Pedro Sanchez Movies

Night and the City is a remake of the 1950 Richard Widmark vehicle of the same name. Major changes: As played by Robert DeNiro, the Widmark character, one Harry Fabian, is no longer merely a two-bit tout but instead a two-bit lawyer; and the film is set in New York, as opposed to the London setting of the original. While embroiled in a lawsuit involving a boxer, Fabian becomes fascinated in the world of championship prizefights. Always susceptible to get-rich-quick schemes, Fabian tries to organize his own big boxing event, but to do that he needs the help of hardnosed promoter Alan King--and to get to King, Fabian uses the promoter's father, former boxer Jack Warden, to act as front man. Fabian scurries around lying and double-dealing in order to sell percentages of the upcoming bout, while King warns Fabian of the consequences should anything unfortunate happen to the ailing Warden. Disaster plagues Fabian as his boxers fail to pass their physicals, and Warden dies while setting up the big event. Pursued by King and his creditors, the terrified Fabian is urged by girlfriend Jessica Lange to get of town. Instead, Fabian decides to face up to his failings for the first time in his life, and stands his ground for the final, fatal confrontation. Like the earlier Widmark film, the 1992 Night and the City is based on a novel by Gerald Kersh. ~ Hal Erickson, Rovi

Off-the-wall humor, casual or premeditated violence, and larger-than-life characters are featured in this Paul Morrisey film about drugs and two street gangs in "Alphabet City," the lower east side of New York (Avenues A, B, and C). When the flamboyant and often abrasive Rita (Marilia Pera) and her dim-witted but streetwise son Thiago (Richard Ulacia) arrive in New York from Brazil, she maternally "adopts" the teens who live in a run-down apartment as her own and then organizes them into a gang whose first job is to intercept a shipment of drugs intended for a rival Puerto Rican group. This act sets off a gang war when the Puerto Ricans retaliate by killing one of Rita's teens. As the fighting escalates, it becomes more difficult to decipher the real attitude of director Paul Morrissey: are these serious takes from real life or are they exaggerated to achieve a decidedly black humor? ~ Eleanor Mannikka, Rovi

In this spaghetti western, a quick-drawing, hard-riding granite faced, steel-eyed ex-Confederate soldier (Lee VanCleef) rides into a Texas town with the small travelling circus he works for as a stunt rider and bumps into a man who owes him $5,000. Wanting the money back, the vet decides to stay in town and it isn't long before he ends up embroiled in corruption and double-crosses as he fights to simultaneously save the townsfolk from the greedy, corrupt politician who runs the town and forces the residents to pay cripplingly high taxes and steal the crook's fortune. This is the third Sabata film and the second time VanCleef essayed the character. In the second film Adios Sabata, the title character was played by Yul Brynner. ~ Sandra Brennan, Rovi

Spaghetti Western fans used to the likes of Django and The Good, The Bad and the Ugly might be taken by surprise when watching Sabata. True, the film does star spaghetti Western star Lee Van Cleef as the tight-lipped hero of the title, but it has a very different feel from the genre's traditional, Sergio Leone-derived style. Director/co-writer Gianfranco Parolini (alias Frank Kramer) takes things in a direction that seems to fall halfway between The Wild Wild West TV series and a James Bond movie; the film is packed with colorful characters, exotic weapons, and the action scenes that mix wild stunts with pyrotechnics. Parolini appropriately gives the film a light touch, playing up the colorful and humorous aspects while delivering the action. The end result is a little too long for this sort of light material, causing it to drag a bit in the middle, but it is too good-natured and entertaining to dislike. In short, Sabata is likely to make fun viewing for Euro-cult fans and anyone interested in an offbeat Western. ~ Donald Guarisco, Rovi