Cyd Charisse Movies
"When you've danced with Cyd Charisse, you stay danced with." So said Fred Astaire, in tribute to the ability and allure of his last big-screen dancing partner. Cyd Charisse was the last great musical star to come out of MGM, and she barely made it to stardom before the musical genre began its decline. One of the greatest dancers ever to come out of Hollywood, Charisse worked in movies for almost a decade before being allowed to take center stage in a major musical feature; but when she did, she fairly exploded onscreen in The Band Wagon, Vincente Minnelli's greatest musical.Charisse was born in Tula Ellice Finklea in Amarillo, TX, and took to dancing at an early age, encouraged by her father, who loved the ballet. By age 14, she was dancing with the Ballet Russe under the more glamorous (and European-sounding) name Felia Sidorova -- the Sidorova came from her childhood nickname "Sid," which she carried into adulthood. She later studied dance in Los Angeles with Nico Charisse, who became her first husband. Charisse appeared both solo and with her first husband (working as "Nico and Charisse") in several early '40s "soundies" and played small roles in Mission to Moscow and Something to Shout About (both 1943), working under the name Lily Norwood. In 1945 Charisse was signed to MGM; Lily Norwood disappeared and Sid became Cyd, while the Charisse -- the one major legacy of the failed marriage -- remained.
Charisse appeared in some lesser studio productions during the second half of the '40s, of which the most notable was The Unfinished Dance, a notoriously bad MGM remake of a pre-World War II French film. At the time, Ann Miller was getting all of the really good high-profile dancer co-star roles in the studio's biggest songbook musicals, while Charisse got featured dancer roles in composer-tribute movies such as Till the Clouds Roll By (based loosely on the career of Jerome Kern) and Words and Music (based loosely on Richard Rodgers' and Lorenz Hart's careers). During the late '40s, she married singer Tony Martin, a union that would last more than 50 years. Charisse had the chance to work opposite Gene Kelly in An American in Paris, but turned it down as she and Martin were starting a family, a decision that she never regretted, even if it cheated film audiences of a brilliant showcase for her work. Finally, in 1952, she made it into a frontline studio production in as prominent a role as a dancer could possibly have without dialogue, playing the vamp who appears in the middle of the "Broadway Ballet" segment of Singin' in the Rain.
In 1953, with the help of Fred Astaire and director Vincente Minnelli, Charisse emerged a full-blown star in The Band Wagon. The movie, one of the greatest musicals ever made, was even more impressive as a total vehicle for Charisse -- her eight years at the studio had allowed her to absorb a fair amount of acting training, which made her just as impressive in her dramatic, romantic, and comedic scenes as she was when she danced. And when she and Astaire danced, it was literally poetry in motion, before that phrase was overused. Charisse got to work alongside Gene Kelly again in Brigadoon and It's Always Fair Weather, in which she again got to showcase her acting ability (her singing was dubbed by vocalist India Adams in most of her movies). She got to do one more major Hollywood musical, Silk Stockings (1957), acting and dancing opposite her greatest dancing partner, Fred Astaire, in a screen adaptation of Cole Porter's last great stage musical, before the musical genre disappeared.
