Geraldine Chaplin Movies

In this Spanish film, Daniel (Tony Isbert) is a member of The Organization. It is never quite clear whether The Organization is part of the government, a secret society, or something else. Whatever it is, it is powerful, and does not take disobedience lightly. He is sent on an assignment to Bilbao to determine what has become of a lad his age, a former member. He takes over the boy's room in an odd rooming house. When he is given the photo of the boy's girlfriend (Geraldine Chaplin), he is so taken with it that he puts off his quest. The Organization requires him to continue, however, so he tracks her down to a remote fishing village. The two fall in love and attempt to escape. ~ Clarke Fountain, All Movie Guide

This Spanish drama verges on parody as it explores the convoluted, repressed personalities of a family dominated by a powerful mother. The mother's frustrations have warped the men. The three men's foibles are revealed during the visit of a young English woman. Director Saura has used intensified, heightened symbolism to tell this story in the somewhat surreal manner of his better-known film Garden of Delights. ~ Clarke Fountain, All Movie Guide

The Hawaiians is the sequel to 1969's Hawaii; both films were adapted from the same sprawling novel by James A. Michener. Charlton Heston is top-billed as a sailor who returns to his Hawaiian homestead, only to learn that his grandfather's fortune has been bestowed upon his hated cousin Alec McCowan. As a reprisal, Heston sets up his own pineapple plantation in competition with his cousin. Heston's son John Phillip Law falls in love with the daughter (Virginia Ann Lee) of a Chinese farmer (Mako). The issue of miscegenation rears its ugly head, but by the end of this very long film Heston's family is united by marriage to the Chinese clan. The British title of The Hawaiians was Master of the Islands. ~ Hal Erickson, All Movie Guide

Cop-Out is a distressingly "mod" remake of the 1941 French film Strangers in the House. Taking over the role originally played by Raimu, James Mason stars as a retired, scotch-swilling attorney residing in France. Mason disapproves of his daughter's (Geraldine Chaplin) new boy friend (Bobby Darin), but rises to the young man's defense in court when the boy is arrested on a suspicious murder charge. The casting of Chaplin and Darin was meant to "reach" the youth market, but both are way too old for their characters. Cop-Out would have worked better (especially with audiences of the 1990s) without its trendy camerawork and wearisome generation-gap propaganda. ~ Hal Erickson, All Movie Guide

Charles Chaplin wrote, directed, and scored this old-fashioned romantic comedy, which proved to be his last film. Wealthy American diplomat Ogden Mears (Marlon Brando) is sailing from Hong Kong to Hawaii, where he hopes to meet and reconcile with his estranged wife Martha (Tippi Hedren). However, while the ship takes on passengers in Hong Kong, a stowaway slips into Mears' suite. Natascha (Sophia Loren) is a White Russian countess who was forced to flee the country following the revolution and ended up in Hong Kong, where she earns a meager living as a dime-a-dance girl in a sleazy ballroom. When Mears discovers that Natascha is an uninvited guest in his quarters, she begs him to help her emigrate to the United States; when he refuses, Natascha tries a new tack, threatening to tell Martha that they've been sharing a stateroom if he doesn't cooperate. Mears grudgingly allows Natascha to stay with him and keep her secret until he can figure out a clever way to get rid of her. Margaret Rutherford has a showy supporting role as an eccentric passenger, and Chaplin gives himself a silent cameo as a bumbling porter (no fewer than four of his children also appear). ~ Mark Deming, All Movie Guide

This uneven docudrama concerns the monk Rasputin (Gert Frobe) and his friendship with Felix Youssopov (Peter McEnery). Rasputin's healing powers endeared him to the family of Czar Nicholas II with his ability to care for the Czar's hemophiliac son and heir to the throne, Alexei. Rasputin's friendship with Felix ultimately led to the much-publicized demise of the mad monk. The film deals with the events that led to Rasputin's death as supposedly recalled by his killer. ~ Dan Pavlides, All Movie Guide

Based on the Nobel Prize-winning novel by Boris Pasternak, Doctor Zhivago covers the years prior to, during, and after the Russian Revolution, as seen through the eyes of poet/physician Yuri Zhivago (Omar Sharif). In the tradition of Russian novels, a multitude of characters and subplots intertwine within the film's 197 minutes (plus intermission). Zhivago is married to Tonya (Geraldine Chaplin), but carries on an affair with Lara (Julie Christie), who has been raped by ruthless politician Komarovsky (Rod Steiger). Meanwhile, Zhivago's half-brother Yevgraf (Alec Guinness) and the mysterious, revenge-seeking Strelnikoff (Tom Courteney) represent the "good" and "bad" elements of the Bolshevik revolution. Composer Maurice Jarre received one of Doctor Zhivago's five Oscars, with the others going to screenwriter Robert Bolt, cinematographer Freddie Young, art directors John Box and Terry Marsh, set decorator Dario Simoni, and costumer Phyllis Dalton. The best picture Oscar, however, went to The Sound of Music. ~ Hal Erickson, All Movie Guide

London, 1914. Calvero (Charles Chaplin), a once-great music hall comedian, weaves drunkenly home to his shabby flat. As he arrives home, he is suddenly sobered by a bad smell. It isn't his shoes, as he originally assumes, but the smell of gas, emanating from behind a locked door. Calvero smashes his way in, finding the unconscious Terry (Claire Bloom). Carrying the girl to his attic apartment, Calvero revives Terry, then asks why she is so determined to kill herself. The girl explains that she has always dreamed of becoming a great dancer, but her legs are paralyzed. Calvero vows to raise enough money to help the girl. He goes back on stage, where his old-fashioned act is greeted with a riot of silence. Now it is Terry's turn to encourage Calvero to go on living-and in so doing, she regains the use of her legs. Hired by the Empire theatre corps de ballet, Terry arranges for the management to hire Calvero as a supernumerary. Impresario Postant (Nigel Bruce), not recognizing the famous Calvero in clown makeup, fires him. Only after Terry pleads with Postant to give Calvero another chance does the producer relent, securing a comeback appearance for the ageing comedian and his old partner (Buster Keaton). Calvero's antics bring down the house, just like the old days, but the effort is too much for the old fellow, and he collapses backstage. As Calvero dies, he proudly watches his protegee Terry carry on the "show must go on tradition" by dancing for the crowd. Thanks to the political climate of the time, Limelight was denied a wide distribution; in fact, it didn't play Los Angeles until 1972, twenty years after its completion. At that time, Chaplin's theme music, which had gained popularity on the "hit parade," was honored with an Academy Award. While the film has moments of unmatched hilarity (especially during the fabled Chaplin-Keaton teaming towards the end), the elegiac tone of Limelight was best summed up by critic Andrew Sarris: "To imagine one's own death, one must imagine the death of the world, that world which has always dangled so helplessly from the tips of Chaplin's eloquent fingers." ~ Hal Erickson, All Movie Guide