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Luce Guilbault Movies

1986  
 
This study of the feminist mystique and its underlying issues centers on Madeline (Monique Mercure), a middle-aged director set on conquests of any kind. Also featured are Madeline's relationship to her daughter Renee (Guylaine Normandine) and a few lovers. Madeline is working as a radio talk show host when her daughter comes home to stay with her for the summer. Madeline seems fired by inner demons that propel her to excel in one way or another, either by doing a good work-out at the gym, by competing with her daughter, or by changing lovers one day to the next. The relationships she has throughout the summer fluctuate and change, yet by the time Renee is ready to go off to school again there is some hope for happiness ahead. ~ Eleanor Mannikka, Rovi

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Starring:
Monique MercureGuylaine Normandine, (more)
 
1982  
 
When a group of fortysomethings meet for a nostalgic reunion they take a bus tour of the town where they bonded together as school chums. During the tour, they play a game of "truth," and they open up their buried box of "secret ambitions" to compare their past dreams with their current reality. There are no major conflicts or dramatic tensions; the group simply manages to be as supportive as they can while learning of the traumas others have handled as they slowly make their collective way to the big "five-oh." ~ Eleanor Mannikka, Rovi

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Starring:
Roger BlayJacques Godin, (more)
 
1979  
 
Rape, the practice of female genital mutilation in Africa, and the legal system in most countries which shames rape victims rather than their abusers, are the subjects of this drama. In the story, a woman is making a film about the rape of a single woman but is also interviewing a series of rape victims. As she edits her film, she and her assistant discuss it. All of the rapists are symbolically united in one man's portrait, as enacted by Germain Houde. Real-life documentation is intermingled with reenactments and symbolic scenes to make this an extraordinarily harrowing viewing experience. The main character is unable to deal with the aftermath of her victimization, and she eventually commits suicide. ~ Clarke Fountain, Rovi

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Starring:
Julie VincentGermain Houde, (more)
 
1977  
 
In this subpar Canadian film, Sophia Loren is Angela, a prostitute who has decided to become a waitress after she gets pregnant by Ben Kincaid (John Vernon) and needs a better way to support her baby. When Ben gets back from service in the Korean War, he does not believe Angela's little boy is his, and after he starts working for his old mob boss, he says he cannot continue as long as the boy is in the house. So his boss Hogan (John Huston) has the child kidnapped, which triggers Angela to seek revenge, and she informs the police about Ben's planned robbery. He is caught and goes to jail for more than two decades, and when he gets out, his only goal is to get even. Meanwhile, Angela has worked her way up to the ownership of an elegant restaurant and has fallen in love with handsome young Jean Labrecque (Steve Railsback), who delivers meat to the kitchen -- without either knowing at the time that they are mother and son. With dim lighting, a dim script, and dim chances, this turkey was quickly made into dim-sum and shelved in video cassettes. ~ Eleanor Mannikka, Rovi

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Starring:
Sophia LorenSteve Railsback, (more)
 
1976  
 
This Canadian film stars Marcel Sabourin as J. A. Martin, journeyman photographer. Several times per year, Martin packs his bulky equipment and goes on the road in search of photogenic subjects, leaving his wife (Monique Mercure) behind. On this occasion, however, Mme. Martin insists upon accompanying her husband. She soon discovers that the truculent, inner-directed M. Martin may have been making ooh-la-la with some of his more attractive female portrait subjects. Director Jean Beaudrin adds a dash of topicality to J.A. Martin, Photographer with some genteel lobbying in favor of Quebec's Separatist movement. ~ Hal Erickson, Rovi

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Starring:
Marcel SabourinMonique Mercure, (more)
 
1975  
 
Helen (Luce Guilbeault) is a woman who already has, in her view, quite enough children. For some time she has secretly been taking birth control pills, but now she is too old to use them safely. When her husband Gabriel (Jean Mathieu) discovers the pills, he is distressed, since he wants a large family. The two of them discuss their differing attitudes and desires but come to no resolution. ~ Clarke Fountain, Rovi

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Starring:
Jean Mathieu
 
1974  
 
In this French-language drama, the psychological tensions which are driving four bourgeois couples apart are blithely ignored, as they attempt to party through them, all the while discussing politics, flirting, and drinking heavily. One of the couples includes the daughter of an older couple, together with her first serious lover. An idyllic pair at first, their problems multiply and they begin to resemble their more dejected and dissipated elders. The movie is based on the successful play by Marcel Dube. ~ Clarke Fountain, Rovi

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1973  
 
After being arrested for hitting his wife, and then temporarily thrown out of the house by the irate woman, Paul Laliberte (Jacques Godin) teams up with Madelaine (Luce Guilbeault) and his friend Pierre (Jean LaPointe) - and all three proceed to get into unlikely situations. Laliberte's wife decides to help him out and finds work for him as a skunk exterminator - a task that is rife with possibilities for olfactory trouble. In the end, Laliberte loses his job and strapped for money, robs the office of his ex-boss. Although things do not seem to be heading in quite the right direction for Laliberte, once he has hit bottom then the only way to go is up. ~ Eleanor Mannikka, Rovi

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Starring:
Luce GuilbaultJacques Godin, (more)
 
1973  
 
In this early work from director Denys Arcand (Jesus of Montreal), Vincent Padovani (Jean Lajeunesse) is a French-Canadian contractor whose new superhighway is about to open. At a party he throws with the local money-men and political honchos, Padovani willingly indulges in the sort of debauchery that is permissible only in the highest social circles. The revelry is interrupted -- briefly -- when the ex-wife of the highway financier turns up; the financier's bodyguards promptly rub her out and have her body dumped in cement...and by film's end, the unfortunate woman winds up a left turn on Padovani's highway. The anti-establishment ambience of Réjeanne Padovani has a bite-the-hand-that-feeds-you feel, inasmuch as the film was financed by a government grant. ~ Hal Erickson, Rovi

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1972  
 
This French-Canadian crime/action drama, which satirizes U.S. crime films, was shown at the Cannes Film Festival in 1972 and was well received. In the picture, perfectly ordinary people murder, steal, and torture one another with casual abandon in order to solve their everyday problems. ~ Clarke Fountain, Rovi

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1972  
 
This award-winning film reveals the conflicts in the lives of three French Canadian men in a hunting party. One of the men, the least successful with women, is not physically up to the trip; he is overweight and drinks too much. He tries to mask his embarrassment with humor and is generally a good sport. Another, who brought his young son along, slows up their progress by conducting an affair with a waitress. The last, and least sensitive of the group, also has a fling with a waitress. ~ Clarke Fountain, Rovi

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