Geraldine Chaplin Movies

Charles Chaplin wrote, directed, and scored this old-fashioned romantic comedy, which proved to be his last film. Wealthy American diplomat Ogden Mears (Marlon Brando) is sailing from Hong Kong to Hawaii, where he hopes to meet and reconcile with his estranged wife Martha (Tippi Hedren). However, while the ship takes on passengers in Hong Kong, a stowaway slips into Mears' suite. Natascha (Sophia Loren) is a White Russian countess who was forced to flee the country following the revolution and ended up in Hong Kong, where she earns a meager living as a dime-a-dance girl in a sleazy ballroom. When Mears discovers that Natascha is an uninvited guest in his quarters, she begs him to help her emigrate to the United States; when he refuses, Natascha tries a new tack, threatening to tell Martha that they've been sharing a stateroom if he doesn't cooperate. Mears grudgingly allows Natascha to stay with him and keep her secret until he can figure out a clever way to get rid of her. Margaret Rutherford has a showy supporting role as an eccentric passenger, and Chaplin gives himself a silent cameo as a bumbling porter (no fewer than four of his children also appear). ~ Mark Deming, All Movie Guide

Robert Altman's over-frenetic satire on American marriage rituals and hypocrisy concerns the upper-crust marriage between Dino Corelli (Desi Arnaz Jr.) and Muffin Brenner (Amy Stryker). As the film begins, a senile bishop forgets the lines to the wedding ceremony and Nettie Sloan (the groom's grandmother) drops dead in an upstairs bedroom. Nettie's death is not disclosed to the two families who converge at the wedding reception. As the two sets of in-laws slam into each other, the bride and groom disappear in the ensuing whirlwind of chaos as both extended families vie for sexual favors and try to keep hidden never-discussed family secrets. Regina Corelli (Nina Van Pallandt) is revealed to be a drug addict, while Luigi, is endeavoring unsuccessfully to keep his Mafia connections under wraps. Meanwhile, the bride's family, although more down to earth, are revealed to be no better. Tulip Brenner (Carol Burnett) begins to flirt with one of the wedding guests, Mackenzie Goddard (Pat McCormick), while Snooks Brenner (Paul Dooley) acts like a lout and drinks heavily. And flying around the edges of the action like Tinkerbell is Buffy Brenner, the Brenners' youngest daughter, who is pregnant by the groom. As other characters bang into each other -- sexual degenerates, hard-nosed radicals, raw-boned emotional wrecks -- the wedding reception heads for its inevitable nuclear explosion. ~ Paul Brenner, All Movie Guide

A naive girl's love for Switzerland is put to the test in this satiric comedy. Irina (Yelena Panova) is a woman from Russia who all her life has always been fascinated by Switzerland and longs to live there some day, though her notion of Swiss life has more to do with Heidi and old movies set in the Alps than reality. So when fashion designer Charlotte De (Geraldine Chaplin) and lawyer Alfred Waldvogel (Ulrich Noethen) offer Irina a chance to live in Switzerland and gain the Swiss passport she's always dreamed of, she leaps at the chance. Never mind that she's actually working for them as a prostitute, catering to the sexual appetites of the slimier members of the Swiss upper crust -- she's simply delighted to be there and nothing bothers her a bit. However, just as Irina's about to gain her cherished passport, her "sponsors" decide she's outlived her usefulness and send her back home. She responds by blowing the whistle on Charlotte and Alfred, which in turn sends a shock wave through the nation's social and political foundations. Beresina was noted for its barbed wit, clever production design, and a fine comic performance by Yelena Panova when it was screened in the "Un Certain Regard" category at the 1999 Cannes Film Festival. ~ Mark Deming, All Movie Guide

