Malcolm Tierney Movies

Based on the (somewhat darker) novel by Gregory Maguire, the made-for-TV movie Confessions of an Ugly Stepsister offers a refreshing revisionist spin on the old Cinderella legend. Having squandered her late husband's fortune, 17th century widow Margarethe (Stockard Channing) moves from London to her native Holland, in hopes of snagging wealthy tulip merchant Van Den Meer (David Westhead) as Hubby Number Two. Going along for the ride are Margarethe's two daughters, Iris (Azura Skye) and Ruth (Emma Poole), whom their mother regards as hopelessly homely and awkward -- especially when compared to Van Den Meer's gorgeous, aloof, and chronically agoraphobic daughter Clara (Claire Harrison). Though unattractive by her mother's idiotically exacting standards, Iris glows with beauty from within, especially when her artistic soul is unleashed by a wise old mentor known as the Master (Jonathan Pryce) (who, without giving too much of the game away, bears a remarkable resemblance to the great Rembrandt). When Margarethe selfishly attempts to marry off Iris to a handsome Prince, ignoring the girl's growing fondness for the Master's humble apprentice Casper (Matthew Goode), Iris formulates a plan to draw Clara out of her shell and prepare her unofficial stepsister for a royal marriage. Deftly challenging still-prevalent notions of "ugly," "beautiful," "good," and "evil," Confessions of an Ugly Sister was a Canadian-Luxembourg coproduction, filmed in 2001 and first telecast as part of ABC's Wonderful World of Disney anthology on March 10, 2002. ~ Hal Erickson, Rovi

Mel Gibson, long-time heartthrob of the silver screen, came into his own as a director with Braveheart, an account of the life and times of medieval Scottish patriot William Wallace and, to a lesser degree, Robert the Bruce's struggle to unify his nation against its English oppressors. The story begins with young Wallace, whose father and brother have been killed fighting the English, being taken into the custody of his uncle, a nationalist and pre-Renaissance renaissance man. He returns twenty years later, a man educated both in the classics and in the art of war. There he finds his childhood sweetheart Murron (Catherine McCormack), and the two quickly fall in love. There are murmurs of revolt against the English throughout the village, but Wallace remains aloof, wishing simply to tend to his crops and live in peace. However, when his love is killed by English soldiers the day after their secret marriage (held secretly so as to prevent the local English lord from exercising the repulsive right of prima noctae, the privilege of sleeping with the bride on the first night of the marriage), he springs into action and single-handedly slays an entire platoon of foot soldiers. The other villagers join him in destroying the English garrison, and thus begins the revolt against the English in what will eventually become full-fledged war. Wallace eventually leads his fellow Scots in a series of bloody battles that prove a serious threat to English domination and, along the way, has a hushed affair with the Princess of Wales (the breathtaking Sophie Marceau) before his imminent demise. For his efforts, Gibson won the honor of Best Director from the Academy; the movie also took home statuettes for Best Picture, Cinematography, Makeup, and Sound Effects. ~ Jeremy Beday, Rovi

The My Left Foot team of star Daniel Day-Lewis and director Jim Sheridan were reunited to make this political docudrama about Irish citizen Gerry Conlon (Day-Lewis), who was wrongly convicted of taking part in an IRA bombing that killed five in Guildford, England in 1974. After a brutal interrogation forces him to sign a false confession, Gerry is sentenced to prison, his family is raked over the coals, and later his father Giuseppe (Pete Postelthwaite) is charged with being an accomplice and is also sent to prison where he lives out the last days of his life. Day-Lewis gives an outstanding performance as a man tormented by the injustice served him. Watch for Emma Thompson as the persevering lawyer who works for years, gathering evidence to clear Gerry's name. ~ Jason Ankeny, Rovi

In the 12th episode of the season-long continuity "The Trial of a Time Lord," the Valeyard (Michael Jayston), bent upon condemning the Doctor (Colin Baker) for violating the Laws of Time, argues that the Doctor's videotaped evidence does not correspond with the facts. But the Doctor argues that, contrary to those "facts," he and his companion, Mel (Bonnie Langford), were indeed responsible for rescuing the passengers of the spaceliner Hyperion III from being devoured by a series of ravenous plants -- and that the Hyperion III did not meet its doom in the Black Hole of Tartarus. Written by Pip and Jane Baker and first broadcast on November 22, 1986, Doctor Who: The Trial of a Time Lord, Episode 12 was actually the concluding installment of the four-part story arc "Terror of the Vervoids." ~ Hal Erickson, Rovi

The season-long Doctor Who adventure "The Trial of a Time Lord" continued on November 1, 1986 with episode one of the story's third chapter, "Terror of the Vervoids" (a subtitle that did not appear onscreen). Still defending himself against charges of breaking the Laws of Time, the Doctor (Colin Baker) presents videotaped evidence of his innocence. It should not surprise fans of the series that the evidence consists of events that have yet to transpire, and that the Doctor has suddenly acquired a new companion: Earth girl Melanie "Mel" Bush (Bonnie Langford). Doctor Who: The Trial of a Time Lord, Episode 9 was written by Pip and Jane Baker. ~ Hal Erickson, Rovi

In The Medusa Touch Brunel (Lino Ventura), a French detective on temporary assignment with Scotland Yard, investigates a mysterious series of disasters. The uncanny events begin happening shortly after writer John Morlar (Richard Burton) was hit over the head by an unknown intruder and rendered comatose. Slowly, Brunel begins to connect the strange things that are happening in the world with the deranged dreams of the comatose Morlar. He gets the final clue he needs from Morlar's reluctant psychiatrist, Dr. Zonfield (Lee Remick), who holds the key to Morlar's past. Once it is discovered that Morlar has the ability to think horrible thoughts and make them come true, Brunel and Zonfield must take off with dispatch to a London cathedral, where the Queen is scheduled to make an appearance -- but Morlar is thinking about the cathedral, and it is crumbling fast. Well-liked in Britain, this movie did not do well in the U.S. ~ Clarke Fountain, Rovi

In this sad British drama, a family of 14 children is suddenly orphaned and must now consider how to keep themselves from being separated by the authorities. They launch a brave campaign in the face of nosy social workers who want to place them in assorted reform schools and foster homes. Eventually the eldest brother and sister realize that they must split up for the benefit of the younger children. ~ Sandra Brennan, Rovi

In the hip and swingin' London of the '60s, a young window washer, Ginger (Victor Henry) divides his time between picking up the cleaning rag and picking up women in the hip London pubs. One girl he meets is the pretty and demure Jill (Susan George), who his best friend Dwyer (Jack Shephard) takes a shine to. When Ginger agrees to becomes a caretaker at an old man's mansion and a wild party results, he asks Dwyer to look after Jill. Dwyer takes that invitation as a chance to seduce Jill. Later, when Ginger is informed by Jill that she is pregnant, he takes it upon himself to marry her. No sooner are they married than Jill's intimidating mother arrives to announce that she will be taking up quarters with the newlyweds. Now Ginger has to decide whether he should trade in his swingin' ways for a staid domestic life. ~ Paul Brenner, Rovi