Marthe Villalonga Movies

Iconoclastic film director Samuel Fuller spent decades nurturing his dream project, a movie about his experiences in the Army's First Infantry Division during World War II, but it wasn't until 1979 that he was able to finally bring the picture before the cameras. Unfortunately, Fuller was forced by his producers to work with a scaled-down budget, and he did not have final cut on the film; after his first rough cut ran nearly four-and-a-half hours, the studio took over editing on the project, and Fuller was vocally unhappy with the final results. In 2003, critic and film historian Richard Schickel initiated an effort to restore The Big Red One to a form that more closely resembled Fuller's original vision; using a large cache of newly discovered footage and the director's shooting script as a guide, the 113-minute theatrical version was expanded to 158 minutes, adding depth and detail to Fuller's sweeping and episodic tale of a hard-as-nails sergeant (Lee Marvin) and four inexperienced recruits under his command (Mark Hamill, Robert Carradine, Bobby Di Cicco, and Kelly Ward) as they battle their way across Africa to Europe between 1942 and 1945. Schickel's reconstruction received enthusiastic reviews when it went into limited release in the fall of 2004. ~ Mark Deming, All Movie Guide

French filmmaker Stephane Clavier directs the comedy Lovely Rita: Patron Saint of Lost Causes, based on the novel by Benjamin Legrand. The director's brother, French TV star Christian Clavier, is the comedic star. He plays accountant Edgar Lamarck, who gets unwittingly involved in criminal situations. After getting messed up in a financial scam with Thierry (Eddy Mitchell), he ends up disposing of a body with prostitute Rita (Julie Gayet). She also happens to be an art thief who has just stolen a priceless Botticelli from an art dealer (Jean-Claude Dreyfus). ~ Andrea LeVasseur, All Movie Guide

Marc (Lambert Wilson) is a 39-year-old Catholic priest of unprecedented notoriety. After writing a book on the subject of celibacy in the clergy, he has become a spokesperson for the matter, much to the celebration of the Catholic community. It is therefore very inconvenient when a teenage boy shows up on Marc's doorstep, claiming to be his son. Reluctantly, the priest agrees to care for the boy, whose mother is in jail, but he soon finds that keeping the boy and his claim a secret is harder than it sounds. Will Marc be able to keep his reputation intact, even after the mother is released and Marc thinks he might be falling in love with her? ~ Cammila Albertson, All Movie Guide

In this romantic French drama, auteur Andre Techine offers an intense, intimate look inside the complex relationship between two emotionally dysfunctional people. Neither Alice (Juliette Binoche) nor Martin (Alexis Loret) seem emotionally healthy enough to sustain a relationship, but somehow they manage to stay together amidst their many personal problems. The two met in Paris, where Martin fled after escaping the oppression of his recently deceased tyrannical father. Once in the City of Light, the depressed Martin attempts suicide and later accepts an offer to stay with his half-brother Benjamin (Mathieu Amalric) and his roommate Alice, a violinist, in their ramshackle garret. Shortly thereafter, Martin is spotted by a modeling agent and finds steady work on the city's catwalks. At first, Martin and Alice do not get along. He is brutish and incapable of expressing emotion. He pursues her, but Alice is not terribly interested, until her sexual frustration and need to be loved gets the better of her, and she succumbs to his advances. She then decides to leave Benjamin and travel with Martin to a modelling assignment in Granada, Spain. There the two are briefly happy, but as time passes, Martin's self-absorption increases. Alice's announcement that she is pregnant precipitates a crisis in which Martin reveals that he caused his father's death. Unable to bear the guilt and pain any longer, he commits himself to a mental institution and then requests he be given his day in court. Alice is convinced that Martin is innocent of the crime with which he has charged himself. When he insists on going to court, she goes there to save him from himself. ~ Sandra Brennan, All Movie Guide

French critic and filmmaker André Téchiné directs the intense family drama Ma Saison Préférée (My Favorite Season), which he co-wrote with screenwriter Pascal Bonitzer. Family matriarch Berthe (Marthe Villalonga) is advancing in years and developing health problems, so she goes to live with her daughter Emilie (Catherine Deneuve). Emilie is a cold, fiftysomething professional who lives in a large upper-class home in Toulouse. She also lives with her husband Bruno (Jean-Pierre Bouvier), her daughter Anne (Deneuve's real-life daughter Chiara Mastroianni), and her adopted son Lucien (Anthony Prada). When Christmas arrives, Emilie's troubled brother Antoine (Daniel Auteuil) arrives at the house for a visit. He and Emilie have not spoken since their father's funeral three years ago. Despite his attempts to maintain control, Antoine quickly comes into conflict with Bruno. Painful emotional realities from the past return and cause violent conclusions. My Favorite Season was shown in competition at the 1993 Cannes Film Festival. ~ Andrea LeVasseur, All Movie Guide