During the 1960s, she moved her career to Europe for one last dazzling musical film, Black Tights, and onto television, where Charisse became an Emmy-winning performer, and then onto the stage. Luckily for Charisse, she was a good enough actress to credibly work in straight drama and comedy, and was so striking a physical presence that she kept her career going well into the 1970s, including a successful nightclub act with Tony Martin. She scored a hit in the Australian production of No No Nanette in 1972, and she and Martin authored a joint-autobiography, The Two of Us, in 1976. Charisse published a successful workout book in the early '90s, and remains one of the most beloved performers from the world of Hollywood musicals. In 2000, she received the first Nijinsky Award from Princess Caroline of Monaco for her lifelong contribution to dance. ~ Bruce Eder, All Movie Guide
- 1965
Danger and romance are in plentiful supply in one of Europe's most beautiful cities in this sophisticated thriller. Shelley North (Cyd Charisse) is an American tourist who has come to Rome on a vacation with her husband. When he disappears without warning, Shelley visits the American embassy in search of help; word of Shelley's dilemma makes its way to Dick Sherman (Hugh O'Brian), an American expatriate who edits an English-language newspaper in Rome and once had a fling with Shelley when they were single and living in the States. Dick offers to help Shelley find her husband, and recruits a friend to help -- one of the top homicide detectives in Italy. When the missing American's name pops up in the address book of a criminal who has turned up dead, Shelley and Dick are drawn into a web of drug smuggling, organized crime, and international espionage, with allies and enemies shifting sides over the course of the investigation. Assassination In Rome (aka Assassinio Made in Italy and Il Segreto del Vestito Rosso) was shot in Italy using a local cast and crew, with Charisse and O'Brian added to give the project greater international box office clout. ~ Mark Deming, All Movie Guide
- Starring:
- Cyd Charisse, Hugh O'Brian, (more)
Black Tights is a filmed ballet anthology divided into four all-dance episodes. "The Diamond Cruncher" spotlights Ziza Jeanmaire as a lady mobster who gives up her life of crime for the love of a good man. "Cyrano de Bergerac" stars Roland Petit (who also choreographed) as Cyrano and Moira Shearer as Roxanne; its music was composed by Marius Constant, of Twilight Zone fame. "A Merry Mourning" finds Cyd Charisse flittering her way into a deadly romantic triangle. And "Carmen," starring Jeanmaire once more, is the old story, danced rather than sung to the music of Bizet. Both the French and English-language versions of Black Tights are narrated by Maurice Chevalier. ~ Hal Erickson, All Movie Guide
- Starring:
- Zizi Jeanmaire, Moira Shearer, (more)
Reportedly, Vincente Minnelli turned down the opportunity to film Brigadoon on location in Scotland insisting that MGM's studio mockups looked more Scottish than the genuine article. This lavish adaptation of the Lerner and Loewe Broadway musical stars Gene Kelly as an American tourist who stumbles upon an enchanted Scottish village. Every 100 years, the people of Brigadoon awaken for a 24-hour period, then go back to sleep for another century while Brigadoon itself vanishes in the mists. Tommy Albright (Kelly) falls in love with village lass Fiona Campbell (Cyd Charisse) while his hard-drinking pal, Jeff Douglas (Van Johnson), dismisses the legend -- and indeed the existence of Brigadoon as a result of delirium. Fiona's betrothed Harry Beaton (Hugh Laing), upset by Kelly's intervention, threatens to leave Brigadoon -- an act that will spell doom for its residents. When this crisis has passed, Tommy is persuaded against his better judgment to escape Brigadoon himself and return to his own fiancée (Elaine Stewart) in New York. But the love between Tommy and Fiona results in a miraculous finale. Most of the Lerner-Loewe score remains intact, including the hit songs "Almost Like Being in Love," "Heather on the Hill," and "Come to Me Bend to Me." ~ Hal Erickson, All Movie Guide
- Starring:
- Gene Kelly, Van Johnson, (more)
- 1972
