Billy Chapin Movies
- 1959
Like most youngsters, Beaver (Jerry Mathers) and Wally (Tony Dow) are never satisfied with anything that they own. Gee, they reason, if Dad wasn't so stingy, they could have a whole lot of neat stuff. But our heroes are in for a real eye-opener when Chris (Billy Chapin) and Pete (Billy Chapin), the sons of the Cleavers' garbage man, Henry Fletcher (Jess Kirkpatrick), drop by unexpectedly. For starters, Chris and Pete are astonished to learn that Beaver and Wally actually have a front yard! ~ Hal Erickson, All Movie Guide
- Starring:
- Rusty Stevens, Jess Kirkpatrick, (more)
- 1956
In this typical 1950s Western, cowboy Wes Tancred (Richard Egan) is publicly vilified after killing a famous gunslinger who was a public hero. In fact, the hero was a villain, and Tancred killed him in self-defense, but Tancred is so scorned for his act that there is a mean-spirited ballad sung about him wherever he goes. On the run from his infamy, he comes to the small town of Table Rock and finds that it has been taken over by a gang of outlaws. To redeem his name, Tancred comes to the aid of the besieged Sheriff Miller (Cameron Mitchell). He also takes under his wing the son of a stagecoach operator who has been killed by the gang of outlaws. ~ Michael Betzold, All Movie Guide
- Starring:
- Richard Egan, Dorothy Malone, (more)
Adapted by James Agee from a novel by Davis Grubb, The Night of the Hunter represented legendary actor Charles Laughton's only film directing effort. Combining stark realism with Germanic expressionism, the movie is a brilliant good-and-evil parable, with "good" represented by a couple of farm kids and a pious old lady, and "evil" literally in the hands of a posturing psychopath. Imprisoned with thief Ben Harper (Peter Graves), phony preacher Harry Powell (Robert Mitchum) learns that Ben has hidden a huge sum of money somewhere near his home. Upon his release, the murderously misogynistic Powell insinuates himself into Ben's home, eventually marrying his widow Willa (Shelley Winters). Eventually all that stands between Powell and the money are Ben's son (Billy Chapin) and daughter (Sally Jane Bruce), who take refuge in a home for abandoned children presided over by the indomitable, scripture-quoting Rachel Cooper (Lillian Gish). The war of wills between Mitchum and Gish is the heart of the film's final third, a masterful blend of horror and lyricism. Laughton's tight, disciplined direction is superb -- and all the more impressive when one realizes that he intensely disliked all child actors. The music by Walter Schumann and the cinematography of Stanley Cortez are every bit as brilliant as the contributions by Laughton and Agee. Overlooked on its first release, The Night of the Hunter is now regarded as a classic. ~ Hal Erickson, All Movie Guide
- Starring:
- Robert Mitchum, Shelley Winters, (more)
A Man Called Peter is the story of Scottish-born Presbyterian minister and world-renowned author Peter Marshall, here played by Richard Todd. In his youth, Marshall moves to Washington DC, where he becomes pastor of the Church of the Presidents. His wisdom and conviction enables Marshall to communicate with men of all faiths. In private life, the pastor is given moral support by his loyal wife Catherine Marshall (Jean Peters). At the time of his comparatively early death, Marshall has become chaplain of the US Senate. Interestingly enough, while Marshall and his family are identified by name, the peripheral political characters are given fictional monickers--and sometimes, as in the case of the President played by William Forrest, no names at all. Director Henry Koster expertly avoids filming Marshall's sermons in a static, declamatory fashion. As Catherine Marshall, Jean Peters does wonders with a comparatively limited role; her best scene is her last, when she overcomes her lifelong fear of the ocean for the sake of her son (Billy Chapin). A Man Called Peter was certainly not conceived out of any box-office considerations, but it still paid its way. ~ Hal Erickson, All Movie Guide
- Starring:
- Richard Todd, Jean Peters, (more)
- 1955
