Edward Chapman

Basil Dearden's final film is a psychological thriller, adapted from an episode of the Alfred Hitchcock Presents television series. Roger Moore stars as wealthy business executive Harold Pelham, who becomes involved in a terrible car accident. While recovering from his injuries, his alter ego is unleashed and begins to live Pelham's life where he left off. When Pelham returns to his home and his job, he discovers his alter ego has not only undermined his business, but began an affair with a minor acquaintance and revitalized his previously unexciting sex life with his wife. This was Moore's final film before he took over the role of James Bond with Live and Let Die. ~ Paul Brenner, All Movie Guide

In this lively British satire, a plucky milkman who works for an independent family-run dairy fights to keep a large trust from overtaking his business. ~ Sandra Brennan, All Movie Guide

Diminutive pratfall comic Norman Wisdom, Britain's latter-day version of Charlie Chaplin, brought his trademark physical slapstick to this comedy. Wisdom plays Norman Pitkin, a simple butcher's assistant who accompanies his boss, Mr. Grimsdale (Edward Chapman) to the hospital after Grimsdale accidentally swallows a watch. There, it is determined that the watch will have to be removed surgically, but the clumsy Norman causes such a ruckus that he is ejected from the facility and banned from returning by the administrator, Sir Hector (Jerry Desmonde). Before he leaves, however, Norman manages to bring a smile to the face of Lindy (Lucy Appleby), a sad little girl who has been orphaned by a plane crash. Norman promised Lindy he would return, and his efforts to get back through the hospital doors by any means available (including making himself sick, getting hit by a car, and appearing on a charity television broadcast he knows the girl is watching) meet with an equal lack of success. ~ Karl Williams, All Movie Guide

The weak story in The Bulldog Breed is an excuse to tie together a long series of funny episodes, slapstick incidents, and absurd situations. What does bring everything into a certain unity is the comic character type created by Norman Wisdom, an inept, likeable loser whose efforts to succeed against all odds somehow bumble through to final triumph. Playing Norman Puckle in this romp, he is heartbroken after being scorned by an unattainable blond and fails at a suicide attempt, only to end up in the Navy. Bungling most of his work there, he is surprised to discover that he has been chosen by the admiral to be the first man the Navy sends into space. This time, Norman's losing streak is up against a formidable phalanx of expertise -- what could possibly go wrong? ~ Eleanor Mannikka, All Movie Guide

After spending most of the 1950s in Europe, writer/director Robert Siodmak filmed his only picture in England: The Rough and the Smooth (US title: Portrait of a Sinner). Based on a novel by Robin Maugham, the story concerns a young archaeologist (Tony Britton), engaged to marry the daughter (Natasha Parry) of a wealthy publisher (Donald Wolfit). At the last moment, the archaeologist leaves his bride-to-be for a nymphomaniac (Nadja Tiller) with a masochistic streak. He must wrest her away from an abusive relationship with a no-good lout (William Bendix). Even Robert Siodmak was embarrassed by the lunatic excesses of Rough and the Smooth, dismissing the film with "I've seen worse, but not much worse." ~ Hal Erickson, All Movie Guide

In this British comedy, set during WWII, a street laborer likes to harass the British soldiers and ends up drafted into becoming part of the British army labor regiment. Unfortunately, a mix-up occurs and he ends up being parachuted behind Nazi lines where he is mistaken for a Nazi officer. ~ Iotis Erlewine, All Movie Guide

Norman Wisdom, Britain's much-funnier answer to Jerry Lewis, stars in Just My Luck. Wisdom plays a humble jewelry-store clerk who begins playing the horses, the better to raise enough money to buy a fancy gift for girlfriend Anne (Jill Dixon). Much to his surprise, Wisdom wins a fortune at the track: collecting the money, however, may not be as simple as he thinks. The funniest scene finds our hapless hero being trundled off to the hospital for a wholly unecessary operation; also good for laughs is a movie-house routine dominated by Carry On regular Joan Sims. Curiously, Just My Luck was bypassed by American distributors in favor of lesser Norman Wisdom vehicles. ~ Hal Erickson, All Movie Guide

