Charlita Movies

Having struck pay dirt with his 1958 western Rio Bravo, Howard Hawks more or less remade the picture twice in the 1960s. The first of these rehashes was El Dorado, with Rio Bravo star John Wayne back for more. Wayne plays a gunfighter who rides into El Dorado to link up with his old pal, sheriff Robert Mitchum ("It's the big one with the big two!" declared the film's advertisements). Wayne has turned down a job with evil land baron Ed Asner, who'd hoped to drive a family off the land that he needed for its water. That family, headed by R.G. Armstrong, is convinced that Wayne is working with Asner; when Armstrong's son Johnny Crawford dies, Wayne is held responsible, earning him a bullet in the spine from Crawford's sister Michele Carey. A year passes: Wayne returns to El Dorado, in the company of his new saddle pal James Caan. They find that Asner is still up to his old tricks, and that Mitchum has descended into alcoholism. Several plot twists and power shifts ensue, leading to the slam-bang climax, with the partially paralyzed Wayne, the newly crippled Mitchum (on crutches), and the concussion-suffering Caan battling together to stave off Asner's minions. The final long-shot, of Wayne and Mitchum limping off together arm-in-arm, is one of the most enduring images in the entire Hawks canon. If they loved it twice they'll love it thrice: in 1969, John Wayne and Howard Hawks teamed up for a third Rio Bravo derivation, Rio Lobo--which, like the first two films, was scripted by Leigh Brackett. Incidentally, that's famed artist Olaf Weighorst (whose paintings appear in the title sequence) in a cameo as the gunsmith. ~ Hal Erickson, All Movie Guide

Original slated for release through United Artists, the Wisberg-Yarborough production Women of Pitcairn Island was ultimately distributed by 20th Century-Fox. The film purports to detail the aftermath of the mutiny on the Bounty in the late 18th century. When the last of the male mutineers dies, the wives and daughters of the Bounty crew are left behind to make the best of things on Pitcairn Island. Trouble arises in the form of a band of pirates, who've landed on Pitcairn with the intention of hiding a cache of stolen pearls. After dallying with the ladies, the pirates come to grief by fighting amongst themselves. James Craig hams it up as the bearded pirate captain, while second-billed Lynn Bari seems grimly determined to get the film over with as quickly as possible. ~ Hal Erickson, All Movie Guide

Set in the coffee fields of Colombia, Green Fires stars Stewart Granger and Grace Kelly. Granger plays emerald prospector Rian X. Mitchell, who intends to explore an old deserted mine despite the protests of his partner Vic Leonard Paul Douglas and the threat of death at the hands of local bandit El Moro Murvyn Vye. Ms. Kelly costars as Catherine Knowland, whose coffee plantation lies at the foot of the mine where Mitchell labors away. Such natural disasters as rain and flood, coupled with such man-made weapons of destruction as guns and dynamite, continually thwart Mitchell's search for riches. As the film winds down, he is forced to choose between the emeralds and Catherine. Largely filmed on location, Green Fire is good, old-fashioned Saturday matinee stuff, dressed up and prettified by MGM. ~ Hal Erickson, All Movie Guide

Set in the southernmost regions of Texas, Ride, Vaquero stars Robert Taylor as a steely-eyed gunman named Rio. In league with Mexican bandit Jose Esqueda (Anthony Quinn), Rio participates in the sacking of Brownsville. Only one man seems to have the intestinal fortitude to stand up to the villains: homesteader King Cameron (Howard Keel), who's already been burned out of one home by Esqueda and doesn't intend to allow it to happen again. Cameron's wife Cordelia (Ava Gardner) stands by her husband, which of course puts her in harm's way when Rio sets his romantic sights upon her. ~ Hal Erickson, All Movie Guide

Bela Lugosi plays a mad scientist in the jungle who stumbles across a couple of comedians (intended to resemble Dean Martin and Jerry Lewis) and proceeds to use them as lab mice in his experiments. ~ Kristie Hassen, All Movie Guide

James Cagney plays a once great newspaper reporter ruined by liquor. Thanks to the help of reformed alcoholic James Gleason, Cagney pulls himself out of the gutter and restores his journalistic reputation. Because of his own redemption, Cagney is asked by his editor to straighten out the editor's nephew (Gig Young), a drunken wastrel. The task is made dicey by the fact that the nephew's wife (Phyllis Thaxter) is Cagney's former girlfriend. The nephew's involvement in gangsters results in the death of Cagney's old friend Gleason, but Cagney swallows his rage, vanquishes the crooks, and puts the nephew on the right track. Come Fill the Cup was a little too melodramatic to succeed as an anti-alcohol tract, but it was well acted throughout, especially by Gig Young, who received an Oscar nomination for his efforts. ~ Hal Erickson, All Movie Guide

For his initial effort from his own Norma Productions, Burt Lancaster picked a winner in Ten Tall Men. Lancaster stars as "Sergeant Mike," a two-fisted Foreign Legionnaire presiding over a lovable band of mercenaries, sneak thieves and cutthroats. While sitting in the stockade for the umpteenth time, Mike learns of a Riff plan to attack his fort. He and his men break jail and embark on their own attack of the Riffian encampment. Part of their strategy (much of which is improvised on the spot) is to kidnap Mahia (Jody Lawrence), the toothsome daughter of the Riffian sheik. Understandably, Mahia despises her captors until she realizes that the film's real villain is the covetous Caid Hussan (Gerald Mohr). This one's got everything, from a campy reenactment of a key scene in Beau Geste to the old reliable threat of a red-hot iron upon female flesh. Mari Blanchard, fully clothed for a change, shows up early in the film as a coquettish French mademoiselle who foments an all-out donnybrook among Mike and his fellow legionnaires. With the exceptions of Jody Lawrence and Gerald Mohr, no one in Ten Tall Men takes the proceedings too seriously; the film has some of the cheeky insouciance of Lancaster's subsequent swashbuckler The Crimson Pirate. ~ Hal Erickson, All Movie Guide

Mel Ferrer and Anthony Quinn are perfectly cast in The Brave Bulls. Ferrer plays a star matador who is the idol of the crowds, an image carefully cultivated by Quinn, his manager. The matador is unbeatable until the woman he loves (Miroslava) perishes in an auto accident. Wracked by guilt and self-doubt, Ferrer is gored in his next battle. The rest of the film traces Ferrer's slow and torturous regaining of his courage. Based on the novel by Tom Lea, The Brave Bulls manages to convey the euphoria and blood-lust of the aficionados without offending the sensibilities of the Hollywood censors. The film's greatest asset is the gut-wrenching camera work by James Wong Howe and Floyd Crosby. ~ Hal Erickson, All Movie Guide