"Mom" is Connie Stevens, who stars in this made-for-TV comedy. Stevens plays a small-town waitress who is appointed the housemother for a rambunctious fraternity house on the local college campus. The frat boys assume that freewheeling Stevens will allow them to party to their hearts' content, but "Mom" takes her job quite seriously and compels the students to behave themselves. She also becomes involved in a campus feminist movement that threatens to topple the college's male power structure (headed by dean Van Johnson). Call Her Mom was the pilot for a Connie Stevens TV series that found neither a sponsor nor a network. ~ Hal Erickson, All Movie Guide
Deep in My Heart is the MGM-ified biography of composer Sigmund Romberg, here played by José Ferrer. Evidently the scripters didn't feel that the life of Romberg (as set down by author Elliott Arnold, whose book was used as the film's basis) had enough drama to fill out two hours and ten minutes. As a result, the film is overstocked with guest stars, performing such Romberg standards as "One Alone," "Lover Come Back to Me," "When I Grow Too Old to Dream," "Will You Remember," and "Stout-Hearted Men." Among these celebrities are Ann Miller, Vic Damone, Jane Powell, Tony Martin, Cyd Charisse, Rosemary Clooney, and Gene Kelly, the latter performing a dance duet with his seldom-seen brother, Fred. For all the heady competition, it is José Ferrer who renders the most memorable production number: a one-man presentation of the Romberg musical comedy Jazzboat, in which Ferrer assumes all the roles, from star Al Jolson's to the entire female chorus! ~ Hal Erickson, All Movie Guide
- Starring:
- José Ferrer, Helen Traubel, (more)
Director Mervyn Leroy lends a burnished MGM gloss to this sordid tale of infidelity among rich New York East Siders. Barbara Stanwyck stars as Jessie Bourne, a charming society woman whose finds out that her husband Brandon (James Mason) is guiltily indulging in an illicit affair with the earthy Isobel Lorrison (Ava Gardner). Jessie bears her husband's indiscretion with a gallant dignity, and when Isabelle is killed, Jesse realizes that she doesn't care for Brandon anyway. Van Heflin is also on hand as ex-cop Mark Dwyer, who admires Jessie's stoic dignity. ~ Paul Brenner, All Movie Guide
- Starring:
- Barbara Stanwyck, James Mason, (more)
- 1953
The Cole Porter title tune is but one of the musical highlights in the (literally) splashy Esther Williams musical Easy to Love. Reshuffling plot devices utilized in previous Williams vehicles, the film casts Williams as Julie Hallerton, the star of Ray Lloyd's (Van Johnson) aquacade. She loves Lloyd, but he hardly knows she exists. Only when she inaugurates romances with swimming instructor Hank (John Bromfield) and singer Barry (Tony Martin) does Lloyd wake up and smell the chlorine. The plot's finale is top-heavy with "good sport" behavior involving the three male leads. However, if you've come to an Esther Williams movie for the plot, maybe you'd better try another theatre. Easy to Love is the film that includes Busby Berkeley's legendary "motorboat/hang-glider" production number, performed at Florida's Cypress Gardens--though, incredibly, this aquatic tour de force is not the end of the picture! ~ Hal Erickson, All Movie Guide
- Starring:
- Esther Williams, Van Johnson, (more)
- 1947
Esther Williams moves from the swimming pool to the bull ring in this musical drama. Antonio Morales (Fortunio Bonanova) was once a champion bullfighter; now in retirement, Antonio and his wife (Mary Astor) have high hopes that their son Mario (Ricardo Montalban) will follow in his father's footsteps as a matador. However, Mario's great passion is music, and he longs to pursue a career as a composer. But there is a budding toreador in the family: Mario's sister Maria (Esther Williams), who has learned the basics of bullfighting from her sibling. Not wanting to be thought a coward, but with no desire to enter the ring, Mario allows Maria to disguise herself as him and take his place in the bullring, allowing her to compete in a traditionally male sport while Mario devotes his time to his music. Fiesta gave Ricardo Montalban his first English-speaking role, with Cyd Charisse appearing as Conchita, his love interest and dancing partner. Classical music buffs might notice that Mario's composition "Fantasia Mexican" is actually Aaron Copland's "El Salon Mexico." ~ Mark Deming, All Movie Guide
- Starring:
- Esther Williams, Akim Tamiroff, (more)
- 1961
This Ernie Kovacs cult comedy was the last film directed by Mario Zampi and follows the exploits of Aldo Bondi (Kovacs) who earns his living off wealthy widows. When he consoles the beautiful and impoverished Baroness Sandra (Cyd Charisse), he makes the mistake of falling in love with her. That gets him into a complex con game with three other widows and a huge sum of money, meant to be invested to earn a bundle based on the five-hour time difference between the East coast of the U.S. and Europe. Bondi gets into one tight situation after the next, as his loot is stolen by the Baroness and he needs a way to save his skin. ~ Eleanor Mannikka, All Movie Guide
