Meier Tzelniker Movies

A year after helming The Dirty Dozen, director Robert Aldrich took on this controversial drama based on the play of the same name by Frank Marcus. Beryl Reid stars as soap opera star June, an alcoholic lesbian who spends most of her time with her younger lover, Alice (Susannah York). When vindictive television executive Mercy Croft (Coral Browne) takes a liking to Alice, she arranges to have June's character, Sister George, killed off the show. Drunk and paranoid, June struggles to keep it together or risk losing Alice. Because of its exploration of a subject as taboo as homosexuality, The Killing of Sister George earned an X rating. ~ Matthew Tobey, All Movie Guide

Made by the then 23-year-old director Michael Reeves, who died after making only one more movie, the notable Witchfinder General (1968), this is an unusual horror film concerning an elderly couple who conduct experiments with mind control, hoping to experience the lost excitements of youth through their subject, a young man whom they have persuaded to become a guinea-pig in the name of science. Once the process has begun however, a conflict ensues between the couple, the woman urging their subject to commit crimes in the pursuit of even greater thrills against the wishes of her husband, which in turn results in a horrific comeuppance for both, the price exacted for meddling in things beyond the province of humanity. With the casting of veteran actor, Boris Karloff in this swinging sixties setting, this is a rare example of the merging of two styles of horror movie-making, the old school which Karloff represented almost gone by the late sixties, a new, grittier contemporary genre waiting to succeed it. ~ Mark Hockley, All Movie Guide

London's federation of diamond merchants is being plagued by a vicious gang of smugglers. Steed and Cathy pose as husband-and-wife gem dealers in hopes of flushing out the villains. Ultimately, Cathy is targetted for death by the smugglers, but here as elsewhere, she proves to be up to the challenge. First telecast in England on December 1, 1962, Death on the Rocks was written by Eric Paice. The episode made its American cable-TV bow on February 7, 1961. ~ Hal Erickson, All Movie Guide

Released in the US in 1963, the British Let's Get Married was actually filmed three years earlier. Anthony Newley plays a medical student who buckles under pressure. Hoping to get accustomed to dealing with people, he takes a job as a delivery boy. While thus employed, he meets and marries model Anne Aubrey, who's been impregnated by her previous beau. When Aubrey goes into early labor, Newley's first impulse is to panic. Will this prove to be his emotional coming of age-or his Waterloo? Based on a novel by Ken Taylor, this lightweight effort allows both Newley and Aubrey to sing a few sprightly tunes. ~ Hal Erickson, All Movie Guide

This meticulous re-creation of the sinking of the Titanic was adapted by Eric Ambler from the best-selling book by Walter Lord, and it preceded the blockbuster Titanic by almost 40 years. The film covers the life and death of the huge vessel from its launching celebration to that fateful night of April 14, 1912, when the "unsinkable" ship struck an iceberg in the North Atlantic. Of the 2224 passengers on board, 1513 were drowned as a result of the bad planning of lifeboats and escape routes. Kenneth More heads a huge and stellar cast, with 200 speaking parts, as second officer Herbert Lightoller, from whose point-of-view the story unfolds. Also in the cast are Laurence Naismith as the ill-fated Captain Smith; Michael Goodliffe as conscience-stricken ship's designer Thomas Andrews; Tucker McGuire as feisty American millionaire Molly Brown, whose courage and tenacity saved many lives; and Anthony Bushell as the captain of the Carpathia, who launched a noble but vain rescue mission once he was apprised of the disaster. Also appearing are two future TV favorites: The Avengers' Honor Blackman as a woman who believes that she has nothing to live for, and The Man From UNCLE's David McCallum as a wireless operator. The climactic sinking of the vessel is re-created with painstaking accuracy; filmed in "real time," it is a mere 37 minutes shorter than the actual tragedy. Two years before the film's release, an American TV adaptation of A Night to Remember set a precedent as the most elaborate and technically complex "live" broadcast of its time. Some viewers will find this movie a more accurate and gripping representation of this sea disaster than the romance-heavy Titanic. ~ Hal Erickson, All Movie Guide

Stars in Your Eyes is a glorified "vaudeville" picture, tied together by the thinnest of plotlines. As the top British vaudeville houses begin closing their doors, a great many entertainers are thrown out of work. At the instigation of music-hall headliners Sally Bishop (Patricia Kirkwood) and Jimmy Knowles (Nat Jackley), a group of veteran performers decide to reopen one of the old theatres, staging a gala opening revue to attract the customers. Financing this project is the wife of alcoholic ex-songwriter David Laws (Bonar Colleano). A gang of crooks tries to sabotage the show, but all ends happily -- especially for Laws, who is reunited with his loving spouse. Among the guest performers in Stars in Your Eyes is Vera Lynn, the sweetheart of WW II, whose famous rendition of "We'll Meet Again" was heard in the unforgettable finale of Stanley Kubrick's Dr. Strangelove. ~ Hal Erickson, All Movie Guide

Comparatively little known, the British A Woman for Joe is an excellent showcase for leading lady Diane Cilento (later better known as Mrs. Sean Connery). The actress is cast as Mary, a carnival performer hired by fairground impresario Joe Harrap (George Baker). Mary was employed at the behest of midget George Wilson (Jimmy Haroubi), the real brains behind Harrap's sideshow. Mary is instantly attracted to Joe, which does not rest well with the jealous, manipulative George. The plot is resolved by a sudden death during one of George's performances. What could have been an exercise in tawdriness is redeemed by the colorful camerawork of Georges Perinal. ~ Hal Erickson, All Movie Guide

While ethnic humor was pretty much avoided by Hollywood in the politically touchy 1950s, Great Britain continued to turn out comedies relying upon accents and gentle stereotypes for laughs. Make Me an Offer stars Peter Finch as a stylish antique dealer who covets a precious vase. Among the many people with whom Finch comes in contact is a Jewish antique specialist (Meier Tzelnicker) who offers the star (and the viewers) several amusing glimpses at the ins and outs of his trade. Based on a novel by Wolf Mankowitz, Make Me an Offer wasn't given much theatrical play in the US, though it showed up with some regularity on TV. In the 1960s, the film became a precious commodity in the rush by local television stations to load up on color product--even second-rate Eastmancolor. ~ Hal Erickson, All Movie Guide

Informed that he has only a short time to live, salesman Alec Guinness decides to enjoy his last months to the fullest. He withdraws all his savings from the bank and heads to a posh hotel. Here he makes more contacts and opens more professional doors than he'd ever done before, thanks to his willingness--at long last--to take risks. He also spends every penny that he's earned in life. Then he discovers that the doctor's diagnosis was in error, and that he's in no danger of imminent death. An ironic ending caps this fast-paced black comedy. Last Holiday was co-written and co-produced by J. B. Priestly, author of many other "if I had to do it all over again" pieces, notably An Inspector Calls. ~ Hal Erickson, All Movie Guide

Though a top-billed British stage star, Feliz Aylmer seldom rose above the supporting cast in films: Mr. Emmanuel is a rare exception. Aylmer plays the title role, an elderly European Jew living in Manchester, England. Honoring a promise to a young refugee, Mr. Emmanuel makes a perilous journey to Nazi Germany to search for the boy's mother. The gentle, even-tempered old man is subject to all manner of persecution by the jack-booted Gestapo thugs, but he is saved from the Concentration Camps through the intervention of Greta Gynt, a British woman who is the mistress of a high-ranking Nazi. While Mr. Emmanuel himself emerges from Germany intact, his mission ends on an unexpectedly melancholy note. ~ Hal Erickson, All Movie Guide