Sean Chapman Movies

Angelina Jolie stars as Mariane Pearl, wife of slain journalist Daniel Pearl, in director Michael Winterbottom's adaptation of Mariane's memoir recounting the abduction and murder of her husband (played in the film by Dan Futterman) by Pakistani militants. It was on January 23, 2002, that Mariane Pearl's life took a grim and unanticipated turn that no one could have seen coming. The South Asia Bureau Chief for the Wall Street Journal, Daniel Pearl, was in Pakistan with his pregnant wife, Mariane, when he set out to conduct one last interview for an upcoming article; the pair were due to fly back home to the U.S. shortly thereafter. By all accounts, it was the same type of interview he had conducted a hundred times before, and though the only concern that Daniel had voiced beforehand was that he might be a bit late for dinner, it would soon become obvious that something had gone horribly awry. Later, in an attempt to rise above the seething vengeance and cycle of violence that the post-9/11 world has fallen into and familiarize her newborn son with the father he will never know, Mariane penned A Mighty Heart: The Brave Life and Death of My Husband Danny Pearl. The remarkable true story behind the murder that shook the entire world, Mariane's deeply personal novel is adapted for the screen by the BAFTA award-winning director of The Road to Guantanamo. ~ Jason Buchanan, All Movie Guide

A portrait of a cold-blooded young gangster living and loathing in 1960s London, this drama features Malcolm McDowell in a major role in his first British picture in years. McDowell opens the film as the present day Gangster 55, who learns that an old associate, gangster Freddie Mays (David Thewlis), has just been released from prison after serving a 30-year sentence. The story then flashes back to 1968, when the young Gangster 55 (Paul Bettany) makes Mays' acquaintance and subsequently wins his trust by dealing with his enemies from a rival gang. The relationship between the two men is threatened when Mays falls for Karen (Saffron Burrows), a no-nonsense dancer. When 55 learns that Lennie (Jamie Foreman), a rival gang leader, plans to ambush Mays and Karen one night, he pits the two gangs against one another so that he can emerge as Gangster No. 1. The film was directed by Paul McGuigan, who previously examined the crusty underbelly of British society with his screen adaptation of Irvine Welsh's The Acid House (1998). ~ Rebecca Flint Marx, All Movie Guide

Michael Bray directed this British romantic comedy in which arrogant banker Rupert (Sean Chapman) doesn't know that his girlfriend Alison (Maryam D'Abo) is pregnant. Rupert promises to return on the same day from a Barcelona business trip, but the plane is re-routed to Madrid, where he's forced to share a room with a working-class chap, Charles (Ray Winstone). It's a tense twosome since he chose to chew out Charles on the plane. Shown at the 1998 Sundance Film Festival and the 1998 Cannes Film Festival. ~ Bhob Stewart, All Movie Guide

Edina (Jennifer Saunders) moves into a commune but chafes at the paternalistic attitudes of the charlatans who run it; she spends her time impatiently waiting for her turn with "the talking stick," dejected over her separation from best friend Patsy (Joanna Lumley). Pats, meanwhile, finds that her well-worn fashion-world aphorisms don't fly in straight-talking New York. Professional ally Magda (Kathy Burke) sympathizes but offers no help, leaving Pats to the tender mercies of fashion barracudas Candy (Ruby Wax), Gina (Suzanne Bertish), and Sante (Sean Chapman). After chance encounters with a trio of transvestites and with Bo (Mo Gaffney) -- the sometime girlfriend of Eddy's ex-husband, Marshall -- Pats wanders up to the rooftop of the magazine to smoke and think. Suddenly a helicopter flies by, a familiar face waving from the passenger seat, and soon the world doesn't seem so terrible anymore. After the closing credits, a 25-years-later epilogue then provides a glimpse into the future exploits of Pats, Eddy, Gran, and Saffy. Originally broadcast on BBC1 on May 11, 1995, Absolutely Fabulous: The End marked series three, episode six of this popular Brit-com. The next installment would be the 1996 two-part TV movie Absolutely Fabulous: The Last Shout; regular episodes would not appear again until series four in 2001. ~ Brian J. Dillard, All Movie Guide

Horror fantasist Clive Barker, director of the original Hellraiser, maintained creative control over this worthy sequel as executive producer, but was unable to occupy the director's chair due to his involvement on other projects. His creative touch is still quite evident here, as the original film's story is expanded in scope and intensity. The story picks up immediately after the events of the original, with the mentally unbalanced Kirsty (Ashley Laurence) confined to a mental hospital after her experiences in the hellish domain of the grotesque Cenobites, which included the gruesome death of her father. Her case attracts the attention of hospital director Dr. Channard (Kenneth Cranham), whose marked interest in her story has more than a little to do with his research into the occult. The chief focus of this extracurricular activity seems centered on his impressive collection of puzzle boxes, many of which are versions of the Lament Configuration -- the device which opens the gateway to the Cenobites' dimension. To further realize his diabolical obsession, Channard conducts grisly human sacrifices to resurrect the body of Kirsty's evil stepmother, Julia (Clare Higgins) -- who has literally been through hell and back. He also recruits mute autistic patient Tiffany (Imogen Boorman), an expert at solving puzzles, to decipher the correct version of the box.

