Ian Charleson Movies

The polar-opposite worlds of opera and horror collide in this gory giallo film from director Dario Argento. Christina Marsillach (Tom Hanks' romantic interest in Every Time We Say Goodbye) stars as Betty, a beautiful understudy who gets an unlikely break to play the female lead in a contemporary opera of Verdi's Macbeth. Her fear of Macbeth's notorious curse proves to have foundation when a psychopath with a strange connection to Betty murders a stage hand in the midst of her debut and later kills several ravens being used in the opera. Characters introduced at this point who could be the killer include: the show's director, Marco (Ian Charleson); Betty's publicist, Mira (Daria Nicolodi); and the police inspector, Alan Santini (Urbano Barberini). The middle third of the film is devoted to the killer's bloody work which serves to torment Betty. The madman binds her and tapes a row of tiny needles beneath her eyes so that she is forced to watch him butcher a young stage manager and a costume designer, among others. With the police investigation going nowhere and the killer zeroing in on Betty's death, Marco decides to enact his own plan to stop the madman; he releases the ravens (apparently, they always remember their enemies) during a performance. The birds circle wildly before attacking the killer and plucking one of his eyeballs out. He absconds with Betty, but dies in a fire after revealing his demented motivation and his connection to the young singer. A final scene set in the Swiss mountains provides a couple of final shocks. ~ Patrick Legare, All Movie Guide

This television miniseries derives its plot from The Sun Also Rises, the 1926 novel by Ernest Hemingway (1899-1961). Set in France and Spain, the miniseries follows the lives of several expatriate Americans and their acquaintances in the decade after World War I. These expatriates -- part of the so-called lost generation of Americans bitter about the war and disillusioned by prevailing U.S. values -- drink, roam, ruminate, and chase women. The central character, journalist Jake Barnes (Hart Bochner), pals up with fellow countrymen Bill Gorton (Zeljko Ivanek), an amiable war veteran, and Robert Cohn (Robert Carradine), a novelist and college-trained boxer, to enjoy Paris night life. Barnes runs into beautiful and sophisticated Lady Brett Ashley (Jane Seymour), whom he romanced in England while she was a volunteer nurse and he was recuperating from a war wound that left him impotent. She is soon to divorce her husband to marry Mike Campbell (Ian Charleson), a hard-drinking Scot. Still smitten by her, Barnes follows her everywhere. So do Gorton and Cohn. Cohn falls hard for her. But Lady Brett says she wants to live happily ever after with many men, not just one, in spite of her betrothal to Campbell, a liaison with Cohn, and her affection for Barnes. Such is the scope of her appetite for men. For a new diversion, bullfighting, all of the principals -- including Campbell -- go to Pamplona, Spain. There, matador Pedro Romero (Andrea Occhipinti) whets Lady Brett's appetite all over again with his derring-do in the bullring. After Cohn discovers her in bed with Romero, he beats the bullfighter livid. It is all for naught. To Lady Brett, Cohn is an interesting toy, nothing more. The story reaches its conclusion when Romero -- purple with Cohn's bruises -- enters the arena to challenge a bull. Will Romero survive? Will Lady Brett choose him over Barnes? Will she marry Campbell? ~ Mike Cummings, All Movie Guide

Greystoke: The Legend of Tarzan, Lord of the Apes is a reverent retelling of the Edgar Rice Burroughs original, with a 1980s-sensibilities slant. Shipwrecked on the coast of Africa, Lord Jack Clayton (Paul Geoffrey) and his pregnant wife Lady Alice (Cheryl Campbell) attempt to survive in the hostile environment, but both die shortly after the birth of their son John. Abandoned in the wilderness, the orphaned John is adopted by a family of rather highly evolved apes, and raised as one of their own. Years later, John-now known as Tarzan, and now played by Christopher Lambert-comes across a party of white hunters. Rescuing one of the intruders, Belgian Captain Phillipe D'Arnot (Ian Holm) from a horrible death , Tarzan is taught to speak English by the grateful D'Arnot. Coming across the remains and possessions of Tarzan's parents, D'Arnot discovers that the Lord of the Jungle is actually the Earl of Greystoke. Brought back to England, Tarzan is introduced to society, where his crude, apelike manners offend everyone--except the likeable (and painfully senile) 6th Lord of Greystoke (Ralph Richardson, in his final film role) and Greystoke's American ward, Jane Porter (Andie McDowell, whose Southern-fried voice is dubbed by Glenn Close). Disturbed at the notion of Tarzan's inheriting Greystoke manner, his more greedy relatives begin plotting against him. But it is Tarzan himself who decides that he cannot adapt himself to England-especially after a painful reunion with his ape foster father, imprisoned in a science-lab cage. ~ Hal Erickson, All Movie Guide

An interesting approach to the English-Irish tensions, this is the first feature film done by British documentary filmmaker Edward Bennett. The story revolves around a young woman from a wealthy family who protests the horrors she witnesses in her life by the increasing debility of her own body. When her brother is killed, she loses the use of her right arm. When the Catholics and Protestants demonstrate increasing violence and tension, she becomes mute. It is an interesting metaphor, but leaves the audience only visually involved in the storyline as the girl can no longer articulate what it is that is causing her to have these emotional schisms with her own body. Set just after WWI, it is still a powerful statement regarding the alienation found on common soil and the profound emotional effects it has on those who must live with it. ~ Tana Hobart, All Movie Guide

Perhaps inspired by the success of PBS' Shakespeare Plays series, Bard Productions Ltd. Came out with this diverting if not very cinematic adaptation of the Shakespeare's Antony and Cleopatra. Timothy Dalton plays Marc Antony, while Lynn Redgrave is uncharacteristically alluring as Queen Cleopatra. The all-TV cast includes Nichelle Nichols, Anthony Geary, Walter Koenig, and Brian Kerwin. Also making a cameo appearance is John Carradine, giving his all to the brief part of the Soothsayer. At three hours, Antony and Cleopatra has some trouble getting bookings outside the "art" houses. ~ Hal Erickson, All Movie Guide

Steeped in the nihilistic philosophy and rebellious fashions of the British punk movement, this early feature by experimental filmmaker Derek Jarman presents an unusual look at late 1970s London. The bulk of Jubilee focuses on a loosely connected group of female outcasts, united by a hatred of convention that at times extends into dark violence. Providing contrast is the film's framing story, in which Queen Elizabeth I travels forward in time to view the future of England and finds unexpected sympathy with the female rebels. The film references both William Shakespeare and Siouxsie and the Banshees, and it alternates scenes of transgressive violence with heady discussions of English history. The film's casting alone makes it an intriguing artifact of its time, showcasing subcultural icons from musician Adam Ant to several cast members of The Rocky Horror Picture Show. ~ Judd Blaise, All Movie Guide