Three bank robbers (J. Carroll Naish, Lee Marvin, Stephen McNally) case a small Arizona mining town prior to pulling a holdup. The audience get to know the various townsfolk as they're scrutinized by the crooks. Victor Mature plays a man who is a disappointment to his son because he didn't serve in the war. Tommy Noonan is a meek bank manager with a habit of spying on a pretty customer as she undresses in her second-story bedroom. Sylvia Sidney is a petty thief who has deposited her stolen funds in the bank. Margaret Hayes is the cheating wife of a local leading citizen, who is killed in the holdup. And Ernest Borgnine is a pacifistic Amish farmer, forced to take violent action when his children are threatened by the criminals (Borgnine's pitchfork-wielding scene was reproduced for the print ads of this film, leading some critics to assume that he was the villain!) The hero of the day turns out to be the "unheroic" Mature, who after being kidnapped by the crooks frees himself and prevents their escape. Violent Saturday is based on a novel by William I. Heath. ~ Hal Erickson, All Movie Guide
- Starring:
- Victor Mature, Richard Egan, (more)
- 1954
- Add There's No Business Like Show Business to QueueAdd There's No Business Like Show Business to top of Queue
Like Alexander's Ragtime Band (1938), 20th Century-Fox's There's No Business Like Show Business is a "catalogue" film, its thinnish plot held together by an itinerary of Irving Berlin tunes. The story chronicles some twenty years in the lives of a showbiz family, headed by Dan Dailey and Ethel Merman. Two of the couple's three grown children -- Donald O'Connor and Mitzi Gaynor -- carry on the family tradition, while the third, Johnny Ray, decides to become a priest. There are a few tense moments when O'Connor falls in love with ambitious chorine Marilyn Monroe and loses all sense of perspective, but the family reunites during a splashy production-number finale. Highlights include Dailey and Merman's Play a Simple Melody duet, O'Connor's A Man Chases a Girl solo, and Monroe's tempestuous rendition of Heat Wave (her delivery and stage presence both compensate for her unflattering bare-midriff costume). Of historical interest, There's No Business Like Show Business was Fox's first CinemaScope musical; as such, it is best viewed on TV in "letterbox" format. ~ Hal Erickson, All Movie Guide
- Starring:
- Ethel Merman, Donald O'Connor, (more)
This children's sci-fi adventure chronicles the friendship between an 11-year-old and his grandfather's robot Tobor, who was designed to explore deep space. Tobor, unlike other machines, was endowed with human emotions. Trouble erupts when the communists kidnap him and try to make him do their evil bidding. Fortunately, Tobor is mind-linked to his creator and cannot be easily reprogrammed. The adventure begins when the boy and the scientists attempt to save the robot. ~ Sandra Brennan, All Movie Guide
- Starring:
- Charles Drake, Karin [Katharine] Booth, (more)
- 1954
Ross Hunter hadn't yet completely graduated to glossy, star-studded soap operas when he produced the taut crime meller Naked Alibi. Chief of detectives Joseph E. Conroy (Sterling Hayden) is busted after failing to prove that "solid citizen" Al Willis (Gene Barry) is a maniacal cop-killer. Despite his lack of authority, Conroy puts so much heat on Willis that the latter skips town with his floozy lady friend Marianna (Gloria Grahame). Conroy follows the two fugitives to a wide-open border town, then slowly and methodically maps out the villain's doom. Essentially a cat-and-mouse game for most of its running time, Naked Alibi slowly but surely builds up to a nailbiting rooftop-chase climax. ~ Hal Erickson, All Movie Guide
- Starring:
- Sterling Hayden, Gloria Grahame, (more)
- 1954
Friday (Jack Webb) and Smith (Ben Alexander) follow up reports that a shabbily dressed eight-year-old boy and a six-year-old girl have been going door to door in a fashionable Bel-Air neighborhood, begging for food. A tip from a servant in one of the homes indicates that the little beggars are two of three severely malnourished youngsters who are living in squalor in a large, decaying house. The detectives find out that the children have been abandoned (and not for the first time) by their alchoholic mother--and that the youngest of the three kids is dying of a skull fracture. This episode is based on the Dragnet radio broadcast of February 1, 1951. ~ Hal Erickson, All Movie Guide
- 1953
In a break from tradition, the third-seasoner opener of Dragnet is not based on a radio broadcast, but was written specifically for television. Friday (Jack Webb) and Smith (Ben Alexander) suspect that drug dealers have broken into an experimental laboratory and stolen five white rats. But further evidence indicates that a pair of schoolchildren are responsible for the theft. Unfortunately, the rats have been infected with bubonic plague--and the two detectives have only 48 hours to track down the animals before a fatal epidemic engulfs Los Angeles. Dorothy Abbott is prominently featured in this episode as Friday's off-and-on girlfriend Ann Baker. ~ Hal Erickson, All Movie Guide