The French-language psychological drama Boxes - which represents veteran actress Jane Birkin's (Blow-up) directorial debut on a narrative feature - constitutes an extended, theatrically garrulous meditation on the rift of understanding inevitable between parents and children. In addition to directing, Birkin also stars, as Anna, a fiftysomething woman in the throes of menopause, who journeys to her family's summer home in Brittany and leafs through the boxes of the title, filled to the brims with mementos and tidbits of family history. As Anna pours over the contents, individuals from her life materialize before her eyes, including her venerable deceased father (Michel Piccoli), her three daughters by different men (Natacha Regnier, Lou Doillon and Adele Exarchopoulos), and her headstrong mother (Geraldine Chaplin). The journey into the past thus becomes a cerebral and philosophical meditation on familial relationships, and an exploration of such themes as love, faithfulness, betrayal, and changes wrought by the ravages of time. ~ Nathan Southern, All Movie Guide

At one time, even the great Buster Keaton was a regular visitor of the mental health, alcoholic rehabilitation-center system. Since main-character Micha is obsessed with Keaton and everything that has to do with him, it is appropriate that after trying to pull a stunt on the public highways in imitation of the master (driving blindfolded), he winds up there as a result of the inevitable accident. The genial residents of the asylum have taken it over, following the death of the real doctor, and are having a grand old time there. They have elected O'Connor (Donald Sutherland) to run the place, perhaps because of his basement snake collection. One person after another dies in unintended mishaps, and the gardener (also an inmate) cheerfully disposes of the corpses. This odd international production features cinematography by the famed Sven Nykvist (who shot so many of Ingmar Bergman's films) and is the product of the stunning visual imagination of the esteemed art-house director Rebecca Horn. ~ Clarke Fountain, All Movie Guide

Partly based on Charlie Chaplin's My Autobiography, this humorous and dramatic biopic features an all-star cast including Oscar nominee Robert Downey Jr., Dan Aykroyd, Anthony Hopkins, Kevin Kline, Diane Lane, and Chaplin's real-life daughter, Geraldine Chaplin, who portrays his mentally ill mother. With the use of flashback, an elderly Chaplin discusses his autobiography with his editor (Hopkins), who urges him to be more vulnerable and emotionally honest with his memoirs while journeying through his poverty-stricken childhood, closest friendships, many marriages, merciless pursuit by J. Edgar Hoover (Kevin Dunn), and ingenious invention of "The Little Tramp." Highlighted works such as The Gold Rush (1925) and The Great Dictator (1940) illustrate significant turning points in Chaplin's prolific filmography. Director Richard Attenborough's film also explores the circumstances surrounding Chaplin's exile from America and his eventual return to receive an honorary Academy Award. ~ Lisa Kropiewnicki, All Movie Guide

American film historian and author Richard Schickel directs the documentary Charlie: The Life and Art of Charles Chaplin. Schickel offers an exploration into Chaplin's life, from his childhood in London until his death in 1977. The film also contains insight on his multifaceted film career and much-publicized private life. Includes archive footage, film clips, and narration by Sydney Pollack. Interwoven with the vintage bits are contemporary interviews with Hollywood personas such as Woody Allen, Martin Scorsese, and Johnny Depp. Chaplin's children Michael and Geraldine also provide contributions. Charlie was shown at the Edinburgh International Film Festival in 2003. ~ Andrea LeVasseur, All Movie Guide

Differentiating this TV-movie version of Charles Dickens' A Christmas Carol from the hundreds of other adaptations of the same Yuletide classic is its tongue-in-cheek ambience and a bundle of memorable tunes by perennial Disney composer Alan Menken and former Schoolhouse Rock lyricist Lynn Ahrens. Inspired by a stage musical which used to be presented annually at New York's Madison Square Garden, this Christmas Carol stars Kelsey Grammer as tight-fisted Ebenezer Scrooge, who sees the errors of his ways just in time to oversee the "best Christmas ever" for his long-suffering clerk Bob Cratchit (Edward Gower) and "God Bless Us Everyone" Tiny Tim (Jacob Moriarty). On this occasion, the spirits materializing for Scrooge's benefit include Jason Alexander as a neurotic Jacob Marley, Jesse L. Martin as a laid-back Ghost of Christmas Present, Jane Krakowski as a sexy Ghost of Christmas Past, and Geraldine Chaplin as a spooky Ghost of Christmas Future (in Wizard of Oz tradition, three of these four actors also appear as "real" people in Scrooge's everyday life). Highlights include the song "Link by Link," wherein the ghostly Marley and a chorus of wraiths perform a lively ball-and-chain dance number, and the outsized Christmas celebration in the home of Scrooge's first boss, Mr. Fezziwig (Brian Bedford), which features among other things a "pole dance" by the Ghost of Christmas Past! Filmed on-location in Budapest (which sort of looks like Dickensian London if you squint real hard), A Christmas Carol: The Musical won an Emmy award for musical director Michael Kosarin -- and, alas, tanked in the ratings when first telecast by NBC on November 28, 2004. ~ Hal Erickson, All Movie Guide