The lines between love, sex, and politics become hopelessly blurred in this French drama from director Andre Techine. Jeanne (Sandrine Bonnaire), born and raised in Northern France, is visiting the Mediterranean for the first time, prompted by two events: the wedding of her sister, and the disappearance of her brother. Jeanne's brother is a deaf-mute who supports himself as a pickpocket under the tutelage of Said (Abdel Kechiche), and one of his only friends is Klotz (Jean-Claude Brialy), an older married man with bisexual leanings who has a weakness for young Arab boys. Jeanne meets Klotz and finds herself attracted to his son Stephane (Simon de la Brosse), who like his father is interested in both women and men. However, Jeanne also meets Said, and she finds herself infatuated with him as well, and she's soon torn between the two in a romantic and sexual dilemma that mirrors France's political turmoil regarding the nation's growing Arab population. Jean-Claude Brialy's performance in this film earned him a Best Supporting Actor award from the French Academy of Cinema. ~ Mark Deming, All Movie Guide

A trio of inept bachelors receives an unexpected lesson in the challenges of fatherhood when a young infant turns up on their doorstep in this popular, appealing French comedy. The child was unknowingly fathered by one of the roommates, but the mother, who had relationships with each man, leaves no hint as to which one is the father. Even worse, she's flown off to America, meaning the clueless Pierre, Jacques, and Michel must work together to take care of the adorable infant. As one might expect, most of the film's comedy concerns the men's reluctant adaptation to fatherhood, as they become increasingly attached to the child and compete to become the best father. The film's good-natured if familiar humor was welcomed with strong box office, numerous award nominations, and an American remake, Three Men and a Baby. ~ Judd Blaise, All Movie Guide

Lacking the bite to be really funny, this wilted farce stars French comedian Coluche as Michel Bernardin, a white-collar trouble-shooter for tourists caught in a bind, or in bandages, depending on the problem. His business "Planet Assistance" sends people all over to help travelers in need, and as his first assignment of the moment, Michel goes off to a North African nation to get a man out of the hospital and back to Paris. After he arrives, he escapes from the hospital and the country with the wrong man and accidentally sets off a coup d'etat. Next, in New York, he is attacked by men who think he is a drug lord when he is in Harlem trying to bring a hospitalized musician home to France. Lastly, he goes to Hong Kong where he comes across his fiancée but is also an unwitting puppet of some racketeers. By this time, the comedy has sunk so low it has dipped completely out of sight. ~ Eleanor Mannikka, All Movie Guide

Set against the Allied invasion of North Africa in 1942, this overly-ambitious, comedy-drama focuses on the relationship between its two central characters, Leon Castelli (Roger Hanin) a half-Algerian, half-French bartender, talkative, but with a generous soul, and Etienne Labrouche (Philippe Noiret) the French colonial mayor of the town. Leon gets propositioned on a business deal by an American soldier and joins him in setting up an "underground" night spot in an abandoned airplane hangar that soon catches on and thrives like weeds in a garden. Etienne, in the meantime, starts an affair with the governess of his children and is caught out by his wife, who sends the woman packing. Since the ex-governess needs to support herself somehow, she accepts a waitress job working in the underground nightclub. The word gets out, and before much time has gone by, the nightclub is trashed by a hired gang. Furious at Etienne because he feels this is the mayor's way of paying him back for hiring the governess, Leon picks up a shotgun and goes to Etienne's estate seeking revenge. But fate has other ideas, and when he arrives, Leon discovers that Etienne's father has just died and left a bombshell of a revelation about his parentage that changes everything. ~ Eleanor Mannikka, All Movie Guide

Samuel Fuller's valedictory war picture, The Big Red One follows the First Infantry Division from Africa to Europe during the years 1942 through 1945. Lee Marvin portrays the division sergeant; he's tough and experienced, to be sure, but he takes on his job with cool professionalism rather than Hollywood bravado. Based on Fuller's own experiences, the film is a loosely constructed series of anecdotes. Among them are an insane asylum under bombardment while the inmates applaud and a climactic vignette in which a very young concentration camp internee dies while a friendly soldier plays piggy-back with the boy. ~ Hal Erickson, All Movie Guide