- 1953
Told in flashback, Affair with a Stranger recounts the deteriorating marriage of playwright Victor Mature and model Jean Simmons. The union is strained by the death of Jean's baby and the pressure of Victor's career. A scheming actress (Monica Lewis) makes a play for Mature, leading Jean to file for divorce. The couple is brought back together by the adoption of a baby (the "stranger" of the title). Affair with a Stranger is unabashed soap opera, made plausible by the sensitive performance of Jean Simmons. ~ Hal Erickson, All Movie Guide
- Starring:
- Jean Simmons, Victor Mature, (more)
- 1953
In one of the most famous Dragnet episodes of all time, Joe Friday (Jack Webb) and Frank Smith (Ben Alexander) investigate the theft of a statue of the Baby Jesus from a Catholic church, just before the first Christmas Mass. Father Rojas (Harry Bartell) explains that the doors of the church are always left unlocked; when Joe asks if the doors are open for thieves, the priest replies gently, "Especially thieves." Following the slimmest of leads, the two detectives haul in a suspicious derelict (James Griffith), but he turns out to be innocent. Only at the very end of the story do we learn the identity--and the touchingly honorable motives--of the youthful "thief". The first Dragnet episode filmed in color (Technicolor, no less!), "The Big Little Jesus" was initially heard on December 22, 1953 as a radio broadcast, which was actually the soundtrack of the televised version (this soundtrack was later released commercially as an LP record by RCA Victor). The episode was refilmed as "The Christmas Story", which aired December 21, 1967 as part of NBC's "new" Dragnet series. ~ Hal Erickson, All Movie Guide
- 1953
Despite the lighthearted promotional campaign mounted by 20th Century-Fox when the film was first released, The Kid from Left Field is not a comedy. The title character is young Christy Mathewson Cooper (Billy Chapin), the son of former big-league ballplayer Larry Cooper (Dan Dailey), who is now reduced to hawking peanuts at the ballpark. Securing a job as a batboy with a team called the Bisons, Christy amazes the players and management by giving them tips on how to win games. What no one knows is that Christy is passing along information provided by his father. Impressed by Christy's apparent expertise, third baseman Pete Haines (Lloyd Bridges) tells team secretary Marion Foley (Anne Bancroft) about the boy. She, in turn, tells Bisons owner Whacker (Ray Collins), a "Bill Veeck" type ever on the alert for a new publicity gimmick. Whacker promptly appoints the pint-sized Christy as manager of the team, replacing the ill-tempered Billy Lorant (a truly venomous performance by Richard Egan). Larry is about to spill the beans concerning Christy's baseball knowledgeability, but he decides not to, considering himself a burnt-out has-been. And that's all that can be revealed without giving away the ending. Its whimsical premise notwithstanding, Kid from Left Field is treated as a straight drama, with several near-noir long shots of the shadow-drenched ballpark. The film was remade for television in 1978 as a vehicle for Gary Coleman. ~ Hal Erickson, All Movie Guide
- Starring:
- Dan Dailey, Anne Bancroft, (more)
- 1952
An elderly man refuses to let death take him in this live television production of On Borrowed Time. ~ Kristie Hassen, All Movie Guide
- 1951
Winterset is the classic play featured in this recording of a live television production. ~ Kristie Hassen, All Movie Guide
- 1946
Frank Morgan plays a turn-of-the-century shipbuilder who dies of a sudden heart attack. Morgan is summoned to Heaven by the ghost of the father (Keenan Wynn), who'd been killed in a barroom brawl at an early age and thus is now younger than his own son! After a few amusing efforts at testing his spectral powers, Morgan elects to stick around on earth for a while to straighten out some unfinished business. He is especially eager to put the brakes on his onetime best friend (Cecil Kellaway), who was supposed to invest Morgan's savings but who plans to abscond with the funds and leave Morgan's widow penniless. A bolt of lightning solves everyone's problems, and Morgan peacefully heads heavenward with his dad. Based on a play by George Seaton, Cockeyed Miracle is a charming example of the sort of comedy/fantasy fare popular with filmgoers of the 1940s. ~ Hal Erickson, All Movie Guide
- Starring:
- Frank Morgan, Keenan Wynn, (more)