- Starring:
- Ernie Kovacs, Cyd Charisse, (more)
Family, friends, and associates recall "The Chairman of the Board" in this compilation video that salutes the world renowned, sometimes controversial singer and celebrity Francis Albert Sinatra (1915-1998). Born in Hoboken, NJ, Sinatra became one of the world's most admired all-around entertainers. Besides making and breaking records (literally and figuratively), "Old Blue Eyes" made his mark as a radio star, an Academy Award-winning actor, and a quintessential Las Vegas act. His work in television was less celebrated, but he put in his time there as well, starring in musical variety shows for CBS and ABC, as well as numerous TV specials. Highlights of this video include archival performance footage and a clip of Sinatra being interviewed by the influential Edward R. Murrow. ~ Steve Blackburn, All Movie Guide
- Starring:
- Frank Sinatra
- 1995
In the conclusion of a two-part story, former antagonists Frasier (Kelsey Grammer) and Kate Costas (Mercedes Ruehl) are now enmeshed in a torrid romance. In fact, "torrid" hardly covers it: The two can't keep their hands off each other, either in or out of the office. When they end up "doing it" in the radio booth, the action is inadvertently broadcast all over Seattle -- and soon the city is abuzz as to the identity of the mysterious "dirty girl." ~ Hal Erickson, All Movie Guide
- 1989
A dance instruction series from the Fred Astaire Studios, with instructors Lee and Peggy Santos. ~ All Movie Guide
- 2002
- Add Gene Kelly: Anatomy of a Dancer to QueueAdd Gene Kelly: Anatomy of a Dancer to top of Queue
On the short list of great cinema dancers, Gene Kelly led a multi-faceted career that included acting, directing, and choreography. This documentary, narrated by Stanley Tucci, offers a look at the man's driving work ethic and his rich talent that led to such memorable classics as Singin' in the Rain, On the Town, and the Oscar-winning An American in Paris. The DVD release of this documentary offers a complete Gene Kelly filmography. ~ Perry Seibert, All Movie Guide
- Starring:
- Stanley Tucci, Gene Kelly, (more)
Cooked up by Betty Comden and Adolph Green, It's Always Fair Weather could well have been titled On the Town Ten Years Later. Like 1949's On the Town (also a Comden/Green collaboration), this MGM musical follows the exploits of three servicemen buddies, played by Gene Kelly, Dan Dailey and Michael Kidd. The difference here is that the threesome has just been discharged from service. The boys agree to get together again exactly ten years after their parting. Flash-forward to 1955: Kelly, who'd dreamed of being a show biz entrepreneur, is a small-time boxing promoter, heavily in debt to the Mob; Dailey has abandoned his plans of becoming an artist in favor of a stuffy, grey-flannel existence as an ad executive; and Kidd, who'd aspired to being a master chef, is running a modest diner. On behalf of TV-personality Dolores Gray, network-staffer Cyd Charisse contrives to reunite the three men on a This is Your Life style TV special, but all three are hostile to the notion. ~ Hal Erickson, All Movie Guide
- Starring:
- Gene Kelly, Dan Dailey, (more)
First shown on American Movie Classics, Marilyn Monroe: The Final Days covers the production of "Something's Got to Give," a romantic comedy starring Monroe, Dean Martin, and Cyd Charisse. Monroe was fired during filming shortly before her death, and the movie was eventually scrapped. The centerpiece of the documentary is a restored reconstruction of the surviving footage. "Something's Got to Give" was later produced as Move Over, Darling, with Doris Day ironically filling Monroe's former role. ~ Skyler Miller, All Movie Guide
- Starring:
- Marilyn Monroe
- 1951
MGM's Ricardo Montalban and Cyd Charisse were loaned to Universal for the Technicolor period piece Mark of the Renegade. Set in 19th-century California, the film stars Montalban as Marcos, in league with a band of pirates. Marcos falls into the hands of Don Pedro Garcia (Gilbert Roland), a despot who hopes to become dictator of California. Planning to force the cooperation of benevolent politico Jose De Vasquez (Antonio Moreno), Garcia orders Marcos to court De Vasquez' comely daughter Anita (Cyd Charisse). It soon develops that Marcos is not the criminal he appears to be, and that he is dedicated to the vanquishing of the evil Garcia. Somehow, Mark of the Renegade finds an excuse for Cyd Charisse to perform a bewitching dance number. ~ Hal Erickson, All Movie Guide
