Guide

Three different Universal pictures made between 1922 and 1941 bore the catchall title Don't Get Personal. The 1941 film stars Hugh Herbert as a ditzy pickle manufacturer whose favorite radio program stars Jane Frazee and Robert Paige. The couple plays a bickering husband and wife on the air, and Herbert mistakes their scripted bouts for the real thing. He heads to the radio station to patch up their differences, but succeeds in embroiling the actors in a real battle. Don't Get Personal seems to have been made at the same time as Universal Hellzapoppin' (41), with at least four actors (Hugh Herbert, Robert Paige, Jane Frazee and Mischa Auer) appearing in both films. ~ Hal Erickson, All Movie Guide

The first of several remakes of 1938's Three Blind Mice, the Technicolor musical Moon Over Miami stars Betty Grable and Carole Landis as Kay and Susan Latimer, two Texas carhops who journey to Florida in search of a rich husband. The plan is to have Kay pose as a millionairess, while Barbara and the girls' Aunt Susan (Charlotte Greenwood) pretend to be Kay's domestic staff. The two most likely matrimonial candidates are Miami playboys Phil O'Neil (Don Ameche) and Jeffrey Bolton (Robert Cummings), but when Kay finds out Phil is broke, she reluctantly throws him over for Jeff. Happily, romance wins out over greed, and Kay is reunited with Phil-not that Jeff ends up empty-handed (guess who he gets?). The musical highlights include the hit tune "You Started Something" and an energetic dance specialty by the Condos Brothers. ~ Hal Erickson, All Movie Guide

The success of 1938's Kentucky prompted 20th Century-Fox to come up with the similar (though not entirely identical) horse-racing opus Maryland. After her husband (Russell Hicks) is killed during a fox hunt, Maryland matriarch Charlotte Danfield (Fay Bainter) forbids her son Lee (John Payne) from ever riding or even owning a horse. Lee obedient only until he meets lovely Linda Stewart (Brenda Joyce), the daughter of his father's ex-trainer William Stewart (Walter Brennan, doing a virtual reprise of his Kentucky characterization). In concert with Linda, Lee enters his horse in the fabled Maryland Hunt, an annual steeplechase event. The outcome of the race is instrumental in weakening Charlotte Danfield's anti-equestrian stance, but Stewart, alas, isn't around long enough to fully bask in his restored glory. Much of Maryland was filmed on location, gorgeously lensed in Technicolor by George Barnes. ~ Hal Erickson, All Movie Guide

Like the other entries Columbia's "Five Little Peppers" series, The Five Little Peppers at Home is based on characters created by Margaret Sidney. Edith Fellows stars as Polly, the oldest child of the Pepper clan, while her four siblings are portrayed by Dorothy Ann Seers (as Phronsie), Ronald Sinclair (Jasper), Charles Peck (Joey) and Davey (Bobby Larson). This time around, Polly and the kids try to figure out a way to save their mother (Dorothy Peterson) from bankruptcy, with the help of crusty-but-lovable Mr. King (Clarence Kolb). After a slow-moving hour or so, the film picks up tremendously in the final reel when the kids are trapped in a copper mine cave-in, sparking a tension-filled rescue effect. A bit too syrupy sweet for modern tastes, Five Little Peppers at Home is redeemed by the cynical performance of Rex Evans as a sneering butler. ~ Hal Erickson, All Movie Guide