Patricia Charbonneau Movies

At first glance, it is assumed that a murdered woman was a professional escort. But a clue found in the corpse's pocket leads the detectives to a "swingers party," where the victim had been in a fight with another woman. It is then revealed that the dead woman was a doctor who had been writing fraudulent prescriptions for the illegal painkiller Oxycodone. The outcome of the case is determined by an apparent betrayal within the ranks of a mob family. ~ Hal Erickson, All Movie Guide

Jeff (William L. Petersen) and Marty (Gary Cole) are two businessmen who are sent to the Philippines for a project. The two men share a growing disenchantment with their professional lives and the responsibilities of adulthood, so they impulsively go on a drug and alcohol-fueled bender in search of the lost freedom and joie de vivre of youth. ~ Mark Deming, All Movie Guide

Jerry Orbach makes a return appearance as Boston private eye Harry McGraw. Deep in Kentucky Horse Country, Harry investigates the murder of horse owner Randolph Sterling (Kevin McCarthy), who had been embroiled in a feud with his neighbor Lamar Morgan (Gregory Walcott) concerning a stud fee and two unexpected foals sired by one of Sterling's thoroughbreds. Real-life attorney Melvin M. Belli is appropriately cast as a judge. ~ Hal Erickson, All Movie Guide

The serialized story structure and barbed social commentary from comic book creator and co-writer Frank Miller earned critical respect in this satirical science fiction sequel directed by Irvin Kershner. Peter Weller returns as RoboCop, a futuristic cyborg fashioned from cutting-edge technology and the biological remains of slain Detroit police officer, Alex Murphy. Still patrolling the city streets, RoboCop is scheduled by his creator, Omni Consumer Products, to be replaced by a new "superior" model, RoboCop 2, that according to designer Juliette Faxx (Belinda Bauer), will contain the human remains not of a cop but a criminal. In the meantime, an instantly addictive drug called Nuke is sweeping through Detroit thanks to a kingpin named Cain (Tom Noonan). Taking Cain to task, RoboCop is captured and dismantled. When he's put back together, the cyborg is reprogrammed with a series of socially conscious commands (in a sly mocking of the then relatively new concept of "political correctness") that render him impotent as a law enforcer. Taking charge by rewiring himself with an electrical overload, RoboCop arrests Cain, who is injured in the process. Faxx secretly takes Cain's brain and inserts it into RoboCop 2, turning the robot immediately into a law-breaking murder machine and leading to a violent showdown between two generations of robotic crime-fighters. ~ Karl Williams, All Movie Guide

Badlands Justice is another in a series of Desperado feature films made exclusively for television. Alex McArthur returns as cowboy Duell McCall, who wanders the wide frontier in search of the one man who will clear him of a murder charge (What price Fugitive?) Once more, McCall finds himself in a corruption-ridden mining town. Since no one knows his true identity, he is able to establish a modicum of law and order, despite the concerted efforts of greedy land baron John Rhys-Davies. It is only a matter of time, however, before McCall will be forced to move on to other adventures. Well photographed and consummately acted, Badlands Justice premiered December 17, 1989. ~ Hal Erickson, All Movie Guide

In Call Me a lonely, frustrated journalist for an alternative newspaper begins receiving intriguing erotic telephone calls, calls which trigger her own fantasies and leads her into danger. Anna (Patricia Charbonneau) is having an affair with Alex (Sam Freed), who travels frequently and has little time for her. She meets an interesting stranger named Jellybean (Stephen McHattie) in a local bar and begins to believe that he might be the source of the erotic calls. As the calls increase in frequency and become more explicitly sexual, Anna finds herself increasingly aroused and interested. Call Me, despite a sometimes contrived plot, is well-directed by Sollace Mitchell who uses her strong cast to explore the outer-limits of sexual desire and obsession. Charbonneau is excellent as Anne, and Patti D'Arbanville as her friend Con gives a refreshing, relaxed and convincing performance. Steve Buscemi, one of the finest contemporary character actors, gives one of his usual satisfying performances as the creepy Switch Blade who menaces Anne. The film's "surprise" ending will surprise only the most unsophisticated viewer, but the film, because of its great cast and excellent direction is a fresh, exciting thriller with an interesting twist. ~ Linda Rasmussen, All Movie Guide

Crime Story was a valiant attempt by Miami Vice producer Michael Mann to present a compelling police drama series in a serialized fashion. Introduced as a two-hour TV movie on September 18, 1986, the weekly, hour-long series was initially set in Chicago in 1963. Dennis Farina, a former cop in real life, starred as Lt. Mike Torello, head of the windy city's Major Crime Unit (MCU), who carried on a blood feud with young, ambitious gangster Ray Luca (Anthony John Denison). Assisting Torello in his efforts was prosecuting attorney David Abrams (Stephen Lang), a mobster's son who had "seen the light" and switched sides. Others on Torello's team included Sgt. Danny Krychek (Bill Smitrovich), and detectives Nate Grossman (Steve Ryan), Joey Indelli (Bill Campbell), and Walter Clemmons (Paul Butler), while Luca was backed up by his faithful but dangerously stupid henchman Paulie Taglia (played by John Santucci, who, in a perverse spin of the Dennis Farina situation, had been a genuine criminal before turning to acting).

Halfway through season one, Luca and Paulie moved to Las Vegas, only to be closely followed by Torello and his men, who had become federal agents. The season ended with literal bang, as Luca and Paulie took refuge in a small house in the Nevada desert that turned out to be smack-dab in the middle of a nuclear testing site. Miraculously, the two gangsters managed to survive an atomic explosion with nary a scratch, and spent the series' second and final season playing a game of hide and seek with the Torello forces. Ultimately, the "good guys" bearded their prey in Mexico. In the course of events, Torello's marriage to his wife, Julie (Darlanne Fluegel, broke up, whereupon he entered into a relationship with Inga Thorson (Patricia Charbonneau). Also, both the cops and the robbers had brief encounters with the mob's "big boys," portrayed by such diverse actors as Joseph Wiseman and Andrew Dice Clay. Although the ratings for Crime Story were mediocre, NBC had faith in the series and kept it alive for two years. Like many other Michael Mann productions, the series was rich with authentic period detail, and came equipped with wall-to-wall vintage music, including the theme tune "Runaway", re-recorded (and recreated) by its original artist, Del Shannon. But for all of NBC's promotional skills and Michael Mann's production expertise, the series never caught on (more's the pity), and last aired on May 10, 1988. ~ Hal Erickson, All Movie Guide

William Friedkin, a product of television, returned to the small screen to direct the made-for-TV feature C.A.T. Squad. The titular acronym stands for Counter Assault Tactical. The heroes and heroines are fitted out with state-of-the-art hardware and weaponry that would make the Teenage Mutant Ninja Turtles pale with envy. Captained by Joe Cortese, the squad is assigned to an anti-terrorist mission, the goal of which is to protect a top-secret laser project. Filmed in Canada and Mexico, C.A.T. Squad was plagued by a tiny budget that grew tinier with each passing day. Friedkin had hoped to include an elaborate car chase in the manner of his earlier French Connection, but the money ran out before the vehicles could gas up. First telecast August 27, 1986, C.A.T Squad was followed by a TV movie sequel, C.A.T. Squad: Python Wolf. ~ Hal Erickson, All Movie Guide