- Starring:
- Ricardo Montalban, Cyd Charisse, (more)
- 1967
It's Funny Face meets Rififi in Maroc 7, starring Cyd Charisse as Louise Henderson, an editor for a slick and chic fashion magazine who utilizes her jet-setting life style as a front for an international jewel-smuggling operation. Abetting her in the scheme is the magazine's top photographer and high-fashion cover model. But instead of "Think pink" it's "Think clink" as secret agent Simon Grant (Gene Barry) is sent in to infiltrate Louise's organization. Posing as a safecracker, Simon convinces Louise to let him in to the gang's next operation: a plan to smuggle a priceless gem out of Morocco. ~ Paul Brenner, All Movie Guide
- Starring:
- Gene Barry, Cyd Charisse, (more)
- 1956
A whole slew of guest stars makes Meet Me in Las Vegas a special treat for movie buffs. The central plot concerns wealthy rancher Chuck Rodwell (Dan Dailey), who takes a Vegas vacation with his mother (Agnes Moorehead). At the same time, ballerina Maria Corvier (Cyd Charisse) also arrives in Las Vegas, accompanied by chaperone Sari Hatvany (Lili Darvas). During one marathon gambling session, Chuck comes to the conclusion that Sari is a good-luck charm, and insists that she remain by his side throughout his visit. Naturally, their relationship deepens into love, but not before a few complications, misunderstandings, and song-and-dance duets. Among the celebrities making cameo appearances (à la Around the World in 80 Days) are Jerry Colonna, Paul Henreid, Lena Horne, Frankie Laine, Peter Lorre, and Sammy Davis Jr. (voice only). Featured as dancers in Cyd Charisse's troupe are stars-to-be Liliane Montevecchi and George Chakiris. ~ Hal Erickson, All Movie Guide
- Starring:
- Dan Dailey, Cyd Charisse, (more)
- 1943
More so than most wartime films, Mission to Moscow must be viewed within the context of its times. Requested by President Roosevelt to make a film supportive of America's Russian allies, Warner Bros. turned to the memoirs of Ambassador Joseph H. Davies, who spent several years prior to WWII in the Soviet Union. As played by Walter Huston, Davies is a pillar of incorruptable integrity, reporting the facts "as I saw them" (only in later years was Davies revealed to be something less than a paragon of virtue who was willing to alter opinions for political, personal and financial expedience). Sent to Moscow by FDR as a means of finding out if Russia is a potentially trustworthy ally in case of war, Davies and his family are given the royal treatment by the Commissars, who display the social, technological, agricultural and artistic advances made under the Stalin regime. Invariably, the Russian citizens are shown to be singing, smiling, freedom-loving rugged individuals-in contrast to the Nazis, who are depicted as humorless automatons. In its efforts to present the USSR in the best possible light, the film glosses over the notorious Purge Trials of 1937, presenting the trials as scrupulously fair and the defendants as unabashed traitors to the Soviet cause. At one point, Russia's annexation of Finland in 1939 is "justified" by Davies' explanation that the Soviets merely wanted to protect their tiny neighbor from Nazi domination! It is unfair to label Mission to Moscow as Communistic or even left-wing, since it was merely parroting the official party line vis-a-vis US/Soviet relations in 1943. Even so, screenwriter Howard Koch found it very difficult to get film work after the war because of his contributions to this "Pinko" project (conversely, Jack Warner pulled a Pontius Pilate, washing his hands of the matter by insisting that he was strongarmed into making the film). Seen objectively, Mission to Moscow is top-rank entertainment, superbly and excitingly assembled in the manner typical of Warners and director Michael Curtiz. The huge cast includes Gene Lockhart as Molotov, attorney Dudley Field Malone as Winston Churchill, Maynart Kippen as a benign, pipe-smoking Stalin, Charles Trowbridge as Secretary Cordell Hull, Leigh Whipper as Hailie Selassie, Georges Renavent as Anthony Eden and Alex Chirva as Pierre Laval, along with the more familiar faces of Ann Harding (as Mrs. Davies), George Tobias, Eleanor Parker, Moroni Olsen, Minor Watson, Jerome Cowan, Duncan Renaldo, Mike Mazurki, Frank Faylen, Edward van Sloan, Louis-Jean Heydt, Monte Blue, Robert Shayne and even Sid (sic) Charisse. Original prints of Mission to Moscow include a 6-minute prologue delivered by the real Joseph Davies. ~ Hal Erickson, All Movie Guide
