Geraldine Chaplin Movies

Internationally known actress Geraldine Chaplin offers a moving portrayal of one of the 20th century's greatest humanitarians. This made-for-television miniseries honors the life and sacrifices made by the feisty Yugoslavian nun who spent most of her life tending the poor and the sick of India. ~ Sandra Brennan, All Movie Guide

Set in a future in which the media has become nearly omnipotent, this violent and gory crime thriller blurs the thin line between life and art while commenting upon the insanity of those who would do anything for fame. The trouble begins when unemployed actor Bobby is hired to play a serial killer on a crime reenactment television series. Wanting to fully understand the killer's motivations, Bobby begins researching the crimes and even gets helpful police officers to furnish the grisly details of recent murders. By the show's taping, Bobby has become an expert. Soon afterward, Bobby becomes a star, something that delights the real culprit and inspires him to go on to even more lurid, headline-grabbing crimes. ~ Sandra Brennan, All Movie Guide

It's been said that while most people love their families, they don't always like them very much, and that emotional dividing line is the heart of this comedy directed by Jodie Foster. Claudia Larson (Holly Hunter) usually approaches family reunions with a certain trepidation, but as she prepares to fly from her home in Chicago to her parent's place in Baltimore for Thanksgiving, she is more apprehensive than usual. Claudia has just lost her job, she's not feeling at all well, and her teenage daughter, Kitt (Claire Danes), who is staying behind, informs Claudia on the way to the airport that she plans to use the weekend to lose her virginity with her boyfriend. The family festivities are already under way when Claudia arrives at the home of her mother, Adele (Anne Bancroft), and father, Henry (Charles Durning). Claudia's brother, Tommy (Robert Downey Jr.), whose homosexuality is tolerated without being discussed on a practical basis, has brought along his new friend Leo Fish (Dylan McDermott). Tommy doesn't get along well with his fussbudget sister, Joanne (Cynthia Stevenson), who wears her self-sacrifice like a badge of honor, and he simply hates her husband, Walter (Steve Guttenberg), who has often been the target of Tommy's barbed sense of humor. While the siblings and in-laws struggle to remain civil, their quite eccentric aunt Gladys (Geraldine Chaplin) arrives; she insists on discussing her digestive problems, and after a few drinks, she confesses her long-ago lust for Henry. Home for the Holidays was Jodie Foster's second film as a director, and the first in which she didn't also star. ~ Mark Deming, All Movie Guide

The ghosts of Jonathan Swift and friends pay a visit to two Dublin spiritualists in this Irish drama, adapted from Yeat's one-act play. In 1928, Miss McKenna, an aging spinster and the head of the Dublin Spiritual Society invites a visiting medium, Mrs. Henderson over to try to contact Jonathan Swift. He comes with his two women in tow. ~ Sandra Brennan, All Movie Guide

In Martin Scorsese's adaptation of Edith Wharton's 1920 novel, romance between an upper-class gentleman and an ostracized lady is doomed by 19th century New York society. Shortly after his engagement to blandly genteel May Welland (Winona Ryder), Newland Archer (Daniel Day-Lewis) is reacquainted with May's scandalous cousin Ellen Olenska (Michelle Pfeiffer). As the head of an esteemed family, Archer initially uses his standing to try to rehabilitate Ellen's reputation, but he finds himself increasingly drawn to her disregard for the codes of New York manners. Bound by ingrained society mores and his peers' insinuations, Newland tries to dodge his growing passion by rushing his marriage to May, but he cannot keep himself from confessing his love to Ellen. Recognizing that Newland could never abandon his sense of honor and be happy, Ellen pushes Newland to May and leaves town. The marriage proceeds as dictated, but when Newland unexpectedly sees Ellen again, he yearns for the affair to come to fruition. However, he underestimates not only what May knows but also her ability to uphold the rules of propriety. Sumptuously shot by Michael Ballhaus, the film offers meticulously designed costumes and settings that evoke a culture as seductively beautiful in its surfaces as it is stifling in its rituals. Unspoken emotions are expressed through such details as yellow roses or a clipped cigar, a fade to red or a single camera move. Using Wharton's original prose to comment on the setting's hypocrisies, Joanne Woodward's voiceover narration suggests how much decisive power is buried beneath dainty femininity. The Age of Innocence received five Oscar nominations, including Best Supporting Actress for Ryder and Best Screenplay for Scorsese and Jay Cocks, and a win for Best Costumes. Although The Age of Innocence seemed like a departure from Scorsese's prior work, Newland is as much at the mercy of his circle's Byzantine structure (and his own conscience) as are Scorsese's more familiar mobsters; Newland's persecutors just wear white tie and tails. ~ Lucia Bozzola, All Movie Guide

