Maria Charles Movies

From director Beeban Kidron, Antonia & Jane is a look at an enduring friendship between a pair of decidedly opposite people. Beautiful, sophisticated, and self-assured, Antonia (Saskia Reeves) has it all -- or so it seems to the pudgy wallflower Jane (Imelda Staunton), who secretly resents the fact that her own inner light is invariably extinguished whenever her glamorous friend enters a room. The fact that Antonia stole and married Jane's first lover only makes matters worse. While Jane vents her feelings in her therapist's office, Antonia herself secretly longs to be more like Jane, who is always off in search of new adventures and experiences. Petricia Leventon and Alfred Hoffman also star. ~ Matthew Tobey, Rovi

This third talking-picture version of Charles Dickens' novel Great Expectations stars Michael York as Pip, the humble British lad whose aspirations to become a gentleman are financed by a mysterious benefactor. We first see young Pip (played by Simon Gipps-Kent) coming to the aid of escaped convict Magwitch (James Mason). Once this episode has apparently run its course, we find Pip the guest of the wealthy, reclusive, half-mad Miss Havisham (Margaret Leighton), and the worshipper-from-afar of Havisham's snooty niece Estella (played as both a teenager and an adult by Sarah Miles--breaking the usual cinematic tradition of casting two actresses in the role). This brief exposure to the finer things in life leads Pip on the winding road to betterment, with a few surprises in store for him. Great Expectations premiered November 22, 1974, as a Bell System Family Theatre presentation. ~ Hal Erickson, Rovi

A sophisticated London professional discovers that you can't pick your family when the uncouth sister she never knew interrupts her life in an attempt to locate their long-lost father, whom the former had always assumed to be dead. Catherine St. John-Burke (Isabelle Defaut) lives alone in London's Chelsea district. She's obsessed with status, but her recent affair with a married man reveals that she's still not entirely comfortable with her own lot in life. Then there's Shirley Zachary (Emily Corcoran), an uneducated Kiwi woman who never gives a second thought to issues of status and style. When Catherine returns home one day to find Shirley drinking beer in her living room, her first instinct is to scream for help. According to Shirley, the two polar opposites are half-sisters, and their father is still very much alive. Not only that, but in the wake of their mothers' recent deaths, he's currently attempting to make claims on both of their properties. Unconvinced, Catherine takes Shirley to get a DNA test and discovers that her half-sister is telling the truth. But how can Catherine and Shirley ever hope to find their father Jack (Nicholas Bell) when the elusive scammer is hiding out from the mob? Setting out on the trail of a mysterious figure named "Sir Crawford," the girls begin to suspect that they're on the right track and do everything in their power to get rightful ownership of their inheritance. ~ Jason Buchanan, Rovi

In Revenge of the Pink Panther, for the final time, the bumbling but impeturbable Inspector Clouseau (Peter Sellers) maddens his long-suffering boss Dreyfus (Herbert Lom), sharpens his wits and martial skills with his manservant Cato (Burt Kwouk) and foils the bad guys without ever having a clue about what he is doing. In the story, Clouseau allows a gang of drug racketeers to believe that he has been assassinated and dons a series of disguises as he travels all over the world in order to apprehend the culprits. He is assisted by Simone Legree (Dyan Cannon), the former girlfriend of the drug-lord Douvier (Robert Webber). Though it received a very mixed reception from critics, this, the sixth of the Pink Panther series, did very well at the box-office. Sadly, it was actor Peter Sellers' final Pink Panther performance before his death in 1980 (the later film, The Trail of Pink Panther was composed of outtakes from previous Pink Panther films). ~ Clarke Fountain, Rovi

On the verge of starvation in 1930s Paris, erstwhile entertainer Victoria (Julie Andrews) is rescued by gay cabaret performer Toddy (Robert Preston). What she needs to succeed, opines Toddy, is a gimmick. What if she becomes a male impersonator? Better still: what if she becomes a male impersonator, pretending to be a female impersonator? As "Victor/Victoria," s/he becomes the toast of Paree, and an object of fascination for big-time Chicago gangster King Marchan (James Garner), who can't quite understand the teasing sensations he experiences whenever watching her in action-especially since he, like everyone else, assumes that she is a he. Enjoyable though the stars of Blake Edwards' comedy may be, the film is stolen by Lesley Ann Warren, who won an Oscar nomination as King's screechy-voiced moll, and Alex Karras as King's chief henchman, who, assuming that his boss is "that way," literally comes out of the closet. Victor/Victoria was a remake of the 1931 German film Viktor und Viktoria, which had previously be reworked in 1937 as the Jessie Mathews vehicle First a Girl. In 1996, Victor/Victoria was transformed into a Broadway musical, again directed by Edwards and starring Andrews. ~ Hal Erickson, Rovi