- Starring:
- Walter Huston, Ann Harding, (more)
- 1985
The opening episode of Murder She Wrote's second season marks the first occasion in which matronly mystery writer and amateur sleuth Jessica Fletcher (Angela Lansbury) assumes a different identity in the cause of justice. Summoned to a Caribbean resort by a desperate letter from her old friend Antoinette Farnsworth (Reggie Savage), Jessica arrives to find that Antoinette has been murdered. To ferret out the guilty party, who has already been pinpointed as a jewel thief, our heroine poses as a very wealthy--and very reclusive--widow. Len Cariou, who previously costarred with Angela Lansbury in the hit Broadway musical "Sweeney Todd", makes his first appearance as redoubtable British secret agent Michael Haggerty. ~ Hal Erickson, All Movie Guide
- 1998
The 1940s was a monumental decade for the United States. Amid World War II, economic recovery, and the start of the Cold War, American music provided a soundtrack to a generation. The Music Classics line from MPI Home Video attempts to offer the chance to relieve the era with a ten-volume series of restored film footage featuring performances by many of the 40's most revered artists. Syd Charisse, Johnny Long, Fats Waller, and Tommy Dorsey are just a few of the musicians features in this ninth installment of the series. ~ Matthew Tobey, All Movie Guide
- 1948
The title of this MGM musical alone should tip you to the fact that Esther Williams is the star. In this one, she plays a movie star (what an innovation!), Rosalind Reynolds, who is on location in Hawaii to shoot a picture. Peter Lawford plays the film's naval technical advisor, Lt. Lawrence Y. Kingslee, who naturally falls deeply in love with Rosalind. As a means of expressing his ardor, Kingslee genteelly kidnaps Rosalind by "accidentally" marooning her on a desert island. To the dismay of feminists everywhere, Rosalind comes to enjoy being Kingslee's prisoner, and all ends happily. Jimmy Durante breaks up da joint in the role of an assistant director, while music is provided by MGM's all-purpose bandleader Xavier Cugat. The Technicolor process is shown to supreme advantage whenever it concentrates on Esther Williams' form-fitting gold-colored swimsuit. On an Island with You was one of MGM's premiere moneymakers of 1948. ~ Hal Erickson, All Movie Guide
- Starring:
- Esther Williams, Peter Lawford, (more)
- 1958
Vicki Gaye (Cyd Charisse) is a dancer at a night club in early 1930's Chicago. A healthy cynic who still possesses some ideals, she entertains no illusions about the "invitation" (or the $100 that goes with it) that she gets to a party hosted by mob kingpin Rico Angelo (Lee J. Cobb) -- but she still won't let Angelo's head torpedo Louis Canetto (John Ireland) get near her. Angelo's attorney Thomas Farrell (Robert Taylor) is another story -- he's a more complicated than the men he defends, and still enough of an idealist so that when he and Vicki cross swords about who is the worse hypocrite, it actually affects him. Farrell, whose right leg has been crippled from birth and getting worse, took the easy way to success by pursuing a criminal practice, including getting Canetto off a murder rap -- but after meeting Vicki he starts to see another path to take, and also embarks on a year of surgical procedures to cure the worst of the pain in his leg. And he comes out a new man, with a new plan in life, including starting over in a practice that doesn't involve criminal law. But Angelo plans on having Farrell fight an old friend, prosecutor Jeffrey Stewart (Kent Smith), who is trying to indict Angelo's associate Cooky La Motte (Corey Allen). Farrell resists, until Angelo threatens to harm Vicki -- and when the case and the trail blow up in both sides' faces, he finds himself caught between the mob and the law, with Vicki urging him to do the right thing. ~ Bruce Eder, All Movie Guide
- Starring:
- Robert Taylor, Cyd Charisse, (more)
- 1980
The made-for-TV Portrait of an Escort stars Susan Anspach as a divorcee in financial straits, has a daughter to support. She takes a job with a professional dating service, charging fifty dollars per customer. Anspach last client of the evening turns out to be a man whose intentions are apparently homicidal. ~ Hal Erickson, All Movie Guide