Ava Gardner was never more alluring than as the half-caste heroine of Bhowani Junction. Set during India's battle for independence from Britain, the film begins with Gardner returning to her native land after spending several years in England. Her true loyalties, and her own sense of who she really is, are put to the test by the two men in her life: Stewart Granger, whose job it is to prevent saboteurs from destroying the trains at Bhowani Junction, and Bill Travers, another half-caste. When she kills a potential rapist in self-defense, Gardner is given comfort by Communist insurrectionist Peter Illing, further dividing her fidelities. A climactic attempt on the life of Mahatma Gandhi provides a rousing finish to this romantic melodrama. Bhowani Junction was adapted from the novel by John Masters. ~ Hal Erickson, All Movie Guide

X the Unknown is a well-crafted imitation of the Quatermass British sci-fi pictures of the 1950s. A group of soldiers on maneuvers in Scotland stumble across a gravel pit which emanates an unusual amount of radiation. Several deaths occur before the radioactive material is mysteriously stolen. Researcher Dr. Adam Royston (Dean Jagger) speculates that the thief is some sort of inhuman monstrosity dwelling at the Earth's core. He points out that past radioactive disturbances have been occurring at 50-year intervals, each followed by sudden deaths and the disappearance of the material. Royston suggests that the unknown monster has been resuscitated by humankind's recent atomic experiments. Sure enough, the monster manifests itself as a huge slab of glowing radioactive mud (laugh now if you must -- you won't laugh when you see it). X the Unknown works well within its limited budget; unfortunately, many TV prints have been truncated, robbing some of the best horrific moments of their full impact. ~ Hal Erickson, All Movie Guide

In this comedy, an American learns that he is an English earl. He travels to Great Britain to run his estate. Mayhem ensues when he falls in love with a girl there. His girl friend back home is not amused until she finds a new love of her own. ~ Sandra Brennan, All Movie Guide

78-year-old British leading actor Finlay Currie appears in this unexpected latter-day vehicle. He plays a retired factory worker, living with his son and daughter-in-law. They treat the old man like an intrusion, leading Currie to consider himself spent and useless. His family contemplates sending him to a home for the ageing, but a last-minute turn of events brings everyone to their senses and sensibilities. While the finale of End of the Road seems unrealistic, the rest of the film is an unsettling study of how society shrugs off and casts away its elderly citizens. ~ Hal Erickson, All Movie Guide

This low-key Launder-Gilliat production was inspired by a play by James Bridie. Alastair Sim carries the ball as Captain Paris, an army chaplain who endeavors to organize a camp show for the troops. Practically everyone with whom the Captain comes in contact is an "expert" on the sort of entertainment that the soldiers will like. Ultimately, things degenerate into a battle of egos between an effete artist and his professorial wife. The film's best scenes are those in which Captain Paris tries out his own offbeat notions of entertaining the boys in khaki. Incidentally, the title of the original Bridie play was It Depends What You Mean. ~ Hal Erickson, All Movie Guide

The Promoter was based on the Arnold Bennett novel The Card, which served as its British release title. Impoverished young clerk Alec Guinness works his way up the financial ladder until he has become a successful and highly respected loan officer. Actually, Guinness is not as above-board as the world perceives him. Beginning with cheating on a high school exam, he has wheeled and dealed his way to the top, and ethics be damned. Balancing Guinness' cold-blooded business savvy is his comparative ineptitude with women, particularly the bewitching Glynis Johns. Only Alec Guinness could succeed at making his "Sammy Glick" character appealing from first scene to last. The Promoter was scripted by Eric Ambler, who managed to unearth moments of sly cynicism that original author Bennett had barely touched upon. ~ Hal Erickson, All Movie Guide