Norman Chappell Movies

The 13-part Danger UXB was the third presentation in the 1980-81 season of PBS' Masterpiece Theatre. Based upon the memoirs of Major A. B. "Bill" Hartley, this British production stars Anthony Andrews as engineer Brian Ash. In the early days of World War II, Brian volunteers for the Royal Engineers' UXB, or "Unexploded Bomb", division. Making his already dangerous job doubly perilous is the fact that many of the "dead" bombs that have fallen in the London vicinity have been booby-trapped by German technicians; they can go off without warning at any time, so it's not surprising that the ranks of the UXB unit diminishes on a near-daily basis. The storyline traces Ash's rise through the ranks to Lieutenant, as well as his romance with Susan Mount (Judy Geeson). Danger UXB's American TV run extended from January 4 through March 30, 1981. ~ Hal Erickson, Rovi

Val Guest, veteran director of many interesting British films covering a multitude of subjects, joined the nudie-cutie bandwagon of the 1970s with The Au Pair Girls. Anyone who's taken first-year French will probably know that the title refers to young foreign girls living in England who perform domestic chores in exchange for room and board and the opportunity to learn the English language. In this film, the girls' "services" range far beyond mere light dusting. It's the 1972 equivalent to those old stag reels of the 1950s with titles like Lucky Pierre Goes Fishing. Among the au pair girls in this R-rated effort are Gabrielle Drake, Astrid Frank, and Me Me Lai. ~ Hal Erickson, Rovi

Among the first of the late 60s anti-war films that reflected growing concern over the Vietnam War, How I Won the War takes a cold, dark look at the Good War, World War II. In adapting Patrick Ryan's 1963 novel, screenwriter Charles Wood and director Richard Lester offered a narrative fractured by characters making side comments to the camera, stylized cinematography, inserts of newsreel war footage, and plenty of absurdist humor and slapstick. Ernest Goodbody (Michael Crawford) is a bumbling British officer who manages to get most of his small company of musketeers killed while on a mission in North Africa to set up a cricket pitch behind enemy lines for officers of the advancing British army. The rest of the company dies in an ensuing campaign in Europe near the war's end, but all of the men continue to march along, appearing as monochromatic ghosts. (Original prints of the film intercut real battle footage tinted to match the color of the soon-to-be ghost soldier. Some prints of the film, including one shown on Turner Classic Movies, present the newsreel shots in black and white, undercutting the stylized touch.) The story is framed as a flashback, with Goodbody relating his version of events to a German officer (Karl Michael Vogler), while the real version of events, demonstrating Goodbody's ineptitude, plays out on screen. Among the supporting players are John Lennon, who had worked with Lester on A Hard Day's Night and Help; Roy Kinnear, a Lester regular, as a fat soldier who is certain his wife is cheating on him; Jack MacGowran as the troop's designated fool, and Michael Hordern as a general almost as oblivious to his suffering men as Goodbody. ~ Tom Wiener, Rovi

Another classic "Emma Peel" installment, this episode was first telecast in England on December 4, 1965. A series of mysterious deaths in the upper circles of International Finance have caused a great deal of panic among investors. Hoping to locate the source of all the trouble, Steed and Emma go undercover, with Steed posing as a prominent financier. Meanwhile, Emma faces death at the hands of a strange little man with an obsession for clocks. Written by Roger Marshall, "Dial a Deadly Number" was seen in the U.S. on July 24, 1966. ~ Hal Erickson, Rovi

The seventh film in the long-running "Carry On" series (24 more were to follow), this chapter features Sidney James as Charlie, owner of the Speedee Cab Company. Business has been good for Charlie, so good that it's been a source of great aggravation for his wife Peggy (Hattie Jacques), who complains that he never spends any time with her anymore. When Charlie misses taking his wife out on their anniversary because he's busy with work, Peggy decides that she's had enough, and she fights fire with fire by starting her own taxi service, Glamcabs. Unlike the other cab companies in town, Glamcabs' fleet of drivers are exclusively beautiful women in skimpy uniforms, which not surprisingly makes them the taxi of choice for men in town. Glamcabs takes a big bite out of Speedee's business, which leads to an all-out war between Charlie and Peggy. The "Carry On" gang followed this with Carry On Spying; two more "Carry On" titles hit theaters before the end of 1964. ~ Mark Deming, Rovi

Accused of murdering one of his patients, Keel turns to Steed for help. The latter suspects that the real culprit is the dead woman's business partner. Unfortunately, the killer is on the verge of striking again, using his favorite modus operandi: a radio "accidentally" tossed in a bathtub. Written by Peter Ling and Shelaigh Ward, "Dance with Death" was videotaped on April 13, 1961, and telecast two days later. ~ Hal Erickson, Rovi

A frozen body is discovered in a shipment of beef -- and it's all the handiwork of a neo-Nazi group called the Phoenix. Assigned to infiltrate the organization, Keel discovers that one of its members has perfected a method of cryogenics. Alas, his true identity is revealed, whereupon Keel is scheduled for the next "freezing session." Though videotaped on September 7, 1961, "Dead of Winter" would not be telecast until December 9, 1961; the episode was written by Eric Paice. ~ Hal Erickson, Rovi