Acclaimed theater director Des McAnuff made his feature-film directorial debut with this period comedy-drama adapted from Honore de Balzac's novel La Cousine Bette (1846) about a jealous and bitter spinster who attempts to destroy the romance between her niece and a Polish sculptor. In Paris of the 1840s, spinster Bette Fisher (Jessica Lange) steps in to "take care" of her relatives after a decline in the Hulot family fortunes, mainly due to wastrel Hector Hulot (Hugh Laurie). After penniless sculptor Wenceslas Steinbach (Aden Young) marries Hector's daughter, Hortense (Kelly Macdonald), Bette schemes and plots, drawing Hector's mistress, music-hall star Jenny Cadine (Elisabeth Shue), into her web by arranging for wealthy Cesar Crevel (Bob Hoskins) to become Jenny's benefactor. Filmed at locations in and around Bordeaux. Shown at the 1998 Seattle Film Festival. ~ Bhob Stewart, All Movie Guide

In this crime drama, to wealthy men, whose money came from blackmail schemes find themselves stalked by a former victim. ~ Sandra Brennan, All Movie Guide

As the title implies, Christian Molina's no-prisoners erotic drama takes a head-on plunge into the complex world of a nymphomaniac. Belen Fabra stars as Val, a svelte 28-year-old young woman with an insatiable sexual appetite and a towering level of erotic curiosity, both of which propel her on to one bedroom liaison after another. She spends her days bedding countless lovers and making copulation the centerpiece of her world; in time, Val's obsessions prompt her to build a career out of prostitution and help her find legitimate love with a man. The legendary Geraldine Chaplin, daughter of Charles Chaplin and ex-romantic partner of Carlos Saura, contributes a supporting role as Abuela. ~ Nathan Southern, All Movie Guide

The made-for-TV Duel of Hearts is based on a novel by Barbara Cartland. It is difficult to believe that there's a Gothic-romance TV movie in existence that isn't based on a Cartland novel. Alison Doody plays gorgeous debutante Lady Caroline Faye, who falls for dashing nobleman Genuse Warlingham (Michael York). To be near the love of her life, Lady Caroline poses as a humble servant. The top-drawer British supporting cast includes Geraldine Chaplin, Billie Whitelaw, Virginia McKenna, Richard Johnson, Jeremy Kemp and Beryl Reed. Duel of Hearts made its American TV bow over the TNT Cable service on February 24, 1992. ~ Hal Erickson, All Movie Guide

Brothers Berto (Nancho Novo) and Mario (Enrique Alcides) grew up on Spain's Galician coast where their hippie parents settled during the '60s. Before they were grown, their father abandoned them, a trauma from which Mario has not completely recovered. Berto leaves home first, and many years pass before the brothers meet again. This sophomore feature from Galician director Xavier Villaverde recounts the brothers' reunion and search for their missing father. By the time they meet again, both siblings have accumulated troubled pasts. Mario has just finished jail time for protesting military service, while Berto has been involved in various criminal activities. Berto shows up to meet Mario with his latest lover, a very young Laura (Elena Anaya). It is not long before Mario joins them in a threesome. Later, Berto tells him that he has spent three years with their father (Cheto Lara); he then coerces Mario and Laura into accompanying him to Lisbon, Portugal where he claims their father now resides. This may or may not be a ruse to help Berto flee the country. As their journey progresses, painful truths about their pasts and childhood manifest themselves. ~ Sandra Brennan, All Movie Guide