Haunted by visions of her mutilated father suffering in hell, Kirsty joins Tiffany in hopes of rescuing him from the Cenobites' dimension. Tiffany gains them access to the portal, and they make the nightmarish journey down the corridors of hell. Narrowly escaping the diabolical Pinhead (Doug Bradley), they come face to face with Julia, who has already handed Dr. Channard over to the Cenobites to be transformed into a hideous new creation. First-time director Tony Randel acquits himself nicely, and seems to have a real flair for the surreal material; the script by longtime Barker collaborator Peter Atkins elaborates on elements only hinted at in its predecessor. It should follow that the slightly larger budget would allow ample room for this expansion, but the production values actually appear somewhat slimmer. What the film lacks in refined style it makes up for in utter dementia, particularly in its depiction of graphic bloodletting -- numerous scenes were trimmed or deleted altogether in order to obtain an R rating from the MPAA. ~ Cavett Binion, All Movie Guide

The feature-film debut of multi-talented filmmaker Clive Barker, this grim and surreal project is based on the writer/director's own novella The Hell-Bound Heart. The film opens with a chilling prologue in which globe-trotting pervert Frank (Sean Chapman) -- a connoisseur of sexual depravity seeking the ultimate sensual experience -- purchases a small, intricate puzzle box from an unseen dealer in an unspecified country. Upon solving the puzzle, Frank opens the door to a hellish alternate universe and is promptly torn to ribbons by a network of hooks and chains; his strewn body parts are subsequently collected by the Cenobites -- grotesque, S & M-clad denizens of hell.

The story continues several years later, when Frank's brother, Larry (Andrew Robinson), moves into Frank's abandoned house with his daughter, Kirsty (Ashley Laurence), and his new wife, Julia (Clare Higgins). An accident causes some of Larry's blood to spill on the attic floor, which somehow triggers Frank's hideous resurrection. His body only half-composed, Frank seeks the tacit assistance of Julia -- with whom he had once had a torrid sexual liaison -- in restoring him to human form. Still secretly in love with Frank, Julia assists him by seducing men from the town and bringing them back to the house so her undead lover can drain their bodies of blood. Her increasingly furtive behavior arouses the suspicions of Kirsty, who had already moved to an apartment to get away from her despised stepmother. After following Julia and her next potential victim home, Kirsty comes face to face with the still-incomplete Frank, narrowly escaping with her life...and with the puzzle box.

After losing consciousness, Kirsty awakens in the hospital, where she manages to solve the box's intricate mechanism and summon a trio of Cenobites -- including their apparent leader (played by Doug Bradley and dubbed "Pinhead" on subsequent sequels) -- who are prepared to claim her. In desperation, Kirsty offers them a bargain in which they agree to spare her soul if she leads them to Frank. Kirsty soon returns home to find Julia with her father...whose behavior has become disturbingly unnatural. Realizing that her father has become Frank's latest victim -- and that her uncle is now walking around in his brother's skin -- Kirsty hands Frank over to the Cenobites, who have particularly evil plans for their old friend. ~ Cavett Binion, All Movie Guide

This is a standard sci-fi horror-thriller that mixes romance together with lumpy underground mutants and a pivotal mad scientist doing dirty deals with a gangland boss. The boss's former fair maiden ("maiden" only in the vaguest of definitions), happens to have been kidnapped from a brothel and is held hostage by the underground lumpies. It seems the unbalanced Dr. Savary (the late Denholm Elliott) has concocted a potion that will make dreams come true -- and leave ugly physical distortions in the process. When a former hitman is hired to save the kidnappee before the boss goon blasts away the mutant-dreamers, the end results are not what the drug lord expects. ~ Eleanor Mannikka, All Movie Guide

Director Alan Clarke's influential television drama Made in Britain marked the screen debut of actor Tim Roth. Roth plays Trevor, a skinhead with a swastika tattoo on his forehead who lashes out verbally and sometimes physically at everything that surrounds him. Cinematographer Chris Menges (who would go on to win Oscars for his work on The Killing Fields and The Mission), gets his camera right in Roth's snarling face, as the film tracks Trevor's progress through the British justice system. In the courtroom, charged with attacking a Pakistani man and vandalizing his store, Trevor displays absolutely no remorse as he matter-of-factly admits that he knew the man would have to be hospitalized for his injuries. Trevor's social worker, Harry (Eric Richard), recognizes Trevor's intelligence, but he's running out of ways to convince Trevor to straighten out his life. Harry takes him to a juvenile detention center for "assessment," after which he'll be sentenced. Trevor immediately dismisses Peter (Bill Stewart), the put-upon supervisor of the center, as a "wanker." He meets his black roommate, Errol (Terry Richards), whom he quickly convinces to come out with him on a car-stealing, glue-sniffing, job-center-vandalizing day trip. Brazenly returning to the detention center in a stolen car, Trevor eventually provokes Peter into locking him in a classroom, so a police superintendent (Geoffrey Hutchings) can harangue him about the hopeless path his life is taking. Trevor refuses to accept the center's (and society's) standards for "good behavior," raging that they all just want everyone to follow the rules and keep their mouths shut. The script was written by David Leland (Wish You Were Here) and the songs on the soundtrack are by the anarchist hardcore band the Exploited. ~ Josh Ralske, All Movie Guide

Originally released in 1977 as Passion Flower Hotel, the German Boarding School offers viewers Nastassja Kinski in one of her earliest starring roles. She plays a student in a 1950s Swiss boarding school. Along with the rest of her classmates, the girl has a burning desire to touch base with the handsome scholars at a neighboring boys' school. In order to attract the guys' attention, she devises a series of hoaxes and subterfuges to convince them that she and her friends are high-priced hookers! Interestingly enough, Kinski plays an American girl; evidently no European would ever come up with so base a scheme. ~ Hal Erickson, All Movie Guide