Mark Montgomery Movies

Stephen Kinsella directs this family comedy-drama about a single mom looking for a job and her son's slow slide to the streets. Rita Ronaldi (Callie Thorne) ekes out a living as a waitress until she is unceremoniously canned. Tough-minded but unskilled, she faces an uphill fight to find a job to support her and her teenaged son Matt (Rufus Read). Pudgy, bespectacled, and asthmatic, Matt is struggling himself, especially after he comes under the sway of local riff-raff Bret (Noah Fleiss), who loves sex, drugs, and leading helpless teens astray. Soon Matt worships Bret, and he descends into a life of criminality. ~ Jonathan Crow, Rovi

If you've seen the theatrical feature Dead Calm or the made-for-TV Adrift, you should have a pretty good idea of what the USA Network TV movie Voyage has in store for you. "Nothing outside but the sea...Nothing inside but the terror" promised the print ads. Eric Roberts, Connie Nielsen, Rutger Hauer and Karen Allen play four passengers on a sailboat in the middle of the Mediterranean. One of the couples owns the boat; the other couple is a pair of psychopaths. Examine the cast and take a guess as to who plays who. Voyage debuted June 2, 1993. ~ Hal Erickson, Rovi

As much an eccentric character study as a road movie, Michael Cimino's directorial debut follows the adventures of a quartet of misfits in their life of crime. Retired thief Thunderbolt (Clint Eastwood) and sweet drifter Lightfoot (Jeff Bridges) meet cute when Thunderbolt jumps into Lightfoot's stolen car to escape a gunman. The pair embarks on an oddball journey to get Thunderbolt's loot from an old robbery before his former associates, the sadistic Red (George Kennedy) and cretinous Goody (Geoffrey Lewis), get to it first, but all four are too late; the one-room schoolhouse hiding place has apparently vanished. So instead, the four play house and work legit jobs while they plot to rob the same place Thunderbolt and Red hit before. Although the plan goes awry, Thunderbolt and Lightfoot discover that they may still have succeeded-or so they think. As the easy-going mediator between the two, Eastwood's Thunderbolt was a move away from his tough cop-westerner image; his audience accepted this then-atypical performance enough to turn Thunderbolt and Lightfoot into a moderate hit. Bridges received his second Best Supporting Actor Oscar nomination, but Cimino turned down a subsequent deal with Eastwood, moving instead to his artistic peak with The Deer Hunter (1978) and career nadir with Heaven's Gate (1980). ~ Lucia Bozzola, Rovi

The first independent production of former studio mogul Jack Warner, 1776 was adapted from the hit 1969 Broadway musical by Peter Stone and Sherman Edwards. William Daniels, Ken Howard, and Howard Da Silva are among the many actors who recreate their Broadway roles. The story is set during the first Continental Congress, when the Declaration of Independence was drafted by such founding fathers as John Adams (Daniels) and Benjamin Franklin (Da Silva). The script attempts to "humanize" these remote historical figures by contemporizing them -- particularly the character of Ben Franklin. Blythe Danner's character of Martha Jefferson is expanded for the film version to allow for an elaborate outdoor production number. After 1776, Warner made only one more film, the 1972 "grunge Western" Dirty Little Billy. On an added note: the picture was originally rated G with its theatrical running time of 141 minutes. It was later expanded to 166 minutes; the added scenes caused the MPAA to re-rate it PG (for language) in 1992. Both versions are available on video. ~ Hal Erickson, Rovi