Paolo Graziosi Movies

Award-winning filmmaker Paolo Sorrentino (The Family Friend) writes and directs this cinematic portrait of seven-time Italian prime minister Giulio Andreotti, whose controversial legacy peaked when he was tried for Mafia ties and subsequently acquitted. A leader with close ties to the Vatican, Andreotti was also tried and acquitted for the murder of an Italian journalist, and remains a senator for life. ~ Jason Buchanan, All Movie Guide

Horst Fantazzini was a thief who became famous in Italy for a long series of bank robberies where he made a point of never hurting his victims and behaving with as much courtesy as the situation allowed. When he was handed a 20-year prison sentence after finally being caught by the police, Fantazzini discovered life behind bars didn't agree with him, and, in 1973, he attempted to break out. This real-life escape plot provides the basis for the comedy/drama Ormai E Fatta!/Outlaw. Stefano Accosi plays the anarchist Fantazzini, who manages to sneak a gun into Piemonte, a progressive prison where he's being housed. However, Fantazzini turns out to be better at robbing banks than breaking out of jail. He ends up wounding three guards without ever getting outside, and finally takes two other guards hostage and barricades himself in an office at the jail, hoping to ransom his way out. Fantazzini's hostages, two men from Southern Italy who are new to the North and don't much care for it, are no happier in their surroundings than Horst is, and in his negotiations Fantazzini finds himself dealing with two polar opposites, a prison director who emphasizes lenience and trust, and a senior corrections officer who believes in swift, dramatic action. ~ Mark Deming, All Movie Guide

Pier Paolo Pasolini was a beloved Italian filmmaker, poet and novelist whose murder in 1975 threw the whole nation into shock. This drama attempts to document the killing and the aftermath while exploring the true motives for the killing. The film opens as the police are in hot pursuit of a car racing along the waterfront of Ostia. At the end of the chase they end up arresting one Pino Pelosi, a male prostitute who confesses to bludgeoning the director to death and running him over with a car. The initial evidence goes along with Pelosi's story. Intermingled with the drama is actual police and press footage of the murder scene, the trial and other related events. As the court goes to trial, it soon becomes apparent that Pelosi is not telling the whole truth. Despite the findings of the media, the police and the lawyers seem to be in an inordinate hurry to close the case and dismiss it as yet another gay killing. Although the film avoids making elaborate postulations about the whole truth of the killing, it does not deny the fact that Pelosi did not act alone. Unfortunately, though Pelosi was imprisoned for his crime, he refused to reveal the identities of the others involved. ~ Sandra Brennan, All Movie Guide

History buffs will glory in the riches of Louis, Enfant Roi, others will perhaps find this complex story of intrigues and betrayals in the court of the young king tough sledding. When Louis the Fourteenth (1638-1715) was born, the power of government was shared between the monarchy, the church, the nobility, and the Parlement. His predecessor had greatly centralized the powers of government following the advice of Cardinal Richelieu. Louis XIV (often called "The Sun King" for the brilliance of his rule) followed the advice of Richelieu's successor, Cardinal Mazarin (Paolo Graziosi), and brought the powers of government under the sole sway of the monarch. He expanded the territory and influence of France in a series of wars throughout his reign. How he came to be so autocratic and ruthless both personally and politically is the subject of this biographical drama. When Louis (Maxime Mansion) was just ten years old, the Parlement of France refused to ratify a tax measure, and the disagreements between the various powers ruling the country came to a head in a long civil war known as "The Fronde," which lasted from 1648 to 1653. This movie tells how the intrigues and battles of this period appeared from the perspective of the young monarch. At first they are highly confusing for him, but gradually they become clearer, and he begins to emerge from the regency of his mother, Anne of Austria (Carmen Maura), to assert some of his own authority, making some grim and unpleasant decisions in the process. ~ Clarke Fountain, All Movie Guide

This detective drama explores the labyrinthine byways of the Sicilian and Italian mind when confronted with ancient family secrets and treasures in the course of a murder investigation. In the story, an eminent diplomat returns unexpectedly to his remote villa near a small Sicilian town to hunt for some correspondence between his family members and the famous Italian historical figures, Pirandello and Garibaldi. While there, he calls the police, but before they can get around to seeing him, he has been killed. After that, every step they make towards solving his murder leads them deeper into complications. The two feuding policemen on the case (Ricky Tognazzi and Ennio Fantastichinni) are forced to call on a professor Gian Maria Volontè) for help in unraveling the tangled threads from the past which connect to the murder. This intricate whodunit is based on a celebrated novella by Leonardo Sciascia). ~ Clarke Fountain, All Movie Guide

The complex relationships of aristocrats in the 18th century, including their romances, is the subject of this nearly operatic dramatic retelling of Goethe's famous novel. ~ Clarke Fountain, All Movie Guide

This Italian romantic melodrama is distinguished by having in its soundtrack a well-performed aria by Maria Callas. It tells the story of the love between a mature older woman and an anguished younger man who eventually commits suicide. ~ Clarke Fountain, All Movie Guide

This film is a social commentary about the mindless violence that is perpetuated on impressionable youth by television. Lorenz (Carla Gravina) has three young children who are victims of a media who wishes to turn out terrorists. She contends with her monstrous offspring and student revolts until she can't take it anymore. Lorenz takes matters into her own hands by planting a bomb in the factory of her estranged husband. The director attempts to illustrate the effect that Big Brother has on the lives of people and how they are subjected to behavioral conditioning beyond their control. ~ Dan Pavlides, All Movie Guide

In this Italian satire a poli sci professor from a large, wealthy family stirs up turmoil amongst his family and friends when he decides to run for office on the Socialist party ticket. His brother the Maoist tries to thwart his endeavors. Other family members get involved in the struggle for political power, sexual gratification, and money. ~ Sandra Brennan, All Movie Guide