Partly based on Charlie Chaplin's My Autobiography, this humorous and dramatic biopic features an all-star cast including Oscar nominee Robert Downey Jr., Dan Aykroyd, Anthony Hopkins, Kevin Kline, Diane Lane, and Chaplin's real-life daughter, Geraldine Chaplin, who portrays his mentally ill mother. With the use of flashback, an elderly Chaplin discusses his autobiography with his editor (Hopkins), who urges him to be more vulnerable and emotionally honest with his memoirs while journeying through his poverty-stricken childhood, closest friendships, many marriages, merciless pursuit by J. Edgar Hoover (Kevin Dunn), and ingenious invention of "The Little Tramp." Highlighted works such as The Gold Rush (1925) and The Great Dictator (1940) illustrate significant turning points in Chaplin's prolific filmography. Director Richard Attenborough's film also explores the circumstances surrounding Chaplin's exile from America and his eventual return to receive an honorary Academy Award. ~ Lisa Kropiewnicki, All Movie Guide

At one time, even the great Buster Keaton was a regular visitor of the mental health, alcoholic rehabilitation-center system. Since main-character Micha is obsessed with Keaton and everything that has to do with him, it is appropriate that after trying to pull a stunt on the public highways in imitation of the master (driving blindfolded), he winds up there as a result of the inevitable accident. The genial residents of the asylum have taken it over, following the death of the real doctor, and are having a grand old time there. They have elected O'Connor (Donald Sutherland) to run the place, perhaps because of his basement snake collection. One person after another dies in unintended mishaps, and the gardener (also an inmate) cheerfully disposes of the corpses. This odd international production features cinematography by the famed Sven Nykvist (who shot so many of Ingmar Bergman's films) and is the product of the stunning visual imagination of the esteemed art-house director Rebecca Horn. ~ Clarke Fountain, All Movie Guide

Richard Lester returned to his double-barreled successes of the 1970s, The Three Musketeers and The Four Musketeers, with Return of the Musketeers, a film that was inexplicably shelved for several years, making its belated premiere on cable television. Based on Alexandre Dumas's novel Twenty Years Later, the film takes place (appropriately enough) two decades after the death of Milady de Winter. Though Milady may have died, her nefarious schemes have been taken up by her daughter Justine (Kim Cattrall), who maneuvers with the conspiring Cardinal Mazarin (Philippe Noiret) to gain control of the crown through Queen Anne (Geraldine Chaplin). D'Artagnan (Michael York) calls for his old compatriots Porthos (Frank Finlay), Athos (Oliver Reed), and Aramis (Richard Chamberlain) to once again go "one for all and all for one." But complications set in when Athos and Aramis take sides with the crown and Athos' adopted son Raoul (C. Thomas Howell) falls in love in Justine. The film is dedicated to character actor Roy Kinnear who plays Planchet, who died in an equestrian accident during the production. ~ Paul Brenner, All Movie Guide

In the expatriate-littered Paris of the 1920s, painter Nick Hart (Keith Carradine) mingles with Ernest Hemingway (Kevin O'Connor) and other leading lights of the Lost Generation while palling around with gossip columnist Oiseau (Wallace Shawn), whose reportage has helped establish the international reputation of the writers and artists who fled America for France after WWI. Older and less successful than many of his fellow painters, Hart relies on gallery owner Libby Valentin (Genevieve Bujold) to sell what she can of his work while he supports himself drawing cartoons for Oiseau's weekly column. In a café one day, Hart spies Rachel Stone (Linda Fiorentino) on the arm of her husband, Bertram (John Lone), a condom magnate and art patron who's trying to buy his way into society. It seems Hart and Rachel share a romantic past of which Stone is completely unaware. At the salon of writers Gertrude Stein (Elsa Raven) and Alice B. Tolkas (Ali Giron), Hart suffers a nasty run-in with the Stones and meets Nathalie de Ville (Geraldine Chaplin), a rich socialite who wants to steal three paintings from her estranged husband. Nathalie plies Hart with sexual favors and the promise of cash in exchange for his help in forging copies of the paintings. Although he's loath to follow in the footsteps of his father, a gifted forger, Hart acquiesces, and soon his rivalry with Stone and his involvement with the forgeries leads to death, destruction, and scandal in the art world. Bujold, Shawn, Chaplin, and Carradine are all regular collaborators of iconoclastic director Alan Rudolph, who filmed The Moderns in Montréal and would go on to lens the similarly intellectual Mrs. Parker and the Vicious Circle. ~ Brian J. Dillard, All Movie Guide

Though she always played coy about the fact in interviews, Nora Ephron's novel Heartburn is a thinly disguised "a clef" rehash of her marriage to Washington Post reporter Carl Bernstein. Meryl Streep plays Rachel, an influential food critic who marries charismatic columnist Mark (Jack Nicholson) after a whirlwind courtship. Warned that Mark is constitutionally incapable of settling down with any one woman, Rachel gives up her own job to make certain that her marriage works. When Rachel announces that she's pregnant, Mark virtually jumps out of his skin with delight. But as the news sinks in, Mark chafes at the impending responsibilities of fatherhood, and the philandering begins-- as if it had ever really stopped! Our favorite scene: Rachel and her friends being robbed at her therapy group. That's Meryl Streep's real-life daughter playing Rachel's offspring. ~ Hal Erickson, All Movie Guide

Filmed on location "Somewhere in France", this umpteenth version of Dumas' The Corsican Brothers stars the zoned-out comedy team of Cheech and Chong. Perhaps inspired by the Ritz Bros.' spin on The Three Musketeers, the duo retains enough of the original story (about twin brothers who feel one another's pain) to keep the plot going, but try to inject their own peculiar brand of humor throughout. The film's highlight is a duel with two loaves of stale bread. Yes, that's the highlight. Just as the 1930s comedy team of Wheeler and Woolsey lost their audience when they dropped their risque humor and Prohibition gags, so too do Cheech and Chong falter when not indulging in the drug-oriented comedy which made them famous in the early 1970s. ~ Hal Erickson, All Movie Guide

With Life is a Bed of Roses, filmmaker Alain Resnais wanted to create a lighthearted tribute to three important French directors, each of whom defined a particular era in his country's cinema Melies (the first French filmmaker to use narrative--his most famous film is A Trip to the Moon), the impressionist L'Herbier (most famous for his inspirational avant garde work during the '20s) and Rohmer (most famed for his sextet of "Moral Tales" during the '60s). To present his chronicle of the human quest for a utopia of personal happiness and fulfillment, Resnais created two distinct narratives representing the past and present, and then interspliced them with a third more fantastical tale to provide contrast. Representing the past, the first tale centers on a monied eccentric who creates a "temple of happiness' in his chateau. There, guests are given a special potion, laid inside enormous cribs and surrounded by pleasant sensations to help them return to the blissful state of infancy. The second story takes place in the same chateau where a symposium on the techniques and philosophies of the eccentric are hotly debated and elaborated upon. Weaving its way between the two tales is the third, which represents the medieval fantasies of children in a forest who imagine the struggle between a wicked king and a brave good-hearted warrior. ~ Sandra Brennan